Vibrato and Bends

Andrew Lamprecht

Minion of One
Anyone have any tips to get better at vibrato and bending?

I am pretty good right now but I want to get to the point where people go wow! Did you see that???

Thanks, Andrew
 
Re: Vibrato and Bends

slowing it right down and going as wide as you can without losing control or sounding like you're trying too hard is my way to get a good vibrato; vibrato is a very personal thing though. i can't get that "rock'n'roll guitar" sound of a really fast vibrato, but i generally don't sound like a tennybopper on speed either, so i'm ok with that.

re bending, you want to get as many fingers behind the string as you can, you also want to be able to bend with your index finger alone. if you really want to concertrate on polishing this up, i'd recommend picking a tuning and a (light-ish) string gauge and either sticking to them or consciously working your way up as this is a learned thing; don't know if it's muscle-memory or not but it wouldn't surprise me.
 
Re: Vibrato and Bends

Technical side first: start out with 10s defintely. Thye'll whip your fingers into proper shape for a bend. Try a wiggle with just one finger in addition to full on, 2-3 fret stretches. Those can really add to expression. Here's another fun bend trick. Although you gotta get good at normal bends first.
{ ^=bend to match this fret, ()=hold note}
E-----------10-----------
B----8^10(hold)^8 7---
G----------------------7-
This requires you to bend with your 2nd and 3rd fingers and hit that E string, 10th fret w/ your pinky. It sounds real nice once you get it though.

E------------13---------------------------------------
B----13^15-()-^13-11-13-11-----------------------
G-------------------------------12-10----------------
D---------------------------------------10-8-10^12--
A-----------------------------------------------------8
This is another one that involves your little finger. Push the B up with 2,3 & 4, fretting the E with your pinky, then returning downwards. THis little run came from Mark Knopfler on Sonny Landreth's "Blue Tarp Blues". YOuTube it and listen for it near the end solos.

For bending you gotta develop a sense of where to throw it in. Sometimes you just wanna add a tiny wiggle, sometimes more of a huge push, sometimes you wanna leave it flat. I've gotten to a point where I don't really think about where the bends go, just throw them in when I feel like the time is right. That's really what vibrato/bends are aboot.

And if you're fingers are burly and manly you can try bending on 11s. like manly men.
 
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Re: Vibrato and Bends

Sing along man.....make those strings go in unity with your voice:)
Think Gilmour in Wish you where here(maybe not as highpitched in the start)
Or some George Benson, and others...good way of training your ear and finger memory!
 
Re: Vibrato and Bends

Or fret a note, remember the pitch, and go down a few frets and bend up to it...and try a few different vibratos, like instant ones or wait just a little and milk it...it is all in the wrist....it takes time to get a good sounding vibrato.
 
Re: Vibrato and Bends

watch some of the greats. I'm a huge Clapton fan and his playing is heavily debated on this forum, but I honestly think his vibrato is perfect. BB King is another. It's all about where your fingers are the strongest. Personally I get the clearest bends mostly from using both my ring and middle fingers. Listen to the first bit of Brian May's Bohemian Rhapsody solo. it's not enough to just get the bend up there, make it sing. Angus is really good at that. Also, differ the speed of the vibrato. It has to be different for every song.

Try to nail the solo from Time by Pink Floyd. Gorgeous bends and vibrato. It's a pretty easy solo, but only if you can get a good handle on those bends.

also, IMHO, the gauge of string shouldn't matter. If you like to use heavier strings learn to bend on them. It is a little easier to bend on lighter strings. I used EB Hybrid strings for a long time, basically a light top and regular bottom. I use regulars now. Billy Gibbons uses really light strings, BB King too. His philosophy was "why work so hard?"
 
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Re: Vibrato and Bends

Might be considered blasphemy but I think a lot of people have better vibrato technique than both Clapton and BB King, but that's just me.
I'd say SRV owns them both in that department. So does David Gilmour.
Joe Satriani is a great example of someone who can really vary the vibrato speed and width while never losing control and always being expressive with it, something a lot of players can't do. Joe might be known for his more flashy techniques, but dig deeper and listen more and watch his live performances and his control over bending and vibrato and how expressive he is with these techniques is mindblowing. I could say the same thing for Guthrie Govan too, a player often overlooked because he plays fast but also has the important aspects like vibrato and bending down to an art form.

It might now work for everyone, but for me personally a month spent using the metronome as a training tool for vibrato (bending the notes in time with the vibrato and making sure it's all in pitch, gradually speeding it up) and just consciously practicing it worke better than "letting it come over time" which I tried to do for months and months and months before that.
 
Re: Vibrato and Bends

Who gives a flying f*ck about better technique??
It is about the emotion of things....neeber fneeber perfect is just plain bloody dull:D
Lol sorry but to say such rubbish is just plain silly man:D
Hehe not to be taken all that serious this post...nono.
 
Re: Vibrato and Bends

learn how to vibrato from slow to fast, fast to slow on one note. same with width....wide to narrow, narrow to wide...then combine varying widths with varying speeds. After all, it's a very expressive part of playing, and in that light, it is very similar to how we speak and express ourselves vocally.....we have a huge range of ways to deliver the words we use. Don't get restricted to just one vibrato sound.

Also, be aware that finger vibrato on a tremolo-equipped guitar is very different to vibrato on a hard-tail instrument and using one technique across both types will give two very different effects.

It is a lot of work developing a good vocabulary of bends and vibrato, but it can eventually help forge your own unique voice. Experiment, listen and play.......
 
Re: Vibrato and Bends

wrist motion + leverage/direction of hand movement=how the vibrato sounds

bending is just brute force in varying degrees

enjoy.
 
Re: Vibrato and Bends

Use bends and vibrato often to practice it. Experiment, find what makes your guitar sing the way you want it to. That, and listen to blues... A lot of blues. :D
 
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