Can you tell us about the tone/feel of the Dimarzio 59 set? The EQ numbers look like they are a bit more in line with some of the higher output Dimarzios that I do like instead of an EQ like their previous PAF clones.
I owned both those pickups and the opposite was true for me, the Master was full and darker, the 36th bright and edgy, no mids.I am just guessing that these may be a middle ground between the PAF master (very bright) and 36th PAF (boosted mids).
Ok. What guitar did you have the 36th anniversary pickups in?I owned both those pickups and the opposite was true for me, the Master was full and darker, the 36th bright and edgy, no mids.
I just ordered a set of the 59's, for my Cherry LP, the cream should look great in the cherry.
A LP Custom BlackOk. What guitar did you have the 36th anniversary pickups in?
The only "interesting" thing here is that they're "un-dipped", which might be DMZ speak meaning un-potted. However, the verbatim also says that they're "scatterwound"... and that's as "un-PAF-like" as it gets.
Also, their DC-readings are way too high for "PAF" as we know'em... unless they're using AWG#42.5 wire... which might be faulty AWG#42 so they got a very big shipment for cents on the dollar?
To close the argument: DMZ also trademaked the "PAF" acronym, so they can make anything and lie through their teeth calling it "PAF" without breaking the law and ever being liable. Legal fraud at its best. Also note the trademark symbol on the "Double Cream" verbatim. Ring a bell, anyone?
That's the world we live in. Get used to it!![]()
Seems like there is no cloth tape used to protect the coils, but some other kind of tape... I've seen that on other pictures of DiMarzio humbuckers (new ones, so not retaped by the owner), like here: https://www.bax-shop.nl/gitaar-elementen/dimarzio-dp103bk-paf-element-zwart
Does anyone know if this is the new way DiMarzio tapes their humbuckers?? If it is I don't like it...
Has anyone here used the DiMarzio 59 pickup?
I don't know. I figured with all the trash talk, somebody had to have used one to know it sucks.
Trashing DiMarzio's penchant for patents is a long-standing tradition around here, though, and I understand.
You only have to go on Youtube and watch the guy demo them to hear how they make this post meaningless
Which guy? How could you trust some fella (even if he does get paid to do reviews) over our own Kojak? How would his remarks make that post meaningless? On what authority do you make these remarks? Is it because you can point out spelling errors on other threads?
I have had a few weeks with these, and I have to say they are the best version of a vintage pickup that I have tried from DiMarzio. (QUOTE)
Yep i agree
I've had the 36th and Master versions and my 59's are way better than those
I like the fact that they are unpotted, they have a great bright and slightly edgy sound to them and have more midrange than A5 pickups usually have
These are the first A5 pickups that i've actually wanted to keep as i normally don't like A5 mag pickups
I like them a lot and the Double Creams look great in my Cherryburst LP
They were excellently priced as well so win win
Thoroughly recommended
I am terrible at trying to describe sound. The Duncan Antiquities are my favorite "vintage PAF" and the DiMarzios are in the same family. Most of the others I have tried sound muffled or compressed. Like I have a blanket over the amp or something. No sparkle or overtones.
Finally got a set of these Dimarzio 59 PAF's and have had a few days to play them. I have the Uncovered versions, so keep that in mind. So far, I have only tried them in my SG. They are very similar to Duncan 59's since that is what I'm sure they were meant to compete with. Overall, they do feel like a tightened up set of Duncan 59's.
The neck pickup is very similar to the Duncan 59, but may be a tiny bit clearer, and has a little less bass. Maybe a little tighter in the bass end, and a little less warm and round. These sound like slight tweaks, not big differences. Like taking a Duncan 59 neck and tweaking it a hair toward a Duncan Jazz neck.
The bridge feels a little further away from the Duncan version. It has a focused, present, and clear tone, maybe not as "fuzzy" as the Duncan with higher gain. Not saying that is good or bad. I love the fuzziness of the Duncan 59, this is just a bit clearer with gain. Maybe not as open and airy sounding when played clean. The EQ numbers from Dimarzio made it sound like it was going to have a lot more mids than the Duncan, but I didn't really hear that much difference. What I do hear is treble that has been pulled back a bit. If you really like the bright treble bite of the Duncan 59, it is not as abundant in the Dimarzio bridge. Then again, if you find the Duncan 59 to have too much biting treble, this EQ might work for you. Still has tight bass. Still has that A5 magnet character. May be a tiny bit more aggressive than the Duncans, but not much. Definitely still a vintage output pickup. Like taking a Duncan 59 bridge and tweaking it a tiny bit toward a Whole Lotta Humbucker Bridge.
I may try them in my mahogany PRS next.