Re: Who else finds stock gibson pickups woofy?
jeremy said:
i think the burstbucker 1 and 3 setup is a good one but overall i dont think gibson pups are that great. i think the combined sounds on a gibson are the best for clean chording
Wish I'd known that before I shelled out on a 2 & 3 set. If I had known PGs were imbalenced coils I'd probably
gotten them although at that time I thought imbalenced coils would have less bottom and one should add 200 ohms to compensate so I still would have shied away from the PGn...Imbalenced coils have a more scooped mid rather more pronouced bass and treb...now I know.
I like the BB 2 better than the 57 classic neck (It sounds like Bett's neck PU on the first album (a real PAF) but they definitely require the low E side be lower into the body (to reduce woofieness), almost passing the sweet threshold.
Classic neck & BB2 are 8k #42 pickups. The 59 n is a 7.43 #42 like a Gib patent embossed (T Top). After the T disapeared, patent embossed pickups started consistantly reading 7.6, even with variations of the base plate (epoxy type and the leadless model). Then came the first Gibson PAF reissue (never got to measure one of them...does any one know?) followed by the 490R (7.6k).
Of #42 gauge HB neck pickups I have 7.1 to 7.36 (T Tops)are best for clean chording. Once you pass 7.4 (I don't get a good solo tone until 7.6) I'm hearing the need for a series/para switch for clean chords due to amp clipping. I think woofiness starts at 7.8 ah 7.9.
57 Classic's eq will even out, maybe make you happy if you put an a5 mag in but I'm banking on to woofie.
8k WOOFIE EXCEPTIONS:
I have an old DiMarzio PAF 8k a5 that I wish had more woofiness (that's why its not in a guitar) it has a very very sweet top end.
This contradicts everything I just said...I know. I have a handful of Japanese pickups that measure around 8k that are my favorite's, they are not woofie. They have the most killer midrange thru the Dual Recti. Not good for clean chord work in series either (they need para sw) I think the metric equivalent to #42 gauge is a smaller in diameter and that's how the DC resistance can be so high and still be a very balanced pickup.
Can't explain that Dimarzio PAF...I even took the plate off of a Gibson pickup and replaced the original brass plate and the pickup still sounds the same to me.
CONCLUSION:
In general 8k #42 pickups are woofie.
MY GIBSON ISSUE:
Gibson should make a 57 Classic 1, 2, and 3, 1 being a 7.6. (Classics and BBs use enamel wire the 490R is 7.6 urethane).
Then like the BB2 I could say the Classic 2 is woofie and useless to me as a neck pickup but I'd recommend them for bridge pickups where the neck pickup is a 7.1 T Top.
Seymour walks #42 neck pickups up from 7.2k in finer increments and not to exceed 7.7 making it impossible to buy a woofie neck pickup.
If you look at it that way Gibson only makes 3 neck pickups 490R, BB1, and the BB Pro 1 all measuring 7.6.
On paper the Seth bridge is like the same pickup as a 57 Classic.
The Classic Plus 8.6k is a bridge screamer (Hotter than BB 3). I'm intrigued by the Angus T (Doc B says it clocks in at 10k) and I doubt it's an under wound C5 like the SD (both use #43).
I bought a Golden Age 9.75k #42 Urethane (that's how it was described at Stew Mac) off of eBay the other day thinking I circumvented the price of the Angus. It came in and only measured 7.9k. I called Stew Mac and talked to their tech. He said they recently received a shipment that were 7.9k and they were mixed in with the 9.7ks so the only way to guarantee a 9.7 is to order it direct from stew Mac and have the sales girl get him on line to pull my order. So if any one wants to hear what a Urethane Angus would sound like they're $47.
Seymour doesn't make a #42 10k pickup so I have to wonder why...that'll make you think before you plunk down $130 for the Angus T. Lew likes the Fralin #42 9.5 with a4 though. I do not know if the Angus is enamel.