jammertom
Member
I’ve had a MIM Strat for about 15 years now…it’s my comfortable “old dependable”. And, even though a JB may not be perfect for every application or musical taste, I’ve always really liked how it sounds in the bridge of this particular guitar.
So, about a month ago, I decided to take the guitar apart and make a couple of upgrades (?) I changed out the comparatively thin factory trem block (zinc, I think) for a KGC brass unit (beautiful piece!). Then, off came the Graphtech saddles in favor of a set of GFS stainless pieces (also very nice looking). Lastly, since I didn’t have handy any of my usual D’Addario EXL110 stings, I threw on a set of Ernie Ball regular slinky.
I guess I should have left well-enough alone. After a week of tweaking EQ and set up, I just can’t get it to sound as good as I thought it did before. These changes have introduced some subtle artifacts into the sound that I just can’t seem to smooth out…It’s hard to describe. I’ll see if changing back to a set of D’Addarios helps. If not, I kept the old stuff and can put it back to the way it was.
My point isn’t to bag any of the new parts, but rather to recognize that there sure are a number of variables that can affect the tone of a given instrument. What if I had not been so familiar with how good this one could sound? I might have dismissed the JB as not being a “great-sounding” pickup and moved on...now that would've been sad...
So, about a month ago, I decided to take the guitar apart and make a couple of upgrades (?) I changed out the comparatively thin factory trem block (zinc, I think) for a KGC brass unit (beautiful piece!). Then, off came the Graphtech saddles in favor of a set of GFS stainless pieces (also very nice looking). Lastly, since I didn’t have handy any of my usual D’Addario EXL110 stings, I threw on a set of Ernie Ball regular slinky.
I guess I should have left well-enough alone. After a week of tweaking EQ and set up, I just can’t get it to sound as good as I thought it did before. These changes have introduced some subtle artifacts into the sound that I just can’t seem to smooth out…It’s hard to describe. I’ll see if changing back to a set of D’Addarios helps. If not, I kept the old stuff and can put it back to the way it was.
My point isn’t to bag any of the new parts, but rather to recognize that there sure are a number of variables that can affect the tone of a given instrument. What if I had not been so familiar with how good this one could sound? I might have dismissed the JB as not being a “great-sounding” pickup and moved on...now that would've been sad...
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