Those 10-70 are intended for drop-A, I'd guess?
I think I nailed it: I used the Boss/Roland metal amp, with gain at 20%, and also added a compressor, all settings at 50%, vol at 55%, which acts like a booster most of the time for distorted tones, and a T-screamer also at 50% with vol at 55%. MUCH BETTER THAN THE R-ctifier!! To such an extend that I hardly play with the R-ctifier or the 5150 setting any more! It is like R-ctifier or the 5150 just cannot amplify that low. Due is the change of the 0.059 to 0.062 (if I ever get the chance to get one lol), and it will be just perfect!
Also I found that in drop A many phrases across the 7-string's board are more convenient than in drop-B.
What I take out of this, at least based on the results by testing out things on the Boss me-25, which I find a reliable emulation multi-effect, and I guess in real life it wouldn't be much different:
1) traditional amps cannot amplify that low (Drop B and below)
2) modern metal amps are the thing
3) low A may sound too bassy in a bad way, especially with my 25.5" 7-string RG-like w. Blazes which are too bassy.
4) builtin-gain of the amp might work wonders for 6-strings in std tuning or drop B but not for drop-A (in combination of the pups). Sound was hollow without volume, if I tried to get rid of the extra bass of 3)
5) compressor helps solve some of 3)
6) Aggressive distortion pedals may sound too muddy
7) Light gain pedals like Tube Screamer seemed to work, at least on this occasion
Will do more testing with some combos.
Overdrive pedals and/or an EQ pedal
.. name some bands you are trying to achieve cause I don't equate djent tone sounding like any modern metal of the past 16 years.. when I think modern metal I think Threat Signal, Aversions Crown, Despised Icon and others.. I don't really think the term modern metal is a thing anymore due to the fact that the time we are in is defined all by sub genres, deathcore, metal core, death metal, djent, heavy metal, brutal death, etc..
well, then that way take a 6505 with cranked mids, low lows mid highs and a tube screamer or klon type overdrive on front, the gain on amp should be really on the low side, with the ovedrive gain low to add texture and the od vol cranked, when we talk of djent amps, none of the djent guys use rectifiers, mesa amps are almost discarded in exception of the mark v, the rest of the amps on the djent world are either a 6505 (or one of the very clones it has), or a hotrodded plexi kinda amp, one of the very popular djent hype amps is the prs archon, wich is pretty similar to a 6505/5150 specwise (the eq stack is pretty different thou), also the randall satan has been by some djenters, so simulations of those are a really good place to look
but the tubes aren't really that popular on the djent world, an AxeFX or a Kemper are far more sought after units than tube heads, specially since a lot of professionla studios can work axefx or kemper patches for you by very little money or even free, in fact keith merrow offered to make you a totally custom axefx/kemper patch from 0 the last time i checked his web page.
Djent guys fret too much about the gear they use and spend miniscule time on practising...WTH...it's just power chords (or none at all in drop tuning)...no?
Well, being from guatemala you can bet ya ass that english isn't my native language, but i've come to use idioms and even southern accent misspelling.
however, this wasn't the case when i tried to describe the amp setting ballpark.
"low lows, high mids and mid highs" was my idiotic way of writing the range of the eq setting, it actually meas for:
set the lows knob on a low set (under 5, or under the middle of the pot travel), set the mids knob on a high setting (over 5, or cranked, even dimed if you want, turn the to 11 if you can), set the highs knob on the middle of the travel (set the highs knob on a setting from 4 to 6, or any number not so far from the middle of the pot travel).
hope this clarified it man, good luck and enjoy the tone chasing
sent from my crappy junk-phone
Χάρης;3972471 said:The only Ibanez I would buy for Djent would be the RGIT20FE-SBF.
- Comes with active pickups (81/85).
- No tremolo so tuning is way easier.
- Gotoh Magnum Lock tuners which will keep you in tune.
- And last but not least, look at dat neck
![]()
Go listen to Periphery and tell me that's all power chords.Djent guys fret too much about the gear they use and spend miniscule time on practising...WTH...it's just power chords (or none at all in drop tuning)...no?