Wide open Super Reverb

Re: Wide open Super Reverb

Steve Howe used to run Dual Showmans really loud on stage. Yes, they sound great, but we have much better sound reinforcement now (and better earplugs).
 
Re: Wide open Super Reverb

there is something magically about a amp with four big bottles but damn its loud when you crank it up!
 
Re: Wide open Super Reverb

Back in the '70s, my band played at an outdoors festival. The provided backline was two Dual Showman Reverbs, daisy chained together, two 215 JBL D-130s. I was playing clean rhythm parts and I'm pretty sure I ran the MVs on 10 with the channels about 5-6. Sounded great.

The other thing I remember about that day is that the monitors were just crushingly LOUD...WAY louder than the Showmans. Oh....and coil cords!

Bill
 
Re: Wide open Super Reverb

It is amazing you can still hear after that. I am happy I live in a time where we are more reasonable with onstage volume and better PA systems.
 
Re: Wide open Super Reverb

supers aren't that loud.
Especially with those old oxford or jensen speakers.
Really nice amps tho.
 
Re: Wide open Super Reverb

It is amazing you can still hear after that. I am happy I live in a time where we are more reasonable with onstage volume and better PA systems.
Some of us must have more durable ears. I played through cranked double stacks in small rooms. Stuck my head inside of W bins of PA's at gigs. Listened to bands that played way too loud for the small venues they were in and generally subjected myself to volumes that give others hearing damage. At age 64 I suffer no greater hearing loss than what is normal for a male of my age. I can think of quite a few people who are working or worked around loud volumes/Music that have never suffered hearing damage in the same way as myself.
The people that I know have hearing damage are people that worked in industrial situations with high intensity machine noise.
 
Re: Wide open Super Reverb

Some of us must have more durable ears. I played through cranked double stacks in small rooms. Stuck my head inside of W bins of PA's at gigs. Listened to bands that played way too loud for the small venues they were in and generally subjected myself to volumes that give others hearing damage. At age 64 I suffer no greater hearing loss than what is normal for a male of my age. I can think of quite a few people who are working or worked around loud volumes/Music that have never suffered hearing damage in the same way as myself.
The people that I know have hearing damage are people that worked in industrial situations with high intensity machine noise.

Yeah, there is no way I would put my ears in any of those situations. You are lucky, I guess. There are many I know that aren't, and they can't enjoy playing music any more.
 
Re: Wide open Super Reverb

For the first time since I got the Super, I'm home alone with nothing to do. I just spent about an hour with it on 10, and learned two things:

1) There's no way in hell my dad is ever getting the amp or the '62 Lester back.

2) I must always keep a fresh supply of earplugs on hand for situations like this.

Seriously, I don't know how on earth anyone ever stood in front of one these things (or god forbid, something louder) running full tilt without ear protection. As a side note, this was the first time I played the '62 with a strap, and much to my surprise, there's none of that SG neck dive. It balances as well as a Fender. Totally unexpected for such a long neck/light body guitar.

Before I heard Michael Bloomfield I wouldn't have dreamed of playing through a dimed Super Reverb or Twin Reverb Amp.

After hearing the Paul Butterfield Blues Band live in 1966 or 67 that changed. ;)


When I saw them at the Elk's Temple Lodge in Detroit, they were the loudest band I'd ever seen up until that time.

Dimed, or nearly dimed, blackface Fenders all over the stage.

Even Paul Butterfield sang and played through a Twin Reverb. No PA.
 
Re: Wide open Super Reverb

And didn't SRV play a Super Reverb nearly dimed in his earlier years? Yes, he was noted for loud volume.
 
Re: Wide open Super Reverb

usually a pair of vibroverbs but im sure he used supers as well
 
Re: Wide open Super Reverb

FWIW, Nuno Bettencourt used a cranked Pro Reverb on Waiting for the Punchline. IIRC, it had a microphonic preamp tube that they tried changing but it didn't sound the same when they did.

At least I think it was a Pro Reverb, may want to google check me.
 
Re: Wide open Super Reverb

I used to own a SRRI. I turned it to 10 a few times when no one else was home. It was, "strip paint from the bottom of low flying aircraft" loud. My 59 Bassman LTD is about the same. Sounds amazing when you can get away with it though!
 
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