Originally posted by RanchManSandy
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Best distortion pedal for a metal tone!
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The opinions expressed above do not necessarily represent those of the poster and are to be considered suspect at best.
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Last edited by Phantasmagoria; 12-14-2023, 09:42 PM."Less is less, more is more...how can less be more?" ~Yngwie J Malmsteen
I did it my way ~ Frank Sinatra
Originally posted by Rodney GeneIf you let your tone speak for itself you'll find alot less people join the conversation.
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don't understimate the power of a equalizer after a distortion pedal, for example you can have a RAT and you can put a classic Boss GE7 after to taylor the sound, I can assure you is way more effective than a one trick pony single 'metal' pedal (a classic eq for metal tone is the V shaped eq of the bands).
it works for solo parts either, just use your distortion at the solo moment engage the equalizer with a slight bump on 800 Hz, you will instantly pop yourself out the band mix without compromizing your sound, try it and thank me laterLast edited by marcello252; 12-15-2023, 02:38 AM.
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Originally posted by marcello252 View Postdon't understimate the power of a equalizer after a distortion pedal, for example you can have a RAT and you can put a classic Boss GE7 after to taylor the sound, I can assure you is way more effective than a one trick pony single 'metal' pedal (a classic eq for metal tone is the V shaped eq of the bands).
it works for solo parts either, just use your distortion at the solo moment engage the equalizer with a slight bump on 800 Hz, you will instantly pop yourself out the band mix without compromizing your sound, try it and thank me laterThe opinions expressed above do not necessarily represent those of the poster and are to be considered suspect at best.
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Originally posted by RanchManSandy View Post
never played it, so I dunno, but it's probably fine. I'm sticking to my HM2 waza recommendationThe opinions expressed above do not necessarily represent those of the poster and are to be considered suspect at best.
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I sold my ehx metal muff w/tb. Wasn't my cup-o-tea. I'm more into 80s hairmetal and neo classical shred with some 80s thrash and southern/classic rock thrown in. Kept my mt2 to run through my vox ac10, with some delay, rev, chorus to thicken it up and compression, 80s all day man.
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Originally posted by 8eezrule View PostI sold my ehx metal muff w/tb. Wasn't my cup-o-tea. I'm more into 80s hairmetal and neo classical shred with some 80s thrash and southern/classic rock thrown in. Kept my mt2 to run through my vox ac10, with some delay, rev, chorus to thicken it up and compression, 80s all day man.
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This question has become less academic to me now though, because my VHT roasted a power tube yesterday, the nearest tube amp tech I know of is nearly a 2 hr drive from here, and I'm rehearsing with the bassist tomorrow. HX Effects through my old Traynor head to the rescue for now.
I've always gotten best results stacking pedals into those old Traynor tube heads, rather than trying to get all the sound from one pedal or cranking it and using an OD. I have to say I'm impressed with the way these HX models stack. Best combo for me is the Hedgehog D9 (Maxon SD9) running into the KWB (Kowloon Walled Bunny). KWB is interesting - it's a model of a real pedal that was built by a Line6 designer, which itself was based on an MXR Distortion+ that had a broken diode. I'm running it at unity with very little gain, and its EQ and various clipping options are great for taming the tone of the D9 and adding some more interesting saturation. I'm getting just a little bit of midrange warmth from the head and it's enough to make this sound and feel totally natural to me. I even tried this setting in front of a bass head that I EQd to mimic the old Traynor and it was usable and pretty darn close to being fun to play.
I'm curious about some of those Wampler dual overdrives. Pinnacle, Pantheon, some signature models. I guess with the HX Effects I don't need anything else, but I'm still interested.Take it to the limit
Everybody to the limit
Come on Fhqwhgads
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Originally posted by Seashore View PostI'm curious about some of those Wampler dual overdrives. Pinnacle, Pantheon, some signature models.
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Hey Nathan80, mind telling us a little bit more about what you're going for? Sorry man, but you're talking to a bunch of tone nerds who live off of abstract and imprecise verbal descriptions of sonic texture
I agree with Coma that the much-maligned metal zone actually sounds pretty killer direct into the FX loop. Ola Englund has a great video demonstrating this.
I'm partial to the Wampler Dracarys for high gain tones. The 3-band EQ section and switchable "open / tight" gain structure, as well as the option to run up to 18v, gives you a lot of variety in what you can get out of it.
misterwhizzy mentioned the Revv pedals, which are widely acclaimed. I've tried one and was impressed, but have have never owned one. I could say the same thing about the Boss HM-2, which is less revered than it should be because it's Boss and not boutique.
Originally posted by Hsb View PostFor those, you want say a Marshall in a box boosted with a tube screamer style pedal, so maybe a JHS Angry Charlie pushed by a TS 808
__PRESENTGibson LP, Burstbucker 3 A6, 490R A4
Gibson LP, Pearly Gates A6, Sentient A4
Gibson LP BFG, Burstbucker A8, P90
Gibson SG special T, GFS Crunchy Mini, Gibson mini A3
Strat SSS, SD STK-6 , SSL1 middle, Bootstrap Sparkle Neck
Strat HSS hardtail, Perpetual Burn A6, Bootstrap Sparkle mid/neck
Tele, DMZ Area Hot T, Gibson Mini A3
Tele, DMZ Pegasus A2, Gibson Mini A3
Jackson V, SD Pegasus bridge, 490R A5
PRS SE CU24: Air Norton A2, 490R A3
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Originally posted by zizyphus View PostHey Nathan80, mind telling us a little bit more about what you're going for? Sorry man, but you're talking to a bunch of tone nerds who live off of abstract and imprecise verbal descriptions of sonic texture
I agree with Coma that the much-maligned metal zone actually sounds pretty killer direct into the FX loop. Ola Englund has a great video demonstrating this.
I'm partial to the Wampler Dracarys for high gain tones. The 3-band EQ section and switchable "open / tight" gain structure, as well as the option to run up to 18v, gives you a lot of variety in what you can get out of it.
misterwhizzy mentioned the Revv pedals, which are widely acclaimed. I've tried one and was impressed, but have have never owned one. I could say the same thing about the Boss HM-2, which is less revered than it should be because it's Boss and not boutique.
This is the JHS AT-2 - an excellent 2-in-1 pedal!
__PRESENT1994 Ibanez IC500 Iceman reissue
Jackson Soloist 7 string
ESP LTD M-400
Original Marshall Silver Jubilee 2553
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I’m really getting into blending pedal preamps with a 2-3 channel mine mixer (with polarity switches because sometimes there can be phase issues but haven’t had problems so far) combining a really tight, surgical hi-gain like the Fury channel on my HT-Blackfire with the hugeness of the literal recto-in-a-box Dr. Boogie.
The only downside is that it’s a lot of pedals, especially if I want to boost the DrB. What I wouldn’t give to have the guts of this whole setup in a 1U rack. If I can figure out how, I might even build one with swappable preamp “modules” (like the Randall MTS) had and a “pan” knob for each pre to use in stereo as well as stack in mono.
I’d also really love a fuzz channel I can progressively bring in and out with an expression pedal.The opinions expressed above do not necessarily represent those of the poster and are to be considered suspect at best.
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Originally posted by El Dunco View PostI’m really getting into blending pedal preamps with a 2-3 channel mine mixer (with polarity switches because sometimes there can be phase issues but haven’t had problems so far) combining a really tight, surgical hi-gain like the Fury channel on my HT-Blackfire with the hugeness of the literal recto-in-a-box Dr. Boogie.
The only downside is that it’s a lot of pedals, especially if I want to boost the DrB. What I wouldn’t give to have the guts of this whole setup in a 1U rack. If I can figure out how, I might even build one with swappable preamp “modules” (like the Randall MTS) had and a “pan” knob for each pre to use in stereo as well as stack in mono.
I’d also really love a fuzz channel I can progressively bring in and out with an expression pedal.
Now I know exactly how I'm going to go broke this year!Gibson LP, Burstbucker 3 A6, 490R A4
Gibson LP, Pearly Gates A6, Sentient A4
Gibson LP BFG, Burstbucker A8, P90
Gibson SG special T, GFS Crunchy Mini, Gibson mini A3
Strat SSS, SD STK-6 , SSL1 middle, Bootstrap Sparkle Neck
Strat HSS hardtail, Perpetual Burn A6, Bootstrap Sparkle mid/neck
Tele, DMZ Area Hot T, Gibson Mini A3
Tele, DMZ Pegasus A2, Gibson Mini A3
Jackson V, SD Pegasus bridge, 490R A5
PRS SE CU24: Air Norton A2, 490R A3
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