UGD - Photos and Impressions
- Thread starter Evan Skopp
- Start date
GoMano
Pie Masterologist
Re: UGD - Photos and Impressions
That's actually not a bad idea; to print it all out in a few days and make a little book out of everyones' recollections. That would be cool. What's cooler though is nobody's recollections will EVER be quelled or forgotten. Not ever. It was just too powerful of a time.
ex-250 said:
That's actually not a bad idea; to print it all out in a few days and make a little book out of everyones' recollections. That would be cool. What's cooler though is nobody's recollections will EVER be quelled or forgotten. Not ever. It was just too powerful of a time.
bernardsrock
New member
Re: UGD - Photos and Impressions
The guy with the tripod was SD engineer Wayne. His pictures should be available soon.
The guy with the tripod was SD engineer Wayne. His pictures should be available soon.
London_Clash
New member
Re: UGD - Photos and Impressions
Who was the dude with the video camera with the rad ink sleeves? I flipped him off when he called me Goth.
Who was the dude with the video camera with the rad ink sleeves? I flipped him off when he called me Goth.
Re: UGD - Photos and Impressions
It was pure bliss, even reading most of it for the second time, and with the filter of time since it happened mixed in. If you got to be there, know how special it was. I have no doubt that you guys will remember it for the rest of your lives.
It was pure bliss, even reading most of it for the second time, and with the filter of time since it happened mixed in. If you got to be there, know how special it was. I have no doubt that you guys will remember it for the rest of your lives.
Evan Skopp
SDUGF Founder
Re: UGD - Photos and Impressions
Seymour Duncan User Group Day Speech
Approx. 3:45 pm, April 22nd, 2005 - Santa Barbara, California, U.S.A.
By Brendan Dora
~~~
A prominent guitar builder by the name of Paul Reed Smith once said, “A musical instrument is defined by its quotient of magic.” The big question is, where does this magic come from? Some would say that the magic resides in the wood of the instrument. Stradivarius violins are an example of this. Others would argue that those qualities are determined by the skill of the person who built it. Bob Taylor and his Pallet Guitars make a strong case for that. Certain people would surmise that the magic happens when all the parts are assembled correctly and the instrument becomes a single entity. Billy Gibbons recently said of Pearly Gates, his famed 1959 Les Paul, that is was, “simply on the assembly line at the right time. The right glue, the right wood, the right finish on the right day.” Some people, such as myself and probably many of you, believe that it is a combination of all of these things and more. The magic happens when the complete instrument produces a result that is worth more than the sum of its parts. An instrument like that and the sounds it produces can speak to people and put them in touch with their music in ways that not many other things can.
It would seem certain that among this particular group of people gathered here today, guitars in general and electric guitars and basses in particular seem to speak to us the most. In my opinion, electric guitars and basses are so wonderful because no other instruments offer such an unlimited supply of opportunities to create one’s own signature sound while maintaining such close contact with the instrument itself. The number of available combinations of devices that can be used to help us find our sound have never been greater. And yet every one of us has a particular favorite combination – a secret weapon. Most of us will always seem to rely on some sort of special ingredient that is essential to us in achieving our own sound. This essential, more often than not, can not only improve our sound but it can unlock sonic doorways we couldn’t pass through before. The tones can open up our minds as well as our hands and unleash sounds that we thought were out of reach. The tones become more than a sound, they become a source of inspiration. For many in the guitar and bass-playing universe, Seymour Duncan pickups are these essential ingredients
Some people are so inspired by good sounds that they devote their lives to exploring these sonic pathways. Just as they once were and continue to be fascinated by such an intriguing science, they wish to bring that same curiosity, fascination, and ultimately the fruits of their labor to others so that they might feel the same. These people that devote their lives to such things are rare breeds. Mr. Seymour Duncan is this type of person. I recall reading an article in an issue of Guitar Player Magazine with a detailed profile on Mr. Duncan with some fascinating information about his career. There was one section in particular that caught my eye. It told of when he was based in Montecito, CA in the late 70’s, making pickups by hand to fill a large Japanese order for Strat-style pickups. It describes him hand-crafting each one, using a router to cut the fiber top and bottom pieces and hand-drilling the polepeice holes. Mr. Duncan is then quoted as saying, “I made hundreds of pickups that way. I was breathing so much vulcanized fiber dust that I’d go to bed at night and be hallucinating from the chemicals.” If that isn’t devotion to one’s craft, I don’t know what is.
(cont'd on next page)
Seymour Duncan User Group Day Speech
Approx. 3:45 pm, April 22nd, 2005 - Santa Barbara, California, U.S.A.
By Brendan Dora
~~~
A prominent guitar builder by the name of Paul Reed Smith once said, “A musical instrument is defined by its quotient of magic.” The big question is, where does this magic come from? Some would say that the magic resides in the wood of the instrument. Stradivarius violins are an example of this. Others would argue that those qualities are determined by the skill of the person who built it. Bob Taylor and his Pallet Guitars make a strong case for that. Certain people would surmise that the magic happens when all the parts are assembled correctly and the instrument becomes a single entity. Billy Gibbons recently said of Pearly Gates, his famed 1959 Les Paul, that is was, “simply on the assembly line at the right time. The right glue, the right wood, the right finish on the right day.” Some people, such as myself and probably many of you, believe that it is a combination of all of these things and more. The magic happens when the complete instrument produces a result that is worth more than the sum of its parts. An instrument like that and the sounds it produces can speak to people and put them in touch with their music in ways that not many other things can.
It would seem certain that among this particular group of people gathered here today, guitars in general and electric guitars and basses in particular seem to speak to us the most. In my opinion, electric guitars and basses are so wonderful because no other instruments offer such an unlimited supply of opportunities to create one’s own signature sound while maintaining such close contact with the instrument itself. The number of available combinations of devices that can be used to help us find our sound have never been greater. And yet every one of us has a particular favorite combination – a secret weapon. Most of us will always seem to rely on some sort of special ingredient that is essential to us in achieving our own sound. This essential, more often than not, can not only improve our sound but it can unlock sonic doorways we couldn’t pass through before. The tones can open up our minds as well as our hands and unleash sounds that we thought were out of reach. The tones become more than a sound, they become a source of inspiration. For many in the guitar and bass-playing universe, Seymour Duncan pickups are these essential ingredients
Some people are so inspired by good sounds that they devote their lives to exploring these sonic pathways. Just as they once were and continue to be fascinated by such an intriguing science, they wish to bring that same curiosity, fascination, and ultimately the fruits of their labor to others so that they might feel the same. These people that devote their lives to such things are rare breeds. Mr. Seymour Duncan is this type of person. I recall reading an article in an issue of Guitar Player Magazine with a detailed profile on Mr. Duncan with some fascinating information about his career. There was one section in particular that caught my eye. It told of when he was based in Montecito, CA in the late 70’s, making pickups by hand to fill a large Japanese order for Strat-style pickups. It describes him hand-crafting each one, using a router to cut the fiber top and bottom pieces and hand-drilling the polepeice holes. Mr. Duncan is then quoted as saying, “I made hundreds of pickups that way. I was breathing so much vulcanized fiber dust that I’d go to bed at night and be hallucinating from the chemicals.” If that isn’t devotion to one’s craft, I don’t know what is.
(cont'd on next page)
Re: UGD - Photos and Impressions
(cont'd)
Seymour Duncan has pickup making down to a fine art. It takes a special type of skill to be able to take a mess of plastic, wire, and metal and transform it into a work of art that will become the single most vital link in the chain of tone that runs through an electric instrument rig. So vital is this link that it can transform an instrument that was once relatively tame and harmless into a sweet, singing, soul machine or a vicious, snarling beast. This kind of transformation can and often does change a person’s view of the instrument in question and their ideas of tone creation as a whole. Sometimes players become so intrigues by the possibilities of what this kind of modification can offer that they begin to create pickups of their own. Sometimes they do it just for curiosity and fun, but sometimes they feel compelled to travel down a road that hasn’t been walked before. Every now and then, people will create instruments of their own around that premise. And once in a very great while, players of all types will come together and create an instrument as a way of giving back to someone and saying thanks for bringing something really cool into their life, and for making them sound that much better.
Once upon a time in a Guitar-and-pickups forum inside a mainframe not very far away, an idea arose that such an instrument be built. It was to be a collaboration by guitar and bass playing Seymour Duncan devotees, tone nuts, and the occasional gear whore as a way of saying thanks to the person who helped to inspire them in a lifelong musical journey.
One day in late November 2004, a forum member living in Lisbon, Portugal, named darkshadow54321 suggested the following: “As a cool Christmas present for Seymour, and as an excellent time capsule, we should create a forum guitar!” The idea literally exploded into being as ideas and suggestions for the instrument came in at an almost frightening pace. Within a few days an Internet PayPal account was set up as a fund to finance the project, and several members from the board contributed money to the special fund. It was also agreed that any leftover funds from the ForumCaster Project account would be donated to St. Jude’s Hospital, where a forum member’s son is currently being treated. Seymour’s personal favorite specifications were provided by Evan Skopp as a guide to constructing the instrument, as we all agreed that we wanted this to be a guitar that Mr. Duncan actually would play as opposed to hanging on the wall. A semi-secret section of the forum was put up so that we would have some sort of camouflage for the project. In the meantime we just had to pray that Seymour didn’t get keyboard happy in his spare time. As the project came together, contributions came in from all over the world, and even Warmoth Guitar Products chipped in on the project as well by donating a body and a neck with a few custom-designed features.
Over the next few months the project slowly materialized and a plan was put into motion to present the guitar to Seymour. After a few brainstorming sessions the idea for a special “User Group Day” held at the Duncan factory seemed to hold the most appeal. As the plans were being finalized, Evan Skopp remarked, “This is going to be epic.” So now, almost 7 months after the project began, we are gathered here today to celebrate this thing called tone… and that other thing, called music. But the important this is to recognize what brought us here, a sharing for the love of the wonderful art that is music, and a display of appreciation for the people who are truly instrumental in making it happen.
Seymour, this one’s for you!
(cont'd)
Seymour Duncan has pickup making down to a fine art. It takes a special type of skill to be able to take a mess of plastic, wire, and metal and transform it into a work of art that will become the single most vital link in the chain of tone that runs through an electric instrument rig. So vital is this link that it can transform an instrument that was once relatively tame and harmless into a sweet, singing, soul machine or a vicious, snarling beast. This kind of transformation can and often does change a person’s view of the instrument in question and their ideas of tone creation as a whole. Sometimes players become so intrigues by the possibilities of what this kind of modification can offer that they begin to create pickups of their own. Sometimes they do it just for curiosity and fun, but sometimes they feel compelled to travel down a road that hasn’t been walked before. Every now and then, people will create instruments of their own around that premise. And once in a very great while, players of all types will come together and create an instrument as a way of giving back to someone and saying thanks for bringing something really cool into their life, and for making them sound that much better.
Once upon a time in a Guitar-and-pickups forum inside a mainframe not very far away, an idea arose that such an instrument be built. It was to be a collaboration by guitar and bass playing Seymour Duncan devotees, tone nuts, and the occasional gear whore as a way of saying thanks to the person who helped to inspire them in a lifelong musical journey.
One day in late November 2004, a forum member living in Lisbon, Portugal, named darkshadow54321 suggested the following: “As a cool Christmas present for Seymour, and as an excellent time capsule, we should create a forum guitar!” The idea literally exploded into being as ideas and suggestions for the instrument came in at an almost frightening pace. Within a few days an Internet PayPal account was set up as a fund to finance the project, and several members from the board contributed money to the special fund. It was also agreed that any leftover funds from the ForumCaster Project account would be donated to St. Jude’s Hospital, where a forum member’s son is currently being treated. Seymour’s personal favorite specifications were provided by Evan Skopp as a guide to constructing the instrument, as we all agreed that we wanted this to be a guitar that Mr. Duncan actually would play as opposed to hanging on the wall. A semi-secret section of the forum was put up so that we would have some sort of camouflage for the project. In the meantime we just had to pray that Seymour didn’t get keyboard happy in his spare time. As the project came together, contributions came in from all over the world, and even Warmoth Guitar Products chipped in on the project as well by donating a body and a neck with a few custom-designed features.
Over the next few months the project slowly materialized and a plan was put into motion to present the guitar to Seymour. After a few brainstorming sessions the idea for a special “User Group Day” held at the Duncan factory seemed to hold the most appeal. As the plans were being finalized, Evan Skopp remarked, “This is going to be epic.” So now, almost 7 months after the project began, we are gathered here today to celebrate this thing called tone… and that other thing, called music. But the important this is to recognize what brought us here, a sharing for the love of the wonderful art that is music, and a display of appreciation for the people who are truly instrumental in making it happen.
Seymour, this one’s for you!
Evan Skopp
SDUGF Founder
Re: UGD - Photos and Impressions
That's an epic speech, Brendan!
That's an epic speech, Brendan!
Re: UGD - Photos and Impressions
Thank you, thank you...
*grabs a 12-gauge and fires off a few rounds at the dogs*
Seriously I just tried to speak from the heart and say what I really felt about everything that had taken place and try to capture the essence of how cool it all was. I'm glad people liked it!
Cathy, Billy, and Seymour (and maybe Evan?) all wanted a copy. I got Cathy's business card with a mail addy but didn't get the others, if someone at Duncan could PM the adresses to me I could email a copy of that speech you them.
HEY LC!!! Get your pics up!
Thank you, thank you...
*grabs a 12-gauge and fires off a few rounds at the dogs*
Seriously I just tried to speak from the heart and say what I really felt about everything that had taken place and try to capture the essence of how cool it all was. I'm glad people liked it!
Cathy, Billy, and Seymour (and maybe Evan?) all wanted a copy. I got Cathy's business card with a mail addy but didn't get the others, if someone at Duncan could PM the adresses to me I could email a copy of that speech you them.
HEY LC!!! Get your pics up!
Last edited:
Great_Kazoo
New member
Re: UGD - Photos and Impressions
A re-enactment for those who couldn't attend... :laugh2:
In all seriousness, B2D, that was a great, heartfelt speech...I got a lump
in my throat hearing you deliver it--well done!!
A re-enactment for those who couldn't attend... :laugh2:
In all seriousness, B2D, that was a great, heartfelt speech...I got a lump
in my throat hearing you deliver it--well done!!
MikeRocker
What's Your Forum Nameologist?
Re: UGD - Photos and Impressions
It was a great speech, in spite of the DiMarzio Canines of Hell.
:laugh2: :laugh2: :laugh2: :laugh2: :laugh2: Yep, that's about how it went!!!!! :laugh2: :laugh2: :laugh2: :laugh2: :laugh2:Great_Kazoo said:A re-enactment for those who couldn't attend... :laugh2:
In all seriousness, B2D, that was a great, heartfelt speech...I got a lump
in my throat hearing you deliver it--well done!!
It was a great speech, in spite of the DiMarzio Canines of Hell.
London_Clash
New member
Re: UGD - Photos and Impressions
tone4days
Heel Whacker
Re: UGD - Photos and Impressions
my pics are available here - http://photobucket.com/albums/v217/tone4days/
my pics are available here - http://photobucket.com/albums/v217/tone4days/
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