The Tone Chase

[LLL]

Speaking of tone (gotta contribute, right?):

I am a tone chameleon. I have researched numerous famous guitarists' rigs, studio recording/mixing techniques, and other concepts.

I am a DIYer - out of necessity (availability and budget). I've built guitars, tube amps and pedals.

I have a bunch of different amps, real and virtual. Some tube, some SS. I have a ton of effects both real and virtual. So the tonal "palette" is huge.


Since technically I play a lot of different stuff and styles (except a few like... country) from basic to advanced difficulty, it would seem appropriate that I do not have a single, particular tone - I will use whatever is available based on my experience and what is appropriate sound-wise. I could probably (probably) make a Gorilla amp sound good; in the right context.

 

[beaubrummels]

That doesn't explain anything as to why only 5 people out of 54,828 total members posted in Bogner's thread here about tone chasing.

Actually, I directly explained why. Reading comprehension 101, anyone?

 

[LLL]

A lot of people probably dont feel comfortable hanging out and talking gear in places where they dont feel comfortable just hanging out. If they perceive an arrogant, judgmental atmosphere, it will impact their participation, and their presence.

And what about a lackadaisical atmosphere where (IIRC) the current most popular topic is "What Are You Doing Right Now?" on a gear forum?

It is what it is, but this just mirrors so much out there and the slow, gradual decline of interest in guitar playing overall. Slippery slope indeed.

 

[JamesPaul]

In the 90's I was using a Peavey Classic 50 or 30. Plenty of gain for the 80's music I was playing.

In the 00's I found the Clean channel of the Triple XXX. The best clean channel I have heard to date. Plus the Ultra channel has enough gain I really do not need any pedals in front. But there truly is not much difference, in gain, between the Triple XXX Crunch and Ultra channels.

I missed my Classics. Even had a friend in town who would nag me about getting a JSX, because the Crunch channel is based on the Classic 50 Lead. I finally conceded and got a JSX. I run 6CA7s in the power section, but they are big and glassy enough that I do not miss the 6L6s of the Triple XXX.

I wish the JSX weighed less, but it truly has all my tones in one box. Triple XXX Clean, Classic 50 Lead (Crunch), and Triple XXX Ultra. Never need more than my Pickup Booster in front. So, big win as it has all come together in this amp.

 

[AJ6stringsting]

Looks like a lot of fun. A right-wing guitar forum.

Right Wing guitar forum , can we say Harmony Central much ....

 

[AJ6stringsting]

Speaking of tone (gotta contribute, right?):

I am a tone chameleon. I have researched numerous famous guitarists' rigs, studio recording/mixing techniques, and other concepts.

I am a DIYer - out of necessity (availability and budget). I've built guitars, tube amps and pedals.

I have a bunch of different amps, real and virtual. Some tube, some SS. I have a ton of effects both real and virtual. So the tonal "palette" is huge.


Since technically I play a lot of different stuff and styles (except a few like... country) from basic to advanced difficulty, it would seem appropriate that I do not have a single, particular tone - I will use whatever is available based on my experience and what is appropriate sound-wise. I could probably (probably) make a Gorilla amp sound good; in the right context.

Same here, I own a lot of 1980's Kramers and Jacksons, I assembled guitar bodies , necks and electronics parts from Warmoth, Dragon Fire, Mite Might and GFS, that are equal or better than my more expensive 1980's guitars.

I have VHT, Marshall, Mesa Boogie, Fender, Peavey and Carvin amps that I recreated on a DigiTech 2112 SGS , now I don't have to lug around an amp collection to my gigs.

I get studio quality sound, when I play live.

 

[Mincer]

You're welcome.

 

[Bogner]

Who? What?

Now back to my original post.

 

[LLL]

Who? What?

Now back to my original post.

This is what you need for amazing tone:

https://www.musicgoround.com/produc...MIwJSnjIPo9QIVjClMCh1Zhw2-EAQYAiABEgJh3fD_BwE

 

[Bogner]

This is what you need for amazing tone:

https://www.musicgoround.com/produc...MIwJSnjIPo9QIVjClMCh1Zhw2-EAQYAiABEgJh3fD_BwE

I was hoping for a rack version because that era supposedly had all the ToAnZ! Am I right?

 

[LLL]

I was hoping for a rack version because that era supposedly had all the ToAnZ! Am I right?

That's right. No rack = not a professional.

 

[Bogner]

That's right. No rack = not a professional.

That "measuring stick" can be utilized in various areas...

:banana:

 

[NegativeEase]

This is what you need for amazing tone:

https://www.musicgoround.com/produc...MIwJSnjIPo9QIVjClMCh1Zhw2-EAQYAiABEgJh3fD_BwE

I want to play that on stage but use a DI and profiler secretly.

 

[beaubrummels]

That's right. No rack = not a professional.

That "measuring stick" can be utilized in various areas...

:banana:

That's right. A rack is required for all professionals.

 

[Securb]

I want to play that on stage but use a DI and profiler secretly.

RUSH does something similar

 

[beaubrummels]

RUSH does something similar

Those youngsters might want to pick up a couple a horns, because everyone knows, three guys does not a band make.

 

[NegativeEase]

Those youngsters might want to pick up a couple a horns, because everyone knows, three guys does not a band make.

Yeah, whats up with that guys voice? they'll NEVER make it -wasting their time.

 

[Securb]

Yeah, whats up with that guys voice? they'll NEVER make it -wasting their time.

The drummer is a bit busy.

 

[NegativeEase]

The drummer is a bit busy.

yeah, can he even keep a discernible beat? doubt it.

 

[Aceman]

That's right. A rack is required for all professionals.

Thank god....my journey through this thread was not in vain. She is toned.