What, In your opinion, makes a guitar “great”?

PFDarkside

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Talking about electric guitars, what makes a guitar great? Do you break it into sound and playability? How much is your preference vs something you can objectively point to? When I was picking up my amp after it was serviced I played a Fender Custom Shop to test it out and I was surprisingly unimpressed for the price. It sounded good but I didn’t feel any “magic”
for what that hang tag said.

Some things seems straightforward, I think.

This like well leveled, crowned, polished and rounded fret ends vs frets with wide flat spots that like out the end of the fretboard. A guitar that stays in tune when you play it, so it’s well intonated and doesn’t go out of tune with bends, etc. The ability to hold a setup, so the neck doesn’t move and change action.

Other things are more subjective like how the neck/nut width, neck thickness and profile, and radius feel compared to your preferences. Fret size and crowning profile. Weight and balance. How the finish feels on the neck and if the fretboard is finished or raw.

Sometimes it’s a sound thing, where the pickups balance the guitar’s tone and your preference. Being here we know what a huge impact all electronics can have, pickups, height, pot values, cap values, feel/quality of the parts like the speed/stiffness of the pots.

And sometimes it’s just familiarity. My #1 Strat is my number 1, and I play it so often it feels like home. I think objectively it could be better, but I know it so well.

What makes a great guitar for you? What are your must haves and what guitars surprised you?
 
For me it's about how the neck feels in my hand, how does the whole guitar balance, how much body resonance is there, and overall comfort. I've had some that wouldn't resonate much and others, like my #1 and Les Paul, that have that right amount and I can feel the chords in my gut. A good setup goes a long way. Back in my youth I may have looked for one setup perfectly to my liking without giving the other things any thought or realizing that I can take one that meets all the other criteria and adjust the setup to what I like and it'll be perfect.

The one guitar that surprised me recently is my Squier Classic Vibe 60's. I needed an inexpensive but good Strat to play in the worship group at Church. My other Strats were not configured for it (one is now with HSS config) so the CV fit the bill. Bought from Sweetwater and my rep had it given a onceover. I gotta say the thing is a great Strat at the price point. Of course it needed some work on the frets a little, nut slots lowered a tad, but it has good bones so those other things were easily addressed and it made a huge difference. I eventually swapped the bridge for a MIM Standard with larger block and put a larger tone cap in it when I swapped the volume pot (the stock one wore out quick - small dime size). The stock bridge was adequate and I could've left it on there but I like the MIM Standard bridge better, it's more solid feeling. I love playing it.
 
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Neck profile is key to me. With some minor adjustments to taste. My Eric Johnson rosewood Strat was a fine Strat when I bought it. Small tweaks turned it into a wonderful instrument that I will never part with. But in the basis it’s a perfectly built guitar with a neck profile to die for. Not too heavy as well.

- the neck suits my hand perfectly, but I sanded off the lacquer to get rid of the stickiness. It’s super smooth now.

- The EJ pickups are ok, but I liked CS Fat ‘60s better for the neck and middle position. Original EJ pickup remains in the bridge position. I had to reverse the wires of it for they’d be out of phase with the Fat ‘60s middle pickup in position 2.

- I blocked the trem. I don’t use the tremolo unit ever, so it’s provided with five trem springs at maximum tension. I have the feeling that this improved overall resonance of the guitar (FWIW) and a blocked trem makes sure you won’t have any tuning stability issues.

For me, it doesn’t get much better than this. Of course it would be cool to own a custom built CS guitar once. But to be honest, as long as I have my EJ Strat, there wouldn’t be much justification to get one.
 
Sound, playability, looks.

Sound and Looks are personal X Factors, what makes the playability work for you?

Please expound….

It’s so strange that my main Strat has a gloss finished neck. The others with satin or oiled feel better but I’m just so used to the gloss one it’s ok I think. I’d never specifically choose it now but it works on this guitar.
 
The feel. And the look needs to be inspiring. Sound, I can make that happen, usually.
 
How can less be more? More is more right? So more greatness requires more guitar....

So Rick Nielsen owns most of the truly great guitars -y'all are just fooling yourself.

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Please expound

I do not like a neck heavy guitar I have to fight with. Or my Fender Katana I got rid of because I did not like how it sat on my body. I was always fretting two frets high.

Some body shapes like the B.C. Rich Beast dig into your forearm, thigh, and torso. I don't want to FEEL my guitar. I want it to feel like an extension of my body.

All of my guitars are set up beautifully, have great pickups, and are great players. They are also comfortable to play sitting down or standing.

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It is probably easier to recognize (once you find it) than it is to articulate it. We all have different meaning for the same words so communication can lose things a bit. I will try to explain what I find important as simply as possible.

1 )The Guitar has to be lively acoustically. It has to resonate well in the various places I check or else the ride is over. I listen for things and if it has them I continue. If not, I am done.

2) The guitar has to be comfortable (possibly the same as familiar in a way) when I pick it up and hold it, play it, etc. If it is really foreign feeling I most times will be done.

3) If the guitar resonates and feels comfortable (or is something I know I can work with) I play it acoustically and see what it does for me.

4) If I like it up to this point, I plug it in and see what it sounds like for various tones. What are its natural strengths and weaknesses, etc. and can I work with those for what I do.

5) If all of this is in alignment then I can chew on price and colors, etc (if all things are equal) which it never is because each guitar is unique.

Of course the build quality and detail, etc have to be there. At this stage in life I am not buying anything where the quality would be an issue. Additionally, I am not so concerned with weight if everything else checks out. I don't like super heavy guitars nor do I like super light ones.
 
Do you guys tend to prefer guitars with similar neck thickness, width and profile?

As my playing style as moved to nearly all thumb-over the thinner profiles aren’t nearly as comfortable as I used to find them. Also there’s something about the shoulder of the profile that I think is critical for me. Who has sanded a neck to make it “perfect” for them? A raw wood neck, sanded then oiled/waxed seems ideal
now.
 
Do you guys tend to prefer guitars with similar neck thickness, width and profile?

It is funny when I was a kid playing my Ibanez, Les Paul necks felt like baseball bats to me. Now I prefer a Les Paul 50's neck and my thinner necks take me a second to settle into these days. But I think as I am picking up one of my guitars with a different profile my brain and body adapt, muscle memory kicks in. It really depends on what I am playing.
 
Do you guys tend to prefer guitars with similar neck thickness, width and profile?

As my playing style as moved to nearly all thumb-over the thinner profiles aren’t nearly as comfortable as I used to find them. Also there’s something about the shoulder of the profile that I think is critical for me. Who has sanded a neck to make it “perfect” for them? A raw wood neck, sanded then oiled/waxed seems ideal
now.

Not really for my part. I don't care for wide necks and/or low frets, but thick necks are no problem. The largest one I've had was wide enough that it had to narrow down for the neck pocket, and it played well enough that I wouldn't mind having one like it again, even if my newer necks are not like that. That one was unfinished, and I think the plan was to sand it down, but then I ended up playing it for a few years without modification. These days I'm equally happy on a raw neck and a heavily finished one.
 
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