rivera213
Guest
Re: Why don't more "known" players use Hamer guitars?
I think the top players, and I mean the absolute top level (possibly even top 2 levels- since I don't think Govan is up there with Holdsworth) care about the way their guitar looks ONLY if everything else is up to their standards.
If the 2 choices were equal in every aspect apart from the aesthetics then sure, choosing the more attractive guitar (IYO) would make sense. However, I don't think any top player will choose a "better" looking guitar which they think is a lesser instrument in terms of tone, playability and quality JUST because it looks nicer.
Many rock/metal players would and have done that, but then most of them cannot play a note in tune and would be ignorant of quality when comparing a USA Hamer to, for example, a MIK LTD.
We all know how endorsements work, but the top companies don't give endorsements for the most part, and certainly don't offer sig guitars to someone who was playing a previous brand of guitar the year before (any similarities between Jon Donais and the Washburn-ESP issue are accidental).
I wish!
I STILL have major GAS over that guitar. Champagne taste on beer money I'm afraid.
Everything about it seems quality, and no guitar with build quality THAT good sounds anything other than beautiful.
The '59's sound great in mahogany guitars IMO and I think the Black Transparent finish looks even better than the other colours:
Maybe I'm just boring, but I like a nice, classy natural or flame/quilt maple top over an insane graphic.
I don't think there's much to choose between Hamer, Suhr, PRS, Tom Anderson purely in looks so I'd be happy with either. Ha ha.
Perhaps it's just as simple as Hamer's, for all the good build quality and superb playability and tone, just don't give a unique enough tone/feel/look, and saying that top players don't care about the look/image of their instruments is possibly not very accurate.
Almost all players care how their instruments looks, one way or another.
I think the top players, and I mean the absolute top level (possibly even top 2 levels- since I don't think Govan is up there with Holdsworth) care about the way their guitar looks ONLY if everything else is up to their standards.
If the 2 choices were equal in every aspect apart from the aesthetics then sure, choosing the more attractive guitar (IYO) would make sense. However, I don't think any top player will choose a "better" looking guitar which they think is a lesser instrument in terms of tone, playability and quality JUST because it looks nicer.
Many rock/metal players would and have done that, but then most of them cannot play a note in tune and would be ignorant of quality when comparing a USA Hamer to, for example, a MIK LTD.
We all know how endorsements work, but the top companies don't give endorsements for the most part, and certainly don't offer sig guitars to someone who was playing a previous brand of guitar the year before (any similarities between Jon Donais and the Washburn-ESP issue are accidental).
So Rivera, ever get yourself one of these?
![]()
I thought I remembered you having some G.A.S. over a Hamer. Those Studio Customs are KILLER guitars and Les Paul Killers. The stock Duncans Rawk! :approve: :cool2:
One other neat thing I like about Hamer is the use of race track locations for guitar names. Monaco, Daytona, Talladega.
I wish!
I STILL have major GAS over that guitar. Champagne taste on beer money I'm afraid.
Everything about it seems quality, and no guitar with build quality THAT good sounds anything other than beautiful.
The '59's sound great in mahogany guitars IMO and I think the Black Transparent finish looks even better than the other colours:
Maybe I'm just boring, but I like a nice, classy natural or flame/quilt maple top over an insane graphic.
I don't think there's much to choose between Hamer, Suhr, PRS, Tom Anderson purely in looks so I'd be happy with either. Ha ha.
Last edited: