I think you’re correct in that it’s semantics.
I would not describe relief as the distance between the frets and the string, because that’s also how one would describe action.
I think I clearly described the difference between the two in my post
I think you’re correct in that it’s semantics.
I would not describe relief as the distance between the frets and the string, because that’s also how one would describe action.
The difference is under which condition it is measured. Open, unfretted string->action, fretted at first and where the neck meets the body->relief. I think...![]()
Right. If everybody understands that the string is being used as a straight edge, all good. If you just say “distance from the string to the fret” without mentioning that it’s held down at two specific points, it sounds like you’re describing the action.
"Relief" IS the height of the strings from the frets/fretboard...which can be increased by increasing the bow.
Lol...I love it when something so simple made complicated like a convoluted balls of cat hair.
Relief is whether the neck is straight or bows upward; nothing to do with the distance between the string and fret.Ideally you should shoot for no relief at all or dead straight neck, but some people like a slight bow.
This should clarify it:
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Relief is whether the neck is straight or bows upward; nothing to do with the distance between the string and fret.
YE GODS! The ONLY person who doesn't understand a simple explanatory drawing is ^^^ YOU ^^^.
Honestly I don't go to exact, detailed, mm measurement when setting up the neck, doc. To determine whether the neck bows or sits straight I rely on my plain vision, looking down the neck from the headstock then adjusting the truss rod accordingly.
On a side note lately I've found an upward bow on the bass side only while the treble side is dead straight, weird.