banner

Announcement

Collapse
No announcement yet.

Problems Playing Through the PA....

Collapse
X
 
  • Filter
  • Time
  • Show
Clear All
new posts

  • #31
    Re: Problems Playing Through the PA....

    my GNX has similar issues
    it has to do with the "Speaker Simulation"
    I dont know how Line 6 employs it
    but on mine
    if going into a real speaker
    you have to turn off speaker simulation used for headphones and direct recording
    it compresses and adds speaker "dynamics" to the output

    turn it off or on
    or whatever it is now swap it to the other
    EHD
    Just here surfing Guitar Pron
    RG2EX1 w/ SD hot-rodded pickups / RG4EXFM1 w/ Carvin S22j/b + FVN middle
    SR500 / Martin 000CE-1/Epiphone Hummingbird
    Epiphone Florentine with OEM Probuckers
    Ehdwuld branded Blue semi hollow custom with JB/Jazz
    Reptile Green Gibson Custom Studio / Aqua Dean Shire semi hollow with piezo
    Carvin Belair / Laney GC80A Acoustic Amp (a gift from Guitar Player Mag)
    GNX3000 (yea I'm a modeler)

    Comment


    • #32
      Re: Problems Playing Through the PA....

      Now, that's what I call an altar.



      Problem solved.
      || Guitar | Wah | Vibe | Amp ||

      Comment


      • #33
        Re: Problems Playing Through the PA....

        Just put all the EQ, volume, gain knobs at noon, and tell the mixer guy to do the same.
        That's a good starting point

        Maybe those speakers are placed high up and you don't get high frequencies attenuated in the mass of people like it used to be before?
        Change cab simulation on your Flextone.
        Change the mic position from direct to angled, if your FX has that?

        Comment


        • #34
          Re: Problems Playing Through the PA....

          Originally posted by Butch Snyder View Post
          Our monitor's are loud - loud enough that I can't hear the drums acoustically. They're not behind plexiglass either. We also have a full orchestra onstage with us. When I say quiet, I mean that I want my guitar's volume coming from the monitors and not my amp.
          That's loud for monitors. I usually only like enough to double my amp in my ears.

          I mean, if there is an eq/input level problem in the monitors, it's gonna be exagerated by the volume, and just maybe you'd get rid of it by running the amp hot, with less of the offending monitor eq.
          Last edited by guitfiddle; 08-24-2010, 06:02 PM.
          - Tom

          Originally posted by Frankly
          Some people make the wine. Some people drink the wine. And some people sniff the cork and wonder what might have been.
          The Eagle never lost so much time as when he submitted to learn of the Crow.

          Comment


          • #35
            Re: Problems Playing Through the PA....

            Originally posted by ehdwuld View Post
            my GNX has similar issues
            it has to do with the "Speaker Simulation"
            I dont know how Line 6 employs it
            but on mine
            if going into a real speaker
            you have to turn off speaker simulation used for headphones and direct recording
            it compresses and adds speaker "dynamics" to the output

            turn it off or on
            or whatever it is now swap it to the other
            I don't know how to turn my speaker simulator off. I guess Line 6 calls it cabinet simulation. I'll have to research that.
            -Butch

            Comment


            • #36
              Re: Problems Playing Through the PA....

              Okay, I found out how to turn cab simulation off. You have to do it through the Line 6 Edit interface.

              -Butch

              Comment


              • #37
                Re: Problems Playing Through the PA....

                Nice, try some other cabs, mics, and axis positions.

                Comment


                • #38
                  Re: Problems Playing Through the PA....

                  Originally posted by Butch Snyder View Post
                  I guess I have let the wrong idea get into everybody's head. Our monitor's are loud - loud enough that I can't hear the drums acoustically. They're not behind plexiglass either. We also have a full orchestra onstage with us. When I say quiet, I mean that I want my guitar's volume coming from the monitors and not my amp.

                  If the stage volume is that loud, why would you release total control over YOUR sound and level to the engineers? Why not use the amp the way amps are intended to be used? As a monitor for the player.

                  Or am I missing something?

                  If you have the option to be in full control, and you willingly relinquish that control then you have no right to ***** about anything.
                  J. 'Moose' Kahrs
                  mixer|producer|recordist
                  mooseaudio.bandcamp.com

                  Originally posted by the guy who invented fire
                  All you need to make a record is a mic, some tape and maybe some bad reverb...

                  Comment


                  • #39
                    Re: Problems Playing Through the PA....

                    Originally posted by J Moose View Post
                    If the stage volume is that loud, why would you release total control over YOUR sound and level to the engineers? Why not use the amp the way amps are intended to be used? As a monitor for the player.

                    Or am I missing something?

                    If you have the option to be in full control, and you willingly relinquish that control then you have no right to ***** about anything.
                    No, you're right. But what I'm trying to do is eliminate the extreme brightness, bad distortion and squealy feedback I'm getting.
                    -Butch

                    Comment


                    • #40
                      Re: Problems Playing Through the PA....

                      It's really hard to guess what might be going on without hearing it for myself, but hey! this is the internet! Musings:

                      It does sound like you may be clipping the preamp on the board. The board ought to be able to take the line level signal from the XLR outs on the back of the Flextone without distorting. And if it can't for some bizarre reason, the sound guy should be letting you know. Or, it could be extra treble, either from the board or the monitor rig, revealing the grit that normally hides under a smooth high-end response.

                      The monitor setup on stage is undoubtedly EQ'ed to provide a clear and crisp sound for unprocessed vocals, so a nice bright and grindy guitar sound is going to be completely over the top. Unfortunately, if they have the monitor auxes pre-EQ, any changes sound dude makes to fatten it up for FOH will be unheard on stage.

                      This is the reason I gave up on digital amp sims direct into the system. A goodly part of the magic I hear in a guitar sound is the smoothing provided by the speaker, cab, and the air it's pushing. Without that, the sound system becomes half of the guitar rig, and every preset must be dialed in with the system turned up as loud as it's going to be on zero hour. Even then, it's really hard to get a smooth sound. Cab simulation algorithms are getting better, and I've heard some pretty respectable sounds from Line6 gear plugged straight in, but it takes collaboration with the sound guy.

                      Even with cab simulation, the direct sound from a Flextone combo will be harder and more abrasive than the sound from the speaker. With a good quality system the difference will be painfully obvious.

                      There's also the chance that(like most churches I've played in) the sound guy is completely asleep at the wheel with regard to guitars.

                      Comment


                      • #41
                        Re: Problems Playing Through the PA....

                        Originally posted by Reload in 5 View Post
                        You are correct that the sound guys at my church arent paid. Heres where the issue comes in.
                        The church was built, set up, and run with piano / organ for so long, thats what the sound guys know. Add in amps and drums and they arent comfortable anymore.
                        So we run NO amps. Sound is great at our church. I have no issues with it.
                        Main worship center we use pods, and electronic drums.
                        Youth worship we have acoustic drums, and run our amps. Balance out the amps and drums, use the PA for vocals and acoustic.
                        yup this is the same transition at my church...going from organ only to
                        a full "rock" band amps and all!! I just picked up a POD 2.0 so I can go direct to solve a lot of issues at the church sound wise....I will be testing it out in the house on friday....should be fine, I used my old PODXT through the house and it sounded awesome
                        "Get a BIBLE: open it, read it, and believe it" - Me

                        Comment


                        • #42
                          Re: Problems Playing Through the PA....

                          Originally posted by Butch Snyder View Post
                          No, you're right. But what I'm trying to do is eliminate the extreme brightness, bad distortion and squealy feedback I'm getting.
                          Drop past the music store & plunk $100 on a sennheiser 609. Doesn't even need a stand... just hang it over the amp off the handle. Tell the engineers to take that signal & don't put it in YOUR monitor.

                          Roughly 90-95% of the time, monitors are setup and EQ'd to get the vocals crystal clear and as loud as possible before the onset of feedback. That can sometimes come at the expense of ideal tonality on other instruments, especially if they've ripped a lot of the low-end & low-mids away.

                          Personally on a big stage, or any stage I really hate the guitar coming back at me from the monitors. Always sounds funky... I'd rather run the amp hot and rely on that, doesn't matter who's at the monitor desk. The B3 player or drummer needs it in their wedge? Cool... no problem. Just don't blast it back at me!
                          J. 'Moose' Kahrs
                          mixer|producer|recordist
                          mooseaudio.bandcamp.com

                          Originally posted by the guy who invented fire
                          All you need to make a record is a mic, some tape and maybe some bad reverb...

                          Comment


                          • #43
                            Re: Problems Playing Through the PA....

                            Originally posted by J Moose View Post
                            Drop past the music store & plunk $100 on a sennheiser 609. Doesn't even need a stand... just hang it over the amp off the handle. Tell the engineers to take that signal & don't put it in YOUR monitor.

                            Roughly 90-95% of the time, monitors are setup and EQ'd to get the vocals crystal clear and as loud as possible before the onset of feedback. That can sometimes come at the expense of ideal tonality on other instruments, especially if they've ripped a lot of the low-end & low-mids away.

                            Personally on a big stage, or any stage I really hate the guitar coming back at me from the monitors. Always sounds funky... I'd rather run the amp hot and rely on that, doesn't matter who's at the monitor desk. The B3 player or drummer needs it in their wedge? Cool... no problem. Just don't blast it back at me!
                            I agree with all of this, especially the part about the e609. They're excellent mics and well worth the relatively low cost.
                            Band: www.colouredanimal.com
                            Twitter: www.twitter.com/mrperki
                            Blorg: mrperki.tumblr.com

                            Read my Seymour Duncan blog posts

                            Comment


                            • #44
                              Re: Problems Playing Through the PA....

                              Originally posted by marvar View Post
                              We're cool-
                              Sometimes I forget that others don't have my knowledge and experience.
                              I agree there are some tone deaf FOH worship engineers out there, but hey, they are usually volunteers, trying to serve the best way they can.
                              I'm lucky that I'm paid and furnished insurance, for doing something I love, and in some small way, I'm providing a ministry. We also do a TV broadcast, so I really have to have my game face on.
                              I just get tired of people always blaming the FOH engineer for everything, when often it isn't his fault, or he isn't aware of the problem- I know I'm very busy, I have 8 choir mics, up to 11 wireless mics, the podium, the piano and organ, and any Cd's or tapes to be used, an Orchestra, etc. all the while, with 3 monitor mixes, the house mix and the TV mix.

                              You should be able to go to the engineer, tell him what you want to hear, how you want to hear it, and any suggestions you might have. He then should be able to tell you what he can and can't do. I also highly recommend he get a copy of the Yamaha book about audio for worship.
                              If you approach him in Christian love, and just keep the theme that you are trying to have the best worship experience available to the audience, and that all of you are doing God's calling.
                              Cheers, brother.
                              Originally posted by Jessie's ghost
                              I like having the stop bar all the way down. Sue me. I've got like six dollars.

                              Comment


                              • #45
                                Re: Problems Playing Through the PA....

                                Butch...I would mic the amp and turn down my guitar in the monitor as Moose said....I would also try to get the soundman to set your EQ at the board as flat as possible without any effects from the board. I have had many headaches from people putting on effects at the board that were set for vocals..... too much reverb and or delay and will ruin a decent guitar tone.

                                Tell him you want it flat and dry and control the EQ and effects from your end.
                                Originally posted by tone4days
                                we're not musicians, we're beer salesmen

                                Comment

                                Working...
                                X