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Mark Knopfler - 2 part Ques

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  • #16
    Re: Mark Knopfler - 2 part Ques

    Guitars
    1937 National Style ‘O’ Resonator (Serial Number - B1844)
    This is probably one of Mark’s most famous guitars, and has featured on every album. (Water of Love, Portobello Belle, Romeo & Juliet, Telegraph Road, The Man’s Too Strong, When it Comes to You) Featured on the cover to the album Brothers In Arms


    1961 Stratocaster (SN - 80470)
    This was Mark’s main guitar through 1977 to 1979, and was used extensively live. Quite easy to pick out because of its black volume knob. It has a non-standard red finish; to replicate Hank Marvin’s Strat he adored so much as a child. Also, you may notice that it has a maple fingerboard, and that they weren’t available at the time. As a result of the replacement, there is no skunk stripe. The strap button from the upper horn has been moved onto the back. These mods were done by a repair man called Sam Lee (probably sometime during 1978). The guitar can be seen on the Sultans Of Swing and Wild West End Videos. In 1982 the neck was replaced with a one piece maple Schecter neck.
    1978; you can see there’s no volume knob (and you can see the strap goes behind).


    Around the same time, he had another red Strat (SN - 68354), which again was painted red (was natural). However, this one remained mainly stock, with only a pickup being replaced (a Dimarzio FS-1 in the neck in the late 70’s) (As far as I know that’s the only mod). This guitar wasn’t used as often live as the one above. He still uses this guitar live today however (his main live guitar really, I’m guessing with some reissues too). This is also the basis model for his Fender Signature Strat.


    During the late 70s he also used a Black Tele Thinline (SN - 226254) that belonged to his brother David. He used it live on Water Of Love between ‘77 and ‘79, and David used it on Wild West End. It was tuned to open A and capoed at the 5th fret. The F-holes had been filled in before hand by Steve Phillips of the Notting Hillbillies, and he also painted it black.

    From around 1980, his main axe turned to a Schecter Strat copy (SN - S8218), in candy apple red with chrome dome knobs, white pickguard and individual on/off switches for each pickup. Pickups were later changed the SDs, possibly SSL1s, then again with SD Alnico Pros. Maple neck without any position markers on the fretboard with Dunlop 6110 frets (at the time he used it anyway). This guitar was used at Live Aid in 1985.


    Schecter Sunburst Strat copy. Quilted maple top finished in sunburst. Unusually for a Schecter Strat of the time it has position markers on the top of the fretboard. It was used for Tunnel Of Love but it was stolen. Mark’s favourite guitar.


    In 1984 came Mark’s Schecter Tele copy in red (SN - S8703) , with binding to the top. Used on the Walk Of Life video, he has used it live for that song ever since. It was also used on the soundtrack Cal, which was where he first used it.


    Around the same time came Mark’s 1984 Les Paul reissue (SN9 90006) (one of the first reissue Les Pauls, modeled after a late 50’s LP). He used this on Money For Nothing (it is seen on the cover and reverse of the album Money For Nothing also) and Brothers In Arms on the album Brothers In Arms. He also used this guitar at Live Aid in 1985.


    1985 Saw a bit of a hybrid guitar, assembled by John Suhr. Schecter neck and body, and a Fender bridge. Seymour Duncan Alnico Pros and Dunlop 6110 frets. The headstock says Fender, though it isn’t. It was used in the late 80’s, and a model of it can be seen on the Calling Elvis video (the video contains puppets of the band playing). Mark still owns the puppet from this video too!

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    • #17
      Re: Mark Knopfler - 2 part Ques

      From 1987 onwards Mark played a lot of Pensa-Suhr guitars made by Rudy Pensa. His main guitar was this Pensa Suhr custom (SN - 001), and can be seen on many pictures from the late 80s early 90s. First used at Nelson Mandela’s 75th birthday party in 1988. Flame top, EMG 85/SA/SA combo (85 unusually without a mounting ring, which the signature model has), Floyd rose, push/pull mid boost and a network developed to make the combo position more balanced on the EMG 85/SA combo. Basis for the Pensa MK-1 Signature model.


      Pensa custom, basis for the MK-2 signature. Received around the time of Golden Heart. Strat style single coil setup, Strat style hardtail bridge, 24.6” scale, mahogany body, flamed koa top and Lindy Fralin ’54 pickups. Used on Golden Heart, Last Exit To Brooklyn and Father & Son on the Golden Heart Tour in 1996.

      Pensa MK-80 (SN - 0001). Built for Mr. Knopfler on January 29 2004. This is Mark’s newest Signature guitar, and is probably modeled after his 8218 Schecter Strat. The neckplate is engraved:

      1954 Sunburst Stratocaster (SN 059). 59th ever made. He got this guitar as a gift from Paul Kennerly. Strung up with D’addario 12s and was used on I’m The Fool.


      1954 Telecaster. Used on recent tours. Bridge stampted 4545. Don’t know too much about this instrument.



      From left to right - Gibson Southerner Jumbo (1953), Fender Stratocaster (1954), Gibson Advanced Jumbo (1938), Gibson Les Paul (1958), National Style ‘O’ (circa '38), Fender Telecaster (1954), Martin HD40 MK Signature (2001).
      mps

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      • #18
        Re: Mark Knopfler - 2 part Ques

        Amps
        1976
        Selmer 2 x 12 tube amp with the Cafe Racers

        1977
        Fender Vibrolux, early sixties, brown, one 12" speaker, about 30 Watts
        Mark still owns it, it was used on the Golden Heart album.
        You can hear this amp on the CD bootleg Early Demos.

        1978
        Debut Album :
        Fender Twin Reverb, silver face
        Roland Jazz Chorus
        Fender Vibrolux, early sixties, brown, one 12" speaker, about 30 Watts
        live:
        January
        Fender Concert Amp, blackface, 4 x 10"
        Fender Vibrolux, early sixties, brown, one 12" speaker, about 30 Watts
        May
        Fender Twin Reverb, silverface
        June
        Fender Twin Reverb, silver face, with Marshall 4 x 12" cabinets
        end of 1978
        two Fender Twin Reverbs, silver face,
        or Music Man HD 130, 2 x 12", 130 Watts

        1979
        early 1979
        Music Man HD 130, 2 x 12", 130 Watts
        from July on
        Music Man HD 130, 2 x 12", 130 Watts
        Music Man HD 130, 2 x 12", 130 Watts, JBL speakers (most likely D120 or K120)

        1980-81
        early 1980 (BBC Arena documentary)
        Music Man HD 130, 2 x 12", 130 Watts
        Music Man HD 130, 2 x 12", 130 Watts, JBL speakers (most likely D120 or K120)
        on Making Movies (album & tour)
        two Music Man HD 130, 2 x 12", 130 Watts, played over Marshall 4 x 12" cabinets

        1982-84
        Love over Gold album
        Mesa Boogie heads with Marshall 4 x 12" cabinets, equipped with Electro Voice speakers
        Marshall head
        live
        Mesa Boogie heads with Marshall 4 x 12" cabinets, equipped with Electro Voice speakers

        1985-86
        Brothers in Arms album
        Mesa Boogie heads with Marshall 4 x 12" cabinets, equipped with Electro Voice speakers
        Marshall JTM on track Brothers in Arms
        Jim Kelley combo amp with an EVM12L
        live
        Mesa Boogie heads with Marshall 4 x 12" cabinets, equipped with Electro Voice speakers
        or Jim Kelly heads with Marshall 4 x 12" cabinets, equipped with Electro Voice speakers

        1987-89
        most likely same setup as before
        Gallien & Krueger amps on the Willy DeVille album Miracle
        from Randy Newman's Land of Dreams on:
        Soldano SLO 100 with Marshall 4 x 12" cabinets, equipped with Electro Voice speakers

        1990-92
        live and studio:
        two Soldano SLO 100 with Marshall 4 x 12" cabinets, equipped with Electro Voice speakers
        on the album On Every Street some old Fender amps as well

        1996
        album Golden Heart
        Soldano SLO 100 with Marshall 4 x 12" cabinets, equipped with Electro Voice speakers
        Fender Vibrolux, early sixties, brown, one 12" speaker, about 30 Watts
        Crate VC5212, 50 Watts, 2 x 12" speakers
        live:
        two Soldano SLO 100 with Marshall 4 x 12" cabinets, equipped with Electro Voice speakers
        or
        two Crate VC5212 with Marshall 4 x 12" cabinets, equipped with Electro Voice speakers

        Today he still uses many of the amps he has used for the past 30 years, but live he uses two Komet “The Komet” heads with red Marshall 4x12” cabs. The heads are around 50W.

        Comment


        • #19
          Re: Mark Knopfler - 2 part Ques

          Effects
          Mark is pretty well known to not change his tone a great deal with effects. He usually uses a combination of compression, volume pedals and chorus and similar, clean, effects.
          During the first few years, it is SAID that he used a Dan Armstrong Orange Squeezer when recording (i.e. on the first album). The sound engineer for this album said he was “in love with Roland Chorus devices”, which would probably be true as he used the chorus on his cleans (most noticeable on Lions). Live he used a Morley Volume pedal and an MXR delay. The Morley was used for creating bow type sounds. The thing about the Morley is that even when fully open it still rounded out the sound of the guitar (due to the 66K impedance on the input). The MXR had a true bypass, that, when depressed sent the unchanged signal to the amp, with no change in the tone whatsoever.
          During 1979 he began to use a Nady Transmitter, which affected his tone quite a bit (especially live when he would normally use long cables). Because the cable length between the guitar and the transmitter is very short, and the same at the other side of the receiver, the tone during performances around that time were considerably brighter.

          These are the setups he typically used throughout the 80s and early 90s:

          1980/81
          Customized rack comprising:
          Deltalab Delay Unit
          Flanger
          Master R Reverb
          Roland Equalizer
          Mantec Switch Unit
          Roland Choms Echo
          Mantec Preamp
          2 Main Transformers
          Morley Volume Pedal
          Mantec Remote Switching Unit
          Nady guitar transmitter

          1985/86
          Custom rack including:
          Roland SRE 555 Chorus/Echo
          Delt Lab Digital Delay
          Mic-Mix Dyna-Flanger
          Master Room Reverb Unit
          Roland Graphic EQ
          Ibanez UE 303 Multi Effect
          A variety of Boss pedals, including:
          CE 300 Chorus
          DM 2 Delay
          CS 2 Compressor
          Two CE 2 Chorus
          BF 2 Flanger
          PH 2 Phaser
          OC 2 Octaver

          1991/92
          Custom system built by Pete Cornish, including:
          TC 2290 Delay
          Alesis Quadraverb
          Boss Super Chorus CE 300
          Zoom Multieffect 9010
          Yamaha REV 5 (reverb)
          two TC-Equalizers/Preamps (for the National and Ramirez guitars)
          Wah Wah (Money for Nothing), integrated into the rack system
          Earney Ball Volume Pedal
          Sony Wireless system

          1996
          Ron Eve:

          "When Mark and I discussed what equipment he would be using for the tour, we decided that although the Crate Vintage 50w combo amp had served exceptionally well in the studio, operationally there would be problems on stage. There was no way to smoothly and quickly change guitars and set up new sounds for each song, even using two combos. So Mark decided to use a cut-down version of the set-up from the last Dire Straits tour (On Every Street). He wanted to use the two Soldano 100 Lead heads but without the Marshall/EV speaker cabinets and Pete Cornish effects rack. He was keen to try using 2 x 12 cabinets, again with EV speakers and a simple FX set-up comprising "some expensive delay and reverb..." and a footswitch. The final arrangement consisted of an Ernie Ball volume pedal, Active Lead, 2 Soldano amp heads (alternating A/B), 2 Hughes & Kettner 2 x 12 cabinets (loaded with EV's), TC2290 delay unit, Lexicon 300 reverb unit, MXR micro amp and a TC 0144 footswitch. The Crate combos will be used for back-up. The TC 2290 was used as the main controller and MIDI'd to the Lexicon, with the Lexicon patched through one of the loops; the MXR was hooked through another loop, to provide a clean boost and a footswitch assigned to toggle it in/out. Another switch was assigned to toggle the repeat (delay) on/off. As rehearsals progressed, patches containing each songs' effects set-up were assigned to various presets (switchable from the TC0144). Tone settings for each song were set up on the Soldanos with the aim of switching amps between each song. Fast segues between songs can be accomodated in this way."

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          • #20
            Re: Mark Knopfler - 2 part Ques

            Pictures and the origins of this svada can be found here....

            Yeah no info on google

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            • #21
              Re: Mark Knopfler - 2 part Ques

              Well genius, you got me there
              apparently I didn't get it ALL on my search
              then again I used Yahoo, and did miss a couple out of all the bum links that also came up.

              Yet, with the litany of posts, it took til the end of page one to get even remotely a REAL answer. Moreover, it required the expertise of your Harvard diploma. It is Harvard, correct? Yet thru all that sarcasm you couldn't just read the post and actually answer it... nah, that's too easy and logical.

              I will ponder now whether to thank you or give you the finger.
              Last edited by OlinMusic; 04-27-2006, 02:41 AM.
              1973 Les Paul Standard
              1973 Marshall Super Lead 100

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              • #22
                Re: Mark Knopfler - 2 part Ques

                Harvard??
                There is no Harvard here
                Hehe where is your sense of humour man??

                Got your info don't get mad over that

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                • #23
                  Re: Mark Knopfler - 2 part Ques

                  Actually, Harvard -

                  try this one on for size -

                  WHICH MESA BOOGIE HEADS? Mark I, II, III, even 4 perhaps (later on)? WHICH GK HEADS? and were the Soldanos his primary distortion amps or did he run them clean as well?

                  Since you have all the answers.

                  Hey, you aren't the only sarcastic one, Harvard.
                  Just answer like everyone else - uhh he played with his fingers. lol
                  1973 Les Paul Standard
                  1973 Marshall Super Lead 100

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                  • #24
                    Re: Mark Knopfler - 2 part Ques

                    Dunno ask the man
                    He may even bother answering your endless questions??

                    Comment


                    • #25
                      Re: Mark Knopfler - 2 part Ques

                      I did - I was knocking on his window for an hour before the police told me I was stalking him and it was time to go home.
                      1973 Les Paul Standard
                      1973 Marshall Super Lead 100

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