The SDUGF Official Pics of Your Board Thread

[beaubrummels]

Here's one of my recent, among ever changing, iterations.
Just varying gain with some ambient delay. And yes, an actual board.

That sure gives new meaning to dirt pedals.

 

[GuitarStv]

Here's one of my recent, among ever changing, iterations.
Just varying gain with some ambient delay. And yes, an actual board.

Man, you need to vacuum a bit. That carpet is looking a little dusty.

 

[Mincer]

Here is my direct-to-PA and recording board. The expression pedal can switch between pedal 1 and pedal 2 with a toe switch.

 

[Butch Snyder]

This is my one and only board. I use it for every gig; no matter the genre. That's how I designed it. The DejaVu has got to go though. It's just not cutting the mustard. That's for another thread.

 

[jeremy]

ill keep an eye out for that thread, i have one and like it a lot

 

[Mincer]

I put this together with individual pedals....currently used for rehearsal. The red pedal is a BYOC 5 Knob Compressor. The small square footswitch puts the DL4 into loop mode.

 

[Securb]

As I always ask myself, could I gig with that board? Absolutely.

 

[jeremy]

same

 

[Securb]

Moved some stuff around, added a pedal, and cleaned some stuff up

 

[jeremy]

whats the signal flow?

 

[Securb]

whats the signal flow?

MRX Talkbox>MXR D+>WAMPLER>HIWATT>DUNCAN>PEAVEY>MOOG>H90>H9>WAH>VOL

The EXP Pedal on the right controls both Eventides.

 

[jeremy]

gotcha, so as it looks other than the talkbox in front

 

[Securb]

gotcha, so as it looks other than the talkbox in front

When on the Talkbox shuts off the signal downstream. So when we do Sweet Emotion for example, I have the VOL pedal on full and the distortion on. When I switch from the intro to the verse, there is no tap dancing I just hit one button, and the switchover is done.

 

[Aceman]

When on the Talkbox shuts off the signal downstream. So when we do Sweet Emotion for example, I have the VOL pedal on full and the distortion on. When I switch from the intro to the verse, there is no tap dancing I just hit one button, and the switchover is done.

Same for me on Living On A Prayer

 

[Chistopher]

The pedals I keep in my home office for the moments I'm waiting for my computer to think. I'm still trying to find a clean way to handle the cables because the top jacks on the FF7 and the side jacks on the BM20

It is to me an allegory for the nature of life’s own transience. Endless phantasms of sound lie within reach, yet each sweet resonance decays, withers, and drifts into silence. Should I dare to wander from a moment’s perfect setting, it is lost forever to the abyss. Never again shall my hands conjure it, save as a warped echo in memory.

Yet within these humble machines dwells a boundless liberty. From the gentlest shimmer of light-touched overdrive (admittedly the low gain sounds are okay at best) to a vast and towering wall of noise, they grant me the power to shape the very air into infinite forms. In their currents I sense the great unity of all sound: subtle or violent, fleeting or eternal. Each vibration a thread in the unseen fabric that binds me to the whole of existence.

And so I bow to these instruments of fleeting wonder, whose vanishing tones and infinite possibilities remind me that even in the decay of sound, there is a sacred spark of creation ever slipping away, yet forever urging me toward new forms of beauty.

Heraclitus’ assertion, “You cannot step twice into the same river,” finds an uncanny resonance in the BM20 "De La Riva". Beside it, the Fuzz Factory 7 stands as a testament to the art of reinvention. Together, they embody two faces of creation: one an endless current of difference, the other a reminder that even the known, when touched with imagination, becomes inexhaustibly new.

 

[Chistopher]

A man cannot step into the same river twice, because it is not the same river, and he is not same man

:clap: