The SDUGF Official Pics of Your Board Thread

I moved around some stuff. The Distortion+ is giving up the ghost and was making a lot of noise in the studio. I replaced it with my DOD250 its the same circuit. The Hiwatt fuzz didn't sound great recorded. I replaced it with my MXR Blue Box.

 
What's your most recent opinion on the Peavey?

I love it. It recorded fantastically. It has a raw fuzz type of vibe. When you hit the saturation button, it is very dated cool distortion still very fuzzy and hairy. Very nice feel and touch, very flexible EQ. As an AIB into my powered speaker, it is awesome. I do not think it is everyone's taste but it is awesome for 80s tones and hipster stuff.
 
Oh gotcha. Anything that the H9 does that the H90 doesn't do?

No, It’s actually the other way around. The Eventide H90 can run two algorithms at the same time, while the H9 only runs one at a time. The H9 platform is also basically finished at this point — Eventide isn’t releasing any new algorithms for it. Even the H9 Max already has everything that was ever made for the H9, so what you see is what you get.

That said, the H9 is still a great grab on the used market. The delays, reverbs, modulation, pitch, harmonizer, and distortion algorithms are all top-tier, and a lot of them came straight from Eventide’s big rack units and Factor pedals. Sound-wise, there’s no downgrade at all. If the H9 and H90 are running the same algorithm, they sound the same.

Where the H90 pulls ahead is in flexibility and live use. You can run two algorithms at once, the routing is way more advanced, and the footswitching is set up better for performance with easier bank changes and preset control. It’s just a more powerful, more gig-friendly unit overall, not a better-sounding one.
 
No, It’s actually the other way around. The Eventide H90 can run two algorithms at the same time, while the H9 only runs one at a time. The H9 platform is also basically finished at this point — Eventide isn’t releasing any new algorithms for it. Even the H9 Max already has everything that was ever made for the H9, so what you see is what you get.

That said, the H9 is still a great grab on the used market. The delays, reverbs, modulation, pitch, harmonizer, and distortion algorithms are all top-tier, and a lot of them came straight from Eventide’s big rack units and Factor pedals. Sound-wise, there’s no downgrade at all. If the H9 and H90 are running the same algorithm, they sound the same.

Where the H90 pulls ahead is in flexibility and live use. You can run two algorithms at once, the routing is way more advanced, and the footswitching is set up better for performance with easier bank changes and preset control. It’s just a more powerful, more gig-friendly unit overall, not a better-sounding one.
I need to do a deep dive into the algorithms to see what is possible.
 
This is a Temple Audio board. The EB pedal is an expression pedal. I use it for things like wah, delay time/feedback, and leslie speed. The 3 squares across the top are a clock, an Ebow holder, and a tin to keep picks in.

IMG_8808.webp
 
Main board in front of amps. Voodoo Labs power underneath. Vol-->Cali76-->NotaDumble---etc. to Boss, Omni verb then Flight Delay. Z switch takes out the amp tone stacks for more boost from the amp. Little JHS switch handles reverb for my tiny Boogie. Another boards sits on top the Boggie. I call it the swirl station as it has univibe, phaser, chorus and flanger.

Sly_FX_041326.webp
 
Sly_swrll_041326.webp

Swirl station. The Behringer is great for I think 80 bucks. Pots are smooth, switches feel nice and the box is very solid.
 
I really like the Temple Audio boards, but I don't use their mounting plates, as they are a PITA to get off of the pedal.
 
Yeah they are. I've used a paint scraper with good success. Zip ties work a treat with it too. I have the volume pedal secured with zip ties and it's held up well.
 
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