Re: Want to practice harmonization? Look no further
So you take a hymnal book and do what?
Why do that when you can learn some simple maiden song that's actually fun to play on guitar and is usually pretty by-the-book in terms of harmonization and key signatures?
Why do that when you can learn some simple maiden song that's actually fun to play on guitar and is usually pretty by-the-book in terms of harmonization and key signatures?
practicing harmonization means taking a melody line and seeing what all chords you can put under it that would work with the melody--for example, if you were harmonizing an E in the key of A minor, you could use A minor, Em/E/E7 depending on how classical you wanna go, C major, A7 for a V7/iv, etc. The idea is not to learn a harmony that already exists, but to make new ones that also work
Re: Want to practice harmonization? Look no further
I studied the Sandoli Method under the Man himself.
I was taught that ANY note on top of another is a harmony -- the question is only how dissonant it will be.
Maiden is great if your interest in harmony starts and stops at the Diatonic Third. For real harmony studies, you need to go to the human voice. For me, it's Bach chorales and his rules for 4-part harmonization.
There has yet to be an Iron Maiden rule of harmonization.
I studied the Sandoli Method under the Man himself.
I was taught that ANY note on top of another is a harmony -- the question is only how dissonant it will be.
This is true, however from a working musician's standpoint, there is little point to practicing going through melodies and harmonizing them with, say, minor seconds
This is true, however from a working musician's standpoint, there is little point to practicing going through melodies and harmonizing them with, say, minor seconds
Re: Want to practice harmonization? Look no further
Some people who can sing a melody line simply can't sing harmonies. They can't hear it in their head. They can't hear where chords and melodies take the harmony parts.
I don't think you have to look past a radio or CD or iPod or whatever to find opportunities to practice harmonizing ... and what is the point of learning harmonies outside the context of accompaniment?
Some people who can sing a melody line simply can't sing harmonies. They can't hear it in their head. They can't hear where chords and melodies take the harmony parts.
I don't think you have to look past a radio or CD or iPod or whatever to find opportunities to practice harmonizing ... and what is the point of learning harmonies outside the context of accompaniment?
not unless you have an ipod full of single line melodies hard to throw an A7 over an E when the guy on the record is playing an E minor
As far as uses outside accompaniment... the big one is composition, in my opinion. Sure you can come up with a cool riff, but can you figure out more than 2-3 chords to put behind it? Do you really WANT to play it the same way 4 times? etc