Wasteland Guitars

Thank you sincerely for sharing!

(I'm the guy who's creating these)

I greatly appreciate your kind words, praise, and even your critiques. Your feedback means a lot to me!

However, I've noticed that there is a fair amount of misinformation and inaccuracies being used as the basis for some of the comments. Furthermore, given that I feel my work has been somewhat belittled or underestimated in a few remarks, I would like to address some things.:eek5:

(FYI I am not a native english speaker - so i can see some things are getting lost in translation...)


I find immense joy in creating these unique pieces. Originally, my passion lay in painting miniatures and action figures. However, I decided to extend my painting skills to another one of my great interests - electric guitars. The results of this endeavor are showcased on my website, which you might have seen in the OG Post...


rusty-relic-wasteland-guitars-detailshots-forum3.jpg

rusty-relic-wasteland-guitars-detailshots-forum2.jpg


I noticed that the sentence @seashore found on my website, may have raised some concerns.
Allow me to clarify;
I simply meant that you should treat these guitars with care, just as you would any other instrument. Avoid bumping or scratching them, as you would with any valuable guitar. Don’t use em as a Baseball bat.

In today's world, it's essential to be cautious with our communication. (Like the 'Attention HOT!'œ on a takeaway coffee).

I'd rather have people be extra protective because these guitars are not just musical instruments; they are unique works of art.
So, rest assured, you can play these guitars without any worries, and they can certainly withstand a bit of rough handling.:headbang:


Regarding the type of paints I use, it seems there might be a misconception. I employ a wide range of colors, from alcohol-based to acrylics and stains.
Each piece receives a tailored treatment. Metal parts are treated differently from wooden components or from pickups. Parts subjected to more stress receive different coatings than those under less pressure.

Before painting, I disassemble each piece and apply quality primers from various brands. This way the colors will hold really well. The painting process involves several layers of different paints, including water-based and alcohol-based varieties. Additionally, every piece is sealed with clear coats. (I have no idea where you got the idea from, that I wouldn't do that?:dunno:)


Regarding stencils, aside from letters and icons, I don't use stencils at all. I achieve various effects using a variety of brush techniques, not spray cans or plastic bags(!?).:confused:


Lastly, concerning the concept of "relic," these guitars aren't meant to be your typical relic-style instruments.
They don't aim to replicate the look of realistically aged guitars. Instead, they take a more artistic approach to create unique and visually captivating pieces.


Thank you very much, that you gave me the opportunity to clarify some things here.
Thanks again for all the comments.:notworthy

I'm happy to answer any questions if you have em.

Cheers,
Dom:bigthumb:
 
Thank you sincerely for sharing!

(I'm the guy who's creating these)

I greatly appreciate your kind words, praise, and even your critiques. Your feedback means a lot to me!

However, I've noticed that there is a fair amount of misinformation and inaccuracies being used as the basis for some of the comments. Furthermore, given that I feel my work has been somewhat belittled or underestimated in a few remarks, I would like to address some things.:eek5:

(FYI I am not a native english speaker - so i can see some things are getting lost in translation...)


I find immense joy in creating these unique pieces. Originally, my passion lay in painting miniatures and action figures. However, I decided to extend my painting skills to another one of my great interests - electric guitars. The results of this endeavor are showcased on my website, which you might have seen in the OG Post...







I noticed that the sentence @seashore found on my website, may have raised some concerns.
Allow me to clarify;
I simply meant that you should treat these guitars with care, just as you would any other instrument. Avoid bumping or scratching them, as you would with any valuable guitar. DonÃÂâÃÂÃÂÃÂÃÂt use em as a Baseball bat.

In today's world, it's essential to be cautious with our communication. (Like the 'Attention HOT!'Â on a takeaway coffee).

I'd rather have people be extra protective because these guitars are not just musical instruments; they are unique works of art.
So, rest assured, you can play these guitars without any worries, and they can certainly withstand a bit of rough handling.:headbang:


Regarding the type of paints I use, it seems there might be a misconception. I employ a wide range of colors, from alcohol-based to acrylics and stains.
Each piece receives a tailored treatment. Metal parts are treated differently from wooden components or from pickups. Parts subjected to more stress receive different coatings than those under less pressure.

Before painting, I disassemble each piece and apply quality primers from various brands. This way the colors will hold really well. The painting process involves several layers of different paints, including water-based and alcohol-based varieties. Additionally, every piece is sealed with clear coats. (I have no idea where you got the idea from, that I wouldn't do that?:dunno:)


Regarding stencils, aside from letters and icons, I don't use stencils at all. I achieve various effects using a variety of brush techniques, not spray cans or plastic bags(!?).:confused:


Lastly, concerning the concept of "relic," these guitars aren't meant to be your typical relic-style instruments.
They don't aim to replicate the look of realistically aged guitars. Instead, they take a more artistic approach to create unique and visually captivating pieces.


Thank you very much, that you gave me the opportunity to clarify some things here.
Thanks again for all the comments.:notworthy

I'm happy to answer any questions if you have em.

Cheers,
Dom:bigthumb:

Thank you for sharing this info. I think the look you've got going is neat, and I did see on the site that you clear-coat. It doesn't strike me as a "relic" job. I put a lot of wear on my hardware especially, so the thing I would worry about would be wearing off the ancient-looking finish to reveal shiny new parts underneath. If someone had an instrument they wanted you to refinish like this, would you do that too, or do you just sell finished pieces?
 
Thank you for sharing this info. I think the look you've got going is neat, and I did see on the site that you clear-coat. It doesn't strike me as a "relic" job. I put a lot of wear on my hardware especially, so the thing I would worry about would be wearing off the ancient-looking finish to reveal shiny new parts underneath. If someone had an instrument they wanted you to refinish like this, would you do that too, or do you just sell finished pieces?

heya :)
I completely understand your concerns. The metal parts have primers applied to them, which remove their shine. To reveal the original metal, you'd need to work through multiple layers of sealer, paint and primer. Even if some of the original metal were to be exposed sometime down the line, it wouldn't appear out of place because it has a dull, non-reflective finish that suits the used aesthetic and seamlessly blends into the theme.

Regarding repainting existing instruments, that is something I could certainly do. However, it's important to consider the additional shipping and import costs associated with sending the guitar to and from Europe. Nevertheless, I believe this is a matter we can discuss further if someone is really interested in this option...
 
I do wonder about the pedigree of the underlying instrument. The hardware, specifically the tuning keys, look like the bottom of the barrel stuff that I would take off and throw away.
 
that seems a bit presumptuous? i basically dont replace anything until i find an issue. if the tuners wont hold tune, then they get replaced but i have a few guitars with shit tuners that work just fine, at least for the moment.
 
that seems a bit presumptuous? i basically dont replace anything until i find an issue. if the tuners wont hold tune, then they get replaced but i have a few guitars with **** tuners that work just fine, at least for the moment.

Maybe it is, and that’s why I said they “look like.” I remember my old Bentley guitar from back in the 80’s had those, and in my work as a luthier I always got rid of those because they were inconsistent at best.
 
heya :)
I completely understand your concerns. The metal parts have primers applied to them, which remove their shine. To reveal the original metal, you'd need to work through multiple layers of sealer, paint and primer. Even if some of the original metal were to be exposed sometime down the line, it wouldn't appear out of place because it has a dull, non-reflective finish that suits the used aesthetic and seamlessly blends into the theme.

Regarding repainting existing instruments, that is something I could certainly do. However, it's important to consider the additional shipping and import costs associated with sending the guitar to and from Europe. Nevertheless, I believe this is a matter we can discuss further if someone is really interested in this option...

It is always great when a manufacturer drops by to answer questions and talk with us. It is very cool of you and greatly appreciated.
 
It is always great when a manufacturer drops by to answer questions and talk with us. It is very cool of you and greatly appreciated.

Thanks so much :)
Please understand, at the moment, this is a passion project for me, not a full-scale guitar company. I don't consider myself a manufacturer, rather than a guitar junkie haha
I'm an enthusiastic hobbyist who finds joy in creating these guitars. I'm not driven by profit but rather by the pleasure of crafting and sharing them.


I do wonder about the pedigree of the underlying instrument. The hardware, specifically the tuning keys, look like the bottom of the barrel stuff that I would take off and throw away.

The guitars I craft are essentially partscasters, so the exact origin of all the components isn't always crystal clear. Over the years, my collection has grown to include parts from respected brands like Fender, Gibson, and ESP, as well as more affordable options such as Ibanez, Yamaha, Squier, Harley Benton, and others. I also purchase new parts from trusted suppliers like Allparts, Wilkinson, Rockinger, or Goeldo.

For my ready-made guitars, I draw from this diverse collection, prioritizing functionality over original sources. I use affordable yet reliable parts.
This way, I can offer them at a price point lower than a Mexican Strat, all while ensuring they sound great, play effortlessly, and have a visually appealing design.

I'm certainly open to using high-end components like Gotoh, Schaller, Babicz, or Warmoth Bodies and Necks for custom builds, but that would understandably increase the cost significantly.

I'd love to work on high-end custom guitars for those who desire them.


Cheers,
Dom
 
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Wasteland-Dom Can you distressed my 77 BMW for me?
If you pay for shipping... :P

So you are saying we could send you our favorite parts? If so, intriguing...

If you want me to paint a Fender Made in USA Strat with a Vega-Trem, Schaller Locking Tuners and Seymour Duncan Seth Lover Set. I'd say let's go!
If you want a PRS with Gotoh Locking Tuners and Seymour Duncan Phat Cats... Why not?
If you want a BC Rich Warlock with a Schaller Lockmeister and Seymour Duncan Blackouts ... Sure thing.

:bigok:
 
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I'm certainly open to using high-end components like Gotoh, Schaller, Babic

I am probably the biggest Babicz fanboy on the forum. I have them on 2 Strats and 2 Teles

Lindy-Fralin-Banner-Copy.jpg


IMG_20130706_094841_288.jpg
 
I am probably the biggest Babicz fanboy on the forum. I have them on 2 Strats and 2 Teles

Really cool guitars, Securb!
Babicz makes really great stuff. I have had a babciz tremolo on a Stratocaster and have had babicz bridge on a Telecaster.
Great sustain great Quality
 
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