Dedicated Windows PC, never goes on the internet so it’s still ripping fast and clean. Mackie Onyx with an Opto8 pre connected to the ADAT for 16 inputs, half class A, half tube. Rack dbx compressor, tube expander/enhancer., LA-2A optical comp (secret sauce for vox and drums) fatso distressor, Akai 4 track with the preamp bypassing to use a studio pre. A Fulltone tube tape echo that not only has unsurpassed lush delay but is worth the price of admission just for the all tube preamp to add anything from a hair of natural distortion for some extra presence or full on saturation.
A nice assortment of mics from Rhode, Heil, Senheiser, AKG and Shure and some MXL mics I picked up for a bargain, removed the internal part of the grill and modded the circuit so they sound like they’re 10x what I bought them for. The V67G is far better than the NT-1 I paid almost double for.
The 2006s I similarly modded are now gorgeous for room mics to violin and acoustic guitar. I have a couple of Samsons with adjustable patterns that sound really good, total sleeper mics for guitar room sound or drums with the fig 8/omni patterns.
The tape machine adds what I call “juice factor” to the guitars. Removes harshness without being lo-fi and adds low mid warmth, everything I love about metal guitar before digital proliferation. Check it.