Re: What are your thoughts on active small monitors?
On the KRK game, I believe you can get better monitors for the price. During a head to head test in the studio I worked for, a pair of much cheaper Yamaha HS8 was preferred by everyone to the much more expensive KRK V8-II.
I will add in the above guys are right in regards to 5" and size of the room/ second pair etc. I certainly plan on getting something smaller than my 8" in the future for different reference.
Sure, switching between multiple speakers is a great way to mix. All of the different speakers have different purposes. Workflows and ears differ, other guys prefer other ways. For me the best way to create a mix is:
step1, tracking and balancing: start on small nearfields like the NS10, HS5, AV40, F1, A1, BM5A etc. If I had to choose only one type of monitors to work with, this would be my choice.
step2, setting spectrum and per/track compression, constructing low content: 8" nearfields or above.
step3, setting stereo field (always A/B with main monitors) and finetuning mastering processor / chain (detecting anomalies): headphones. I'm an AKG guy using everything between K240M and K1000.
I tend to switch between monitors a lot to check decisions but I spend the most of the time using these during these phases. Sometimes I just stick to one single monitor from start to finalising. For example this is a mix of 5-inch monitor only:
The bass content ended to be less dense but overall clarity improved. I decided this way because this project included many tracks fighting with each other considering spectrum layering. The most important goal was reaching a good separation between different components.
Sometimes the best 'balancer' monitors are not pretty. I'd dare to say that my all-time fav mix tool Yamaha NS10 sounds ugly. Its power is its functionality: if you can make a clean mix on these, it will keep its clarity during most of listening environments.