Pretty self explanatory.
Show off what's on your workbench!
I'm gonna go restring my MIJ '62RI and change out the graphtech string savers saddles for ye olde bent steelies and perhaps set up the trem to go back to floating mode instead of locked down. Pics to come.
I have two, maybe 3 that are pending some work.
#3: I don't have any pictures currently (and I'm out of town for the weekend), but I'm thinking about mag-swapping the Phat Cats in my SG. I generally like them, but the A2 EQ curve makes me stabby every time I play it plugged in. I really need to order some magnets and get to work.
#2 Need to rewire & swap necks on my Tele:
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Some of you guys may remember this ugly thing from a few years ago. The vibramate is gone, the Bigsby is on my SG, I put a SM-1 in the neck, and I installed a brass Andy Summers style bridge. I recently found that the previous owner wired the switch so wrong that I'm honestly shocked it produced sound at all, so I need to install a new 3-way switch. I also swapped the useless GFS 'locking' tuners for a set of Jackson-branded Gotohs. The last two things I want to do are swap the el-cheapo mystery neck for a rosewood Blacktop Tele neck I just bought off ebay and replace that fugly pickguard with a 3-ply black one.
#1 Need to rewire my 335:
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I really hate working on semi-hollows, so I've been putting this one off for the better part of 2 years. It sounds great unplugged, but like most A2s I just don't get along with the '57 Classics. I have 4 new 500K pots, a pair of nickel '59s, and .015/.022 orange drops that I'll be wiring 50s style.
This guitar has been "in the works" for years now. Life changes are hopefully going to allow me to actually finish it up this summer:
View attachment 54577
I designed this body shape years ago when I was in school and have built 3 guitars using it...all set necks & the first two were all Korina. This one, #3, will be all walnut with an ebony board. I've got some EVO wire and the bridge will be a TOM set up in a somewhat unique way.
View attachment 54579
I bought this guitar on a whim one day, with the idea of upgrading it a bit. Well, so far I've taken all the finish off the body (over 1/32" thick!!) & cut down & reshaped the long, upper horn. This guitar will get new frets, a thinner finish & all new hardware. Why? I don't know... The plan as of now is for this to be my "strat" guitar.
My beloved but very damaged ML is on the bench right now. The lacquer finish on the neck was getting soft and tacky, the cracks in the body finish plus the fact I could easily see headstock repair all told me it was time to do a refinish. I feel BrianS's pain on thick finishes. The finish on the body of my ML is equally as thick and taking forever to strip. On the bright side the finish is much thinner on the neck.
View attachment 54590
I'm lacing mesh heads onto my Alesis e-drums. Screen door mesh and mason line with a big fat upholstery needle.
off u see did MRSAge, I m on tapa talk and auto correct is hating on me
HAHA haven't i taken enough of the forums space?
For anyone that missed it i am working on my handmade 31 fret prototype,
No radius
25.5 scale
jumbo ss frets
mahogany and maple
reverse headstock
And the virtus 36 fret which is almost finished, Just awaiting funds to complete it
I also have many other projects awaiting my time and funds........
Raton. What do you have left to do on the fullmap?
and what's the plan (Hardware/electronics) for virtus?
I am intrigued. Why are you doing this?
Is that a flamed walnut top or something else?
Hmmm.. Sounds like your guitar is experiencing a lot of temperature and potentially humidity fluctuations as well. It looks nice though. How are you planning on refinishing it?
Yes. As you can see in the pic, the center of the bookmatched top is lighter colored than the edges. That is "white" wood, or I think some folks might call it sap wood. At any rate, due to the color variation we can't use it to build harps, so I took it home and put to some good use. Not sure if I'll dye it or leave it. It's about a 1/4" thick. The body is also walnut, but a much lighter weight piece. Walnut can vary greatly in its density from tree to tree, and I was happy to find a nice, light, clear grained board for the body. I also found a perfectly quartersawn board that I used for the neck blank. I think I'll have several nice neck blanks from that board!
Here's a couple pics of the Aria in its current state. I used heat and a chisel to get the finish off (not a fan of chemical stripper). HUGE PITA. I guess you could describe the body as a "bread board"...7 pieces total. Not sure what wood species they used. I think I like it better without that long upper horn it originally had.
View attachment 54602
View attachment 54603
...the heat gun...
NiiiceHAHA haven't i taken enough of the forums space?
For anyone that missed it i am working on my handmade 31 fret prototype,
No radius
25.5 scale
jumbo ss frets
mahogany and maple
reverse headstock
And the virtus 36 fret which is almost finished, Just awaiting funds to complete it
I also have many other projects awaiting my time and funds........
Actually the finish on that guitar had issues early on. A few months after I had it built for me a bubble about the size of a half dollar formed in the finish on the back of the lower horn. That broke and exposed bare wood. A few years after that I let my brother borrow the guitar for a winter. He let it freeze overnight, was running late for a gig, opened the case while the guitar was frozen solid and CRACK there went the rest of the finish. The beautiful blueburst became a greenburst within 3 weeks and the neck paint started softening and shedding on my hand as I played it. Then a couple of years ago it was sitting on a stand and my daughter and a friend knocked it off snapping the headstock.
The looks of the mahogany underneath has me thinking the guitar may just be refinished with a clear coat and just be done. Still thinking about a pickup change on it and am intrigued with how a Whole Lotta Humbucker would sound in it.
Probably should not admit to this, but I actually used a small butane torch. I'd heat up small sections until they softened enough to get the chisel under them and then "peel" the finish off. It would harden back up as I was doing this, and I'd have paint chips flying everywhere. It was also very easy to overheat and burn the finish, which gave off some pretty strong fumes. I started wearing a respirator after the first couple rounds. Never again...
I forgot to mention this in my last post: Nice work on those nut slots.
ESP/LTP Hybrid II right out of boxDay 2 Tape job
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I sand the necks on my guitars by hand QA issues KNOT!
Tung Oil
Current
Babicz TOM installed a little screwy drilled hole moved due to trying to find hole for ground wire had to fill and redrill bridge is a little bit out of line. Now it is waiting to install all new switch , jack and pots 500k push/push