When that tone surprises you...

Because the way it looks is more important than the way it sounds?

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oh my Marshalls sound pretty kick ass too. Ha ha ha.

I just can't see myself blasting a Roland XL on a stage in my metal band..... I would play it in the garage though and even record with it sometimes. It does sound really good.
 
Is it a Fender?

Nope. Washburn right after the Randall acquisition. It seems like it’s a hot-rodded RG-100ES, but single channel and more features. Kinda sounds more like a 5150 than the British influence. It’s incredibly versatile and can do Dime’s sound without so much hardware help he used in front and behind.

Check this out, just using my phone, straight in, EQ boost and extra overdrive level cranked!

[video]https://www.dropbox.com/s/r5egph0utzxc3uv/WasRandDime.mov[/video]
 
That amp sounds amazing. Is it 2x12?

It’s a 100watt head but you either had a very vood guess or an amazing ear because it’s on top of my 2x12 with a G12K-75 and a V30! Like the title suggests, it absolutely blew me away testing amps for the second album, tracked that exact sound into Eminence Legends.

The guitar sound of that album is essentially exactly what I heard in the room and captured fantastically. It’s been my secret weapon ever since. At the very least it gets blended in if I don’t want something quite so fast and tight but it stands alone!
 
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45 years of amps & guitar, not surprised about anything at this point except how many folks easily get decieved by internet marketing.
 
When I first got a Blackstar HT-5, I was pretty surprised at how good it sounded. Friends of mine were as well.
 
When I first got a Blackstar HT-5, I was pretty surprised at how good it sounded. Friends of mine were as well.

I don’t care what’s in them, whether it’s pure tube or not or any of that controversy. Blackstar make fantastic stuff! My HT-Blackfire pedal is the smoothest, clearest distortion that just sounds absolutely fantastic especially for its size (it’s quite a big box compared to other pedals but the 3 band and ISF gets the definitive “amp in a box” for my sound.) The tube might do what they claim and run at the voltage required to be a real gain stage, might just be starved.

Straight up doesn’t matter because it’s worth every cent a paid for it new, to the point I was considering buying the amp version of it but was worried it might not even sound as good as the pedal! It’s transients are so punchy, you can see the attack of every palm mute in a way thought only possible by really good tube amps.

It’s aged magnificently with even the newer AMT Legend series sounding a little hollow and grainy and just having that thick, smooth tubeyness I love about it so much! The fire channel cleans up and is capable of lower gain goodness and sounds very much amp like and not like a pedal. The Fury channel is where it’s at. More gain than you could ever need in your whole life, saving even more space and points of failure because you can leave your overdrive at home because this channel is tight! It’s just as dynamic too with so much of the gain sweep being totally useable and musical!

It’s the ultimate preamp for my fly rig into the amp loop of my RP-1000, into an AmpTweaker Depthfinder (very small box with active presence and resonance) into the Crate Powerblock and bam, saves so much money on the plane with a truly amazing, uncompromised tone! It’s just so good, it’s a perfectly legit unit in the studio too whether stand alone or blended for modern riffing right into a tube power section and cabinet or the smoothest, most beautifully juicy lead tones you’ve ever heard!

I really don’t have much experience with Blackstar, it really might not be that surprising because it wasn’t cheap and Gus G really did use it (I’m not even a big Firewind fan or want his specific tone, it’s just good!) If it’s anything to go by, Blackstar are/were geniuses. I can’t praise it enough. The direct recording out is just an analog EQ curve. It’s passable for front of house but nowhere detailed enough for stufio use but clever enough routing and today’s IRs who cares?? Enough plugging, here’s one of the very first demos I made with the source of gain purely the Blackstar HT-Blackfire into some decent IRs.

 
I'm not a BLAckstar guy, but 2nd guitar player is. Love the ones I've played.

Hell yeah! Like I said, probably not nearly as surprising as my first comment but it’s stupidly good for “just a pedal.” Nothing does what it does.
 
It’s a 100watt head but you either had a very vood guess or an amazing ear because it’s on top of my 2x12 with a G12K-75 and a V30! Like the title suggests, it absolutely blew me away testing amps for the second album, tracked that exact sound into Eminence Legends.

The guitar sound of that album is essentially exactly what I heard in the room and captured fantastically. It’s been my secret weapon ever since. At the very least it gets blended in if I don’t want something quite so fast and tight but it stands alone!

I used a Randell SS 100w head with my old band and it was awesome for metal. They are very underrated amps I would suggest if anyone encounters an older Randell in the wild grab it. They can usually be had for a couple of hundred bucks. I paid $130 for my Randell head, I wish I never sold it.

 
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I used a Randell SS 100w head with my old band and it was awesome for metal. They are very underrated amps I would suggest if anyone encounters an older Randell in the wild grab it. They can usually be had for a couple of hundred bucks. I paid $130 for my Randell head, I wish I never sold it.


Same. Every Randall I’ve owned was amazing, in general and not just for the price. The Rh200G2 was a hell of a plug ‘n’ play metal amp. Clean boost, two gain modes, voicing switch and a very sweepable contour! Tight, smooth and very loud too.
 
I used a Randell SS 100w head with my old band and it was awesome for metal. They are very underrated amps I would suggest if anyone encounters an older Randell in the wild grab it. They can usually be had for a couple of hundred bucks. I paid $130 for my Randell head, I wish I never sold it.

If I saw one of those in a pawn shop I would grab it in a heartbeat.
 
I had a Crate GT80 DSP, that, to my surprise, had Telefunken tubes in the tube preamp side. Bypassing the Crate speaker and using my Randall RG-80 with a Celestion as an external cab sounded almost exactly like my friends 1968 Park 50 through his vintage 1960BX with Greenbacks.

The amp is long gone (was not road worthy), but I still have those tubes. And the Randall.
 
One of all time favorite clean tones came from my old mixer/monitor setup. I believe I was running my Peavey C5b/59n into an SFX-01>compressor, then paralleled into an old Yamaha FX-500, (set to the "Acoustic" model), and a Johnson J-Station, (set to "Blackface" model, into my mixer>Crown amp>Yamaha monitors.

Sweet, clean sound.

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Sometimes tone can surprise us.

Just before I sold my Peavey Bandit 112S to Ranger1bn75inf (RIP), I took it to rehearsal to make sure everything was working properly.

The other guitarist (tone chaser) heard it and said, “What are you playing through?” He couldn’t believe it was a SS amp.
 
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