Guitar speakers are notorious for "beaming". Weber came out with the "beam blocker", but they really had the principle mislay-ed. Jay Mitchell has done amazing research into this phenomenon. His designs work very well and are used by many musicians, at all levels.
Good Luck
http://jay-mitchell.com/dirmod.html
Guitar speakers are notorious for "beaming". Weber came out with the "beam blocker", but they really had the principle mislay-ed. Jay Mitchell has done amazing research into this phenomenon. His designs work very well and are used by many musicians, at all levels.
Good Luck
http://jay-mitchell.com/dirmod.html
Why do speakers sound so harsh when you're in front of them?
Because your ears can't handle that much awesomeness at such close range.
sigged!
because treble frequencies, unlike bass and warm-midrange frequencies, are unidirectional. Duct tape helps with this problem too if you want to go ghetto wit' it.
I have a G12H30 in a 2x12 closed back that sounds way too bright when I'm in front of it, but it sounds great when I move to the side several feet.
Funny that people say a Vintage 30 is harsh...this G12H30 could make my ears bleed with treble...
Guitar speakers are notorious for "beaming". Weber came out with the "beam blocker", but they really had the principle mislay-ed. Jay Mitchell has done amazing research into this phenomenon. His designs work very well and are used by many musicians, at all levels.
Good Luck
http://jay-mitchell.com/dirmod.html
I got so I would often aim my speakers at the drummer. This way it was off axis to the audience and myself. I prefer off axis myself anyway. The drummer really liked this actually, as it helped him hear the guitar better in the mix and he usually found that a problem. It was originally his idea. If its too loud for the drummer then its too loud for sure! But if it's not loud enough for the drummer to hear clearly, it's probably being buryed in the overall mix a bit.
I know of a guitarist that will often start out a gig with his cab turned backward or toward a wall, and then only turn it around after the audience has grown more used to the bands natural volume. This virtually eliminated complaints about him playing too loud at first and then not loud enough after their ears had adjusted.