Looking back I feel maybe I was too impulsive & prejudiced & I didn't give the whole musically theoretic thing a fair chance after all. The Circle of fifths certainly is vast and impressive, perhaps it actually has some practical use after all? Maybe after plugging my ears with a decent pair of earplugs I should try and play sticking to the musically theoretic principles & the musically theoretic principles alone (no ears whatsoever) depending on nothing else but sheer guitar science instead. So that's what I did using just the theoretic principles from the theoretic books in front of me which guided my every note.
After utilizing theoretic techniques like multiple exotic scales, atonal bends, sweep picking, string hopping, indefinite sustain, circle of 5th's, multi-finger tapping, pivoting, legato, trills, ascending & descending stuff, no blues scale etc (ie. almost every technique musically known to mankind) I was able to create this masterpiece. My mum actually prefers it to the earlier version as it's more 'pleasant & soothing' ..or so she says (yes, she is tone deaf & has struggled with it since birth ..pls pray for her swift recovery). However my faithful old mutt, Gollum howled & cringed as I played it back for him. Eh, to each their own, you be the judge. I am just a vessel (for science)
After utilizing theoretic techniques like multiple exotic scales, atonal bends, sweep picking, string hopping, indefinite sustain, circle of 5th's, multi-finger tapping, pivoting, legato, trills, ascending & descending stuff, no blues scale etc (ie. almost every technique musically known to mankind) I was able to create this masterpiece. My mum actually prefers it to the earlier version as it's more 'pleasant & soothing' ..or so she says (yes, she is tone deaf & has struggled with it since birth ..pls pray for her swift recovery). However my faithful old mutt, Gollum howled & cringed as I played it back for him. Eh, to each their own, you be the judge. I am just a vessel (for science)

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