Who is responsible for the proliferation of flame/quilt/burl tops/veneers?

Both Carvin and Hamer back in the 80's were building guitars with solid figured bodies. Not Figured tops but solid figured bodies and necks. Had a Hamer Vintage S that was solid quilt maple as an example. Some of the highly figured Carvins in both flame and quilt maple plus highly figured KOA were absolutely stunning many with equally highly figured necks. My early to mid 90's Washburn USA guitars with quilt drop tops are absolutely jaw dropping in the flesh and no photo does them justice. Had a late 70's flame Green Burst X shaped Aria U 60 Deluxe that was also a real looker and one of the best guitars I ever owned. Gibson was the first I remember seeing seeing but a lot of others had figured top and bodies in the late 70's.

Definitely Carvin, I remember in the early '80s I sent away for a catalog and I had never seen so much quilted and flamed (what they called "curly) maple...and the Koa! Lots of gold hardware and those 22 pole pickups! I really wanted a V220, never did buy one though!
 
I like most of them, unless they look like diseases under a microscope, or if it is all way too busy.

Same. To me, figured tops are great if they are simple and the pattern is there to support the look, rather than an end in and of itself. Schecter, Jackson, and Charvel have a few "disease under microscope" patterns that don't do it for me at all.

Edit: And liking figured tops doesn't mean I shun solid colors. I will always appreciate a "tuxedo" single-cut (black with gold hardware), and I'm a fan of specific shades of blue and pink on Strat-style guitars.
 
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Ive never cared about fancy tops, I'm trying to make sounds. All of my dozens of guitars are player grade and abused.

But I understand that a lot of people like the artistic and collectable side of a guitars beauty.

And they keep the makers in business.
 
I can take or leave maple tops, depends on the guitar but I agree with LLL, I think PRS really started the proliferation of maple tops in the late 80s.
 
People who think the aesthetics of the guitars they play and own don't factor into purchase and playing are kidding themselves. Looks matter for all of us, regardless of our specific tastes.
 
My favorite pattern is spalted. Next is burl, flame and tiger, tied. Quilted has it's place too.
And as far as photofinish or veneer, as David Spade once said, real that look like they're fake, fake that look like they're real.
Either way, I'm good.

Sent from my SM-A115A using Tapatalk
 
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