its the Glue right?
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Are $8K to $10K CS Les Paul's really necessary ?
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Just here surfing Guitar Pron
RG2EX1 w/ SD hot-rodded pickups / RG4EXFM1 w/ Carvin S22j/b + FVN middle
SR500 / Martin 000CE-1/Epiphone Hummingbird
Epiphone Florentine with OEM Probuckers
Ehdwuld branded Blue semi hollow custom with JB/Jazz
Reptile Green Gibson Custom Studio / Aqua Dean Shire semi hollow with piezo
Carvin Belair / Laney GC80A Acoustic Amp (a gift from Guitar Player Mag)
GNX3000 (yea I'm a modeler)
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Originally posted by JMP/HBE View Post
Most of the tenon in "long tenon" is milled away by the CNC.
Not a huge difference really.
When they describe Historics as having a lightweight mahogany body, they mean solid wood that was selected for its light weight. That's always been my understanding, anyway.
I guess all regular production LPs are weight-relieved now, but I'm reluctant to accept that they're doing it to the R series.
I wonder if boat-anchor weights will soon become a selling point? "Here's your chance to get a Norlin-era Les Paul, 12 lbs!"
The T-tops that used to end up in the trash because people literally couldn't give 'em away are now collectible...Last edited by eclecticsynergy; 05-22-2021, 08:18 PM..
"You should know better by now than to introduce science into a discussion of voodoo."
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Sometimes the features on the most expensive Gibsons trickle down to the lower-priced guitars. Thing is, I think things like weight relief, body contours, modern colors, and locking tuners are improvements. Vintage spec doesn't mean anything to me. There is a product in the line for me, and luckily, it isn't the most expensive! So let the collectors grab these reproductions, I see no problem with it, as it doesn't affect me at all.Administrator of the SDUGF
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Originally posted by Mincer View PostSometimes the features on the most expensive Gibsons trickle down to the lower-priced guitars. Thing is, I think things like weight relief, body contours, modern colors, and locking tuners are improvements. Vintage spec doesn't mean anything to me. There is a product in the line for me, and luckily, it isn't the most expensive! So let the collectors grab these reproductions, I see no problem with it, as it doesn't affect me at all.
All the guitars I make are contoured to be comfortable, the necks are extremely playable, they all have bone compensated nuts and locking tuners, and they are chambered so they weigh less than 7 lbs. My primary objective is to make the most comfortable and playable guitar available. The secondary objective (which is really about the same value as the primary objective) is to make it unique and beautiful.
I've found that the chambering actually makes them sound much better, more articulate. You don't need a lot of weight to make a guitar sound good. And in fact a lot of times that extra weight just makes it sound muddy, as well as being a real/literal pain in the neck to play. Yes, you can keep your heavy look-alike production guitars at any cost. Not for me...I've got a lot of them and I love them all, but I'm through with buying/collecting any more of them.Originally Posted by IanBallard
Rule of thumb... the more pot you have, the better your tone.
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