Anybody use this pedal in particular? I've read great things about it in stereo mode.This would be for live use as an always-on pedal, since we're writing stuff for a three piece format. I've tried bi-amping through the HX Effects into dual half stacks over the past week or so and I love it, think I'm going to stick with it for the new project I'm working on. I get a nice amount of separation with just a touch of chorus on one of the output channels but I'd like to have the option of a good two channel doubling effect without the modulation.
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TC Electronics Mimiq - any users here?
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I used mine in stereo onstage a few times w/ my two Laboga 30W heads. As the only guitarit in the band I thought a nice stereo setup would be pretty sweet.
I went back to my (single amp) old setup though cuz it was just too much hassle. Lugging the two amp's around & then hooking everything up on stage ..kinda a PIA. Sound-wise it had plus's and minus's. While the stereo spread was nice. The pedal does suck out a lot of bottom end (and dynamics) and if the amps are'nt EQ'd right it can all sound a bit flat/boxy. It is certainly possible to sound huge though as well. But again it all took too much time and effort. & was a bit hit or miss. Like I said EQ'ing/balancing both the amp's right is the key."Less is less, more is more...how can less be more?" ~Yngwie J Malmsteen
I did it my way ~ Frank Sinatra
Originally posted by Rodney GeneIf you let your tone speak for itself you'll find alot less people join the conversation.
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Originally posted by Phantasmagoria View PostI used mine in stereo onstage a few times w/ my two Laboga 30W heads. As the only guitarit in the band I thought a nice stereo setup would be pretty sweet.
I went back to my (single amp) old setup though cuz it was just too much hassle. Lugging the two amp's around & then hooking everything up on stage ..kinda a PIA. Sound-wise it had plus's and minus's. While the stereo spread was nice. The pedal does suck out a lot of bottom end (and dynamics) and if the amps are'nt EQ'd right it can all sound a bit flat/boxy. It is certainly possible to sound huge though as well. But again it all took too much time and effort. & was a bit hit or miss. Like I said EQ'ing/balancing both the amp's right is the key.Take it to the limit
Everybody to the limit
Come on Fhqwhgads
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Yeah definitely a reasonable amount of low end loss overall (not sure if it was just the "mimic"d track" or both). At least in my setup"Less is less, more is more...how can less be more?" ~Yngwie J Malmsteen
I did it my way ~ Frank Sinatra
Originally posted by Rodney GeneIf you let your tone speak for itself you'll find alot less people join the conversation.
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Here's a basic demo I did back when I bought it. I think it's the standalone mono guitar track followed by the one take each of the Mimic's 3 settings (something + double tracked plus quad tracked). It's not drastic bass loss but it's there...
It was actually a bit more prominent of a difference in a live setting..."Less is less, more is more...how can less be more?" ~Yngwie J Malmsteen
I did it my way ~ Frank Sinatra
Originally posted by Rodney GeneIf you let your tone speak for itself you'll find alot less people join the conversation.
Youtube
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I have been debating on getting one for recording to make a more full single track rather than actually doubling the track.Originally posted by Bad City
He's got the crowd on his side and the blue jean lights in his eyes...
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I've had mine since I think 2018 or 2019? I love it but you can't really use it to record anything more than a demo. You'll run into phase issues once you mix.
It's pointless to use with just one amp, you need two. If you don't want to lug two big 'ol tube amps along, there are workarounds. Here's how I have mine setup.
1: Front of amp FX.
2: Main amp in.
3: Fx loop out.
4: Boost, Mod, Delay, Reverb, Mimiq (last in line).
5a: Mimiq to main amp Fx return.
5b: Mimiq to solid state power amp input.
Then both amps have their own 4x12 placed on opposite ends of the room. Works pretty well, but you'll need a secondary power stage that can keep up with your main amp. The beauty of this setup, apart from portability, is that you don't have to fiddle with dual channel switching, as the signal is just fed from one preamp.Last edited by Coma; 02-10-2024, 09:38 AM.--------------------------------------------------------
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Originally posted by Coma View PostI've had mine since I think 2018 or 2019? I love it but you can't really use it to record anything more than a demo. You'll run into phase issues once you mix.
It's pointless to use with just one amp, you need two. If you don't want to lug two big 'ol tube amps along, there are workarounds. Here's how I have mine setup.
1: Front of amp FX.
2: Main amp in.
3: Fx loop out.
4: Boost, Mod, Delay, Reverb, Mimiq (last in line).
5a: Mimiq to main amp Fx return.
5b: Mimiq to solid state power amp input.
Then both amps have their own 4x12 placed on opposite ends of the room. Works pretty well, but you'll need a secondary power stage that can keep up with your main amp. The beauty of this setup, apart from portability, is that you don't have to fiddle with dual channel switching, as the signal is just fed from one preamp.Administrator of the SDUGF
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Originally posted by Coma View PostI've had mine since I think 2018 or 2019? I love it but you can't really use it to record anything more than a demo. You'll run into phase issues once you mix.
It's pointless to use with just one amp, you need two. If you don't want to lug two big 'ol tube amps along, there are workarounds. Here's how I have mine setup.
1: Front of amp FX.
2: Main amp in.
3: Fx loop out.
4: Boost, Mod, Delay, Reverb, Mimiq (last in line).
5a: Mimiq to main amp Fx return.
5b: Mimiq to solid state power amp input.
Then both amps have their own 4x12 placed on opposite ends of the room. Works pretty well, but you'll need a secondary power stage that can keep up with your main amp. The beauty of this setup, apart from portability, is that you don't have to fiddle with dual channel switching, as the signal is just fed from one preamp.
Right now I'm splitting to A and B channels inside of the HX Effects and using different effects on each side. One of the things I have going is a polyphonic pitch shifter on one side only, so I can have parallel harmonies coming out of separate amps. I'm hoping the HX lets me route dual inputs through separate paths like this rather than making it be true stereo. If not, I can use one of the amps for all the effects and still control switching for the other, so at least I won't be tap dancing too much.Take it to the limit
Everybody to the limit
Come on Fhqwhgads
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Originally posted by Mincer View Post
Or some kind of direct stereo solution.
I'm also not running in true stereo. I like the different and complementary sounds of the two amps and want to keep the signal chains separate apart from switching. I'm basically there, I'm just wondering if the Mimiq's doubling will help me avoid the sonic effect of "collapsing to mono" at certain points in the room.Take it to the limit
Everybody to the limit
Come on Fhqwhgads
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Well, more important is that parts of the room will hear one amp or the other but not both. It would have to be perfectly mixed and the audience would have to be dead center to hear both.Administrator of the SDUGF
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