Hello,
I just swapped the stokc MEC mics and 2 band preamp from my warwick streamer $$ with a SMB-4A on the neck, a SMB-4D on the bridge, and an STC-3P 3 band tone control.
Everything works fine and sounds great, better than stock to my taste, but I have a few questions regarding impedances and pot values.
The impedances on the mics are:
4A: 4.18K each coil (so this would be 8.36k in series, and 2.09k in parallel IIUC)
4D: 2.6k each coil (so this would be 5.2k in series, and 1.3k in parallel IIUC)
If I compare these to standard double mic setups, the higher impedance mic is on the bridge and the lower one on the neck. Is there any specific reason to this? (thus, would it work better with the 4D on the neck and the 4A on the bridge?)
Now the pots... Since the $$ configuration is not very common, I presume the prewired STC-3P is not stock tailored for this setup. The STC 3P has a 250K blend and a 10k vol pot. Are these values still ok for a double-MM setup? (if I compare these to, for example, passive jazz mics, the impedances are much higher on the jazz)
Thank you for your help!
I just swapped the stokc MEC mics and 2 band preamp from my warwick streamer $$ with a SMB-4A on the neck, a SMB-4D on the bridge, and an STC-3P 3 band tone control.
Everything works fine and sounds great, better than stock to my taste, but I have a few questions regarding impedances and pot values.
The impedances on the mics are:
4A: 4.18K each coil (so this would be 8.36k in series, and 2.09k in parallel IIUC)
4D: 2.6k each coil (so this would be 5.2k in series, and 1.3k in parallel IIUC)
If I compare these to standard double mic setups, the higher impedance mic is on the bridge and the lower one on the neck. Is there any specific reason to this? (thus, would it work better with the 4D on the neck and the 4A on the bridge?)
Now the pots... Since the $$ configuration is not very common, I presume the prewired STC-3P is not stock tailored for this setup. The STC 3P has a 250K blend and a 10k vol pot. Are these values still ok for a double-MM setup? (if I compare these to, for example, passive jazz mics, the impedances are much higher on the jazz)
Thank you for your help!
