Gr8Scott
Wookieologist
Re: valve/tube vs. solid state -- the battle continues
Admittedly, I've never tried the Line 6 Vetta series amps, so I can't be a fair judge on that part. I will say that a few examples of amps of this type are found lacking in good tone at gigging volumes, but they do sound great at lower volumes. This makes them quite good for recording and practice. In lower volume settings, it would make them a good gigging amp also. When you have to crank it, well made tube amps do seem to sound a tad better. This being said, I invite anyone to stack my Vox Valvetronix head and cab cranked right next to any tube amp they have and tell me that it sounds bad. I'll laugh my head off at that. It sounds great at gigging volumes because that's what it was designed for. Maybe the Vettas and the rest of the line 6 crowd weren't built to sound good at gigging volumes, but my Valvetronix certainly sounds it's best when it's loud and I honestly can't tell the difference between it and a real tube amp at that point. It plays, sounds and feels just like the real deal. Maybe even better.
I had it running in a room filled to the brim with some of the best tube amps money can buy just this weekend and it kept up just fine and sounded great to my ears. It had power and sweet complexity. It was certainly putting a smile on my face. Of course, it's a hybrid because of the 12AX7 tubes it has. 
Are you talking about using amplifiers as recreation or under professional working conditions? I told the story in an earlier post of being forced into a situation of having to use a Line 6 Vetta whilst playing in the pit band for a nationally televised sports show here in Australia. The amps were in house for that particular TV station and they had restrictions on bringing in outside equipment. I play guitar for a living, and have done so exclusively for the past 26 years. Both myself and the other guitarist were in the same boat. We both agreed that after hours of tweaking in rehearsal and soundchecks and the down time in between that no matter what we tried, we could not coax anything resembling a beautiful tone from those amplifiers.
I am an experienced tweaker of all sorts of musical equipment, I have a strong idea of what I'm doing. At a professional level, those amps were atrocious. I know when I'm dealing with a piece of equipment that is incapable of achieving a certain standard, because I spent 3 years doing equipment reviews for a music magazine, and learnt that the more time you have to spend tweaking without a breakthrough, the less likely it is that the equipment is going to yield great results. Conversely, plugging into a good tube amp delivers instantly pleasing results. What is the point of having versatility when it means many, many examples of mediocrity? "But my modeling amp can produce 1,000 substandard tones!" Yeah, ok, enjoy.
Where can I hear this "great tone" from SS or modeling amplifiers? Line 6? Fender? Marshall? Roland JC 120? Absolutely not, at all. Perhaps it is the case that we have different ideas on what "great tone" is. "Does that make it any less great?" Yes, it does. "So who cares?" Well, I do for starters, it's my livelihood. The fact that you don't care may work for you, because it may not affect your income. That's a hump that I have no need to get over, because the answer, for me, lies in not using SS or digital modeling amps. For $100, I can buy enough RCA blackplate 12AX7's and 6V6's to retube one of my amps twice. The 6v6's will last about 3 years, and the 12AX7's will last about 6-8, under constant use. I write that off as a tax deduction.
Obviously, we are all in different situations and with different perspectives about equipment. For some, the degrees of quality are virtually irrelevant except from a point of personal satisfaction, for others they are the tools of trade and are absolutely vital. No-one can speak for all of us in saying that SS or digital modeling amps are good enough. From my perspective, they don't even come close.
Cheers....................wahwah
Admittedly, I've never tried the Line 6 Vetta series amps, so I can't be a fair judge on that part. I will say that a few examples of amps of this type are found lacking in good tone at gigging volumes, but they do sound great at lower volumes. This makes them quite good for recording and practice. In lower volume settings, it would make them a good gigging amp also. When you have to crank it, well made tube amps do seem to sound a tad better. This being said, I invite anyone to stack my Vox Valvetronix head and cab cranked right next to any tube amp they have and tell me that it sounds bad. I'll laugh my head off at that. It sounds great at gigging volumes because that's what it was designed for. Maybe the Vettas and the rest of the line 6 crowd weren't built to sound good at gigging volumes, but my Valvetronix certainly sounds it's best when it's loud and I honestly can't tell the difference between it and a real tube amp at that point. It plays, sounds and feels just like the real deal. Maybe even better.