Re: Top 10 Favorite and/or Least Favorite Pedals
Favorites in no particular order:
1. Proco Whiteface Rat reissue: sounds great on any amp (clean or dirty), with singles and humbuckers (high and low output), on bass guitar and is useable for just about any style that needs od, distortion or something with a fuzzy edge to it.
2. Eventide Space: just an incredible sounding reverb that's also great for other instruments or mixing. I always have some some small room preset on, but it does some really spacey sounds. Great for when you wanna trip out without doing actual dope

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Eventide does updates on their site, so you won't sound out of date any time soon. Unless you wanted to of course.
3. Way Huge Supa Puss: Analog repeats that can get really chewy depending on how you set their gain. Tap Tempo, which you can also use to overclock to get some ring modulated tones. And to top it off, probably the most georgeous modulation I ever heard on a delay unit.
4. Mooer Eleclady Flanger: Cheapest pedal I ever bought and the only cheap knockoff at that, but sounds really nice wether used as a faux chorus or for those jetplane sounds. The original just can't compete in terms of size, cost, true bypass and sound imo
5. DOD Super American Metal: Despite its name, it does the Swedish Death Metal thing really good. I also have an HM2, but still prefer this unit for that chainsaw distortion sound. Could be sentimental value though, as it was my first pedal ever.
6. MXR Distortion + Script Reissue: When not using the Rat, this will be on the board. Can get a big deal more fuzzy whilst keeping the low end in check. Still cleans up nice with the volume knob on the guitar and really brings out the harmonics. I prefer to use it on an already dirty amp though, like a fuzzier and thicker Treble Booster.
7. Empress Tape Delay: I did a shootout between this unit and the Strymon El Capistan. The Empress won for me as the layout of the controls was better for me, less knob turning to get the desired sound, cleaner repeats at new tape settings and of course the option of having some presets. The Empress sounded great both in front of the amp or in the loop. The El Cap sounded best to me in the loop.
8. Catalinbread Belle Epoch tape delay: When the Empress is too clean and the Supa Puss too dirty, this fellow comes in. Adjustable preamp gain boost to thicken up leads, recording level controls to get dirtier and more compressed repeats and sounds excellent in front of the amp (where it's supposed to be like the real deal).
9. MXR Analog Chorus: From those 80's like chorus sounds to deep, almost univibe sounding chorus. Great sound, nice buffer and useful tone controls.
10. The 70's Big Muff a buddy of mine snagged up for like 25 bucks in the 90's. No Muff reissue/variant I ever played came even remotely close.
Least favorites:
1. Boss Metal Zone: Really hard to get rid of that annoying nasal sound. Pretty much impossible if you plug it into a Marshall. Sounded cool on my Mesa, but that didn't justify it for me to keep it.
2. Keeley Java Boost: Although great sounding, with some great tonal options, the vintage sound from the NOS parts comes at the price of a rather noisy pedal (at least, that's what I presume is the reason). Running it on an adapter made it even worse. As I don't use noisegates, the hissing noise just became a little too much for me.
3. Earthquaker Devices Tone Reaper: Ironically, to me this unit sounded more like a Muff minus low end to me, whilst the Hoof had more Tonebender/ Fuzz Face like qualities to it. Very compressed and no cleanup with the guitar's volume.
4. Fulltone '69 fuzz: Just not my cup of tea. I prefer silicon for Fuzz Faces.
5. Skreddy Screwdriver: Again, great pedal just not for me in the end. Had this one for a long time in my setup, but I always felt it lacked some gain going into a clean amp. I should probably check out the Hybrid Fuzz Driver or Lunar Module for my needs.
And that's about it.