The Slash pickup sounds great, but it's still too low output to be truly rocking.
If you play clean/pop/low dirt music = GOOD!
For high gains, go other route (unless you have high gain pedals + amp).
I imagine Slash plays mostly with the pickups at 10 or very nearby.
Speaking as a Valvestate 100R player....of an appropriate classic rock age.
Flip a coin. Wouldn't care. Whatever. That amp can handle either into the happy zone with a tweak of the gain and the treble.
I will say that I have always wondered how far off those pups are...It seems to me (base4d on reading only) that the Slash is tweaked a bit in the Whololotta direction from the typical A2P
I believe one diff is that the Slash set uses polished A2 magnets like those in the stock PG set, and the WLH set uses roughcast A2 like the roughcast A2 magnets in the Custom Shop Pearly Gates set.
Polished seems to give a clearer, more roomy or acoustic/spacious tone.
I'm finding that I tend to like roughcast A2 for the bridge pickup, but consistently prefer the polished A2 in a neck pickup.
No, it does not.the WLH set uses roughcast A2
I had a PG set and a Custom Shop PG set in my two PRS SE Singlecuts.
The CS PG set was so much stronger sounding that it over shadowed the PG's in my other Singlecut and I stopped playing the PG's. Even though I actually preferred them.
Weird I know. But I also wanted to try the Slash set.
So I removed the stock PG's and replaced them with the Slash set.
The Slash set hung right in there with the Custom Shop PG's.
The Slash set also hung right in there with my hand picked and hotter than stock 59's in my PRS CU22's.
So to me, the Slash set has plenty of output.
Anymore and it would be too much for me...but I play mostly jazzy blues and need both a great clean tone for jazzy chords as well as a strong bridge pickup for Clapton, Bloomfield, Green, etc. soloing tones from the bridge pickup.
It's a terrific set of pickups.
Never tried a WLH.
Guess I was wrong. Sorry.Always thought WLHs use roughcast A5 not A2..