sosomething
Seymour Duncan Customer Support
Re: what to do for fender cleans
what is this "clean" ??
what is this "clean" ??
^ Expensive? Got my 68 Bassman with a 2x10 cab for about $400 out the door at Music-Go-Round in Salt Lake City.
Silverface Fenders are great bang-for-buck man...that's actually the best suggestion in this thread.
what is this "clean" ??
A friend of mine once was going to buy a DRRI .... i read the many reviews at Harmony Central and rang him and told him not to buy one (yeah, i know people scoff at HC, but when enough people complain about the same problems, there has to be something in it).
OK, i'm gonna say this knowing i'm an old fart and largely ignored for my crabby old views. But here's some facts.
The Fender re-issue amps are built using cheap pcb construction .... when the re-issues first appeared, I couldn't believe it was possible to make those amps so cheaply .... only later did i realise that the traditional construction methods had been abandoned in favour of the cheaper pcb construction and lower grade transformers.
A friend of mine once was going to buy a DRRI .... i read the many reviews at Harmony Central and rang him and told him not to buy one (yeah, i know people scoff at HC, but when enough people complain about the same problems, there has to be something in it).
An original Silver Face Fender amp that has been serviced will probably last another 20, 30 or even 40 years. I doubt that a new Fender Re-issue amp will last 20 years from new. It is highly possible that the re-issues will become problematic in a very short space of time. Yes, they sound good, but the question is, for how long will they emit good sound reliably ?
I repair and build amps, I have serviced many S/F amps and once they've been brought back up to spec (often after years of hard gigging and zero servicing) they are as reliable and good-sounding (if not better) than new. Conversely, at present I have forum member Will S-T's Blues DeVille amp here with intermittent problems .... I cured the original source of the problem (broken pcb-mounted input jacks) and now the same problem has manifested in another area. A quick Google showed me that this is common ..... poor quality pcb's and wave soldering.
I realise that most affordable tube amps now are built this way, and they do sound good ... and the alternative has become the boutique level which of course is very expensive. This is why i recommend trying to get a Silver-Face Fender cheaply and having it seviced rather than buying a RI. You might get lucky and get a RI that is trouble-free. But it's a gamble, and if a RI becomes problematic it could become a liability in terms of trying to sell it.
It's been my own experience that troublesome equipment can often work fine at home and then expose it's problems on a gig or other important session. I'm expecting to see a lot of problematic cheaply-built tube amps floating around on the s/h market within ten years .... amps that will likely only be useful to tech's to re-build as p-t-p creations.
Feel free to ignore any or all of this.
Yeah, but oftentimes the reason people complain about the same problems is because they read someone else's review that informed them of that particular problem. I'd be surprised if more than one out of five who complained about any problem on the internet actually had that specific problem.
lol should I just get a handwired weber 6A20 built for me I hear those sound good and are reliable
you could find a Silver-Face Fender at a good price. They seem to be considered the 'poor relation' over there in the US because the Tweeds and BFs get all the acclaim and collectibility status. That leads me to suspect that the SF ones might still be found in pawn shops, garage sales, and neglected corners in music stores, maybe covered in dust and looking tired and worn .... the ideal candidates for a cheap purchase with maybe a little money left for a service.