YES - "Owner of a Lonely Heart" vs Asia - "Heat of the Moment".

Nobody said yet, (unless I missed it), how did they get that distortion? Was that tube amp front end overdrive? Or a pedal? Or studio magic?
 
Our Song is great! There's method in the key of C.

ASIA came one year before 90125.

Here is some more solo Trevor Rabin. Amazing stuff:
 
Oh, and back to the op: Yes, hands down. Trevor Rabin's distortion grail tone for years. Until I heard Chuck Schuldner's.

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Between these two, I'd say Asia also.

Now I have read that Steve Howe used a EXH Big Muff and Trevor Rabin used a Boss DS1 Distortion....though I'm not sure if these pedals where used on these exact songs.
 
Steve Howe used a Big Muff for a lot of his solos on the ASIA album, but I think what we are hearing on the intro to Heat of the Moment is the preamp of his ES-Artist slamming the input of the amp. I do have an old Guitar Player around here from 1982, where he goes into crazy detail about how he recorded that album. I think a small amp was used, and he did multiple tracks on those power chords.
 
Nobody said yet, (unless I missed it), how did they get that distortion? Was that tube amp front end overdrive? Or a pedal? Or studio magic?

I read an article once about recording Heat Of The Moment. As I remember they layered about twenty tracks of guitar - each through a different cranked amp.
 
I read an article once about recording Heat Of The Moment. As I remember they layered about twenty tracks of guitar - each through a different cranked amp.

Todd Rundgren did stuff like that too. IIRC, especially on the "RA" tour. (I got to see that.) And, of course, Tom Sholtz was the king of over-processing. But on the other hand . . . sometimes it worked. Sometimes, it's fun.

I love Todd Rungren. Hate his recording engineering.
 
I read an article once about recording Heat Of The Moment. As I remember they layered about twenty tracks of guitar - each through a different cranked amp.

I remember reading something like that, and there were a few different tunings involved. They had a ton of money to spend, and they were a high-priority band that were going to get a huge push. While I like ASIA a lot, and own everything they've ever released (that's a lot of albums), they were a band created by the record company to sell records. They weren't started organically. By the way, the geek I am, owns every Yes release, too, which is dozens of albums. Many people in the current Yes are also in the current ASIA, so there is that, too.
 
Steve Howe used a Big Muff for a lot of his solos on the ASIA album, but I think what we are hearing on the intro to Heat of the Moment is the preamp of his ES-Artist slamming the input of the amp. I do have an old Guitar Player around here from 1982, where he goes into crazy detail about how he recorded that album. I think a small amp was used, and he did multiple tracks on those power chords.

Cool, thanks Mincer.

I like hearing how different artists generated their sounds. And I have always loved that there are so many ways to make your guitar sound unique.
 
It's funny that that might be a Big Muff. I've always heard them to be harsh and bright. Maybe what we're hearing on the record is studio magic. Aka . . . processing. It sounds sweet.
 
Steve Howe pretty much only used a Big Muff for most of Yes, too. With really bright amps (Dual Showmans, etc), too...maybe it is the semi--hollow and hollow guitars he uses, I don't know. I can never get a Big Muff to sound like that.
 
What about Rabin? I'm thinking some sort of hard knee compression into a mid boosted distortion followed by a fast gate.

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Listening to "It can happen". Love this tune. Also, "Leave it" and "Changes ".

"It Can Happen" is one of those songs that sounded awesome through my system. I actually cranked it up when that came on. The album has some great stuff but it was that one song that we will no longer mention that chased me away.
 
It Can Happen was also recorded before the band's name was changed to Yes...here is that version (it is very different)
 
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