Re: Why no love for the Jazz Neck?
I've now had a JazzN in a Les Paul R7 for a month or so. Can't stop playing it! At moderate gain I'm getting exactly the tone of Forrest R. Betts on Fillmore East - the first solo On "Liz Reed", and on "Stormy Monday" right after keyboard solo. It's a very woody tone with what I call a "thud" to the attack, not the edge or sizzle you expect from, say, a '59 or PG.
I wouldn't try to cop Duane's tone with the Jazz, but it really nails Richard's IMO. Recall that FRB used 100-watt Marshalls while Duane went with 50W. At the same relative volume levels, Mr. Betts' tone would be singing while Duane's was howling & screaming. (Speaking of which, I'm now listening to Duane's first solo on "You Don't Love Me." My God.)