Opinions requested please....
I've got a Gibson Flying V '68 and it's super resonant and light with a nice hybrid 50s/60s neck profile.
The stock 496r/500t combo was too harsh and noisy (bridge especially) so I swapped to a vintage blues matched set of '59s in the bridge and neck positions. This combination is undoubtedly very good, particularly in the neck position.
However, with a Les Paul studio on the way I'll be sorted for vintage PAF type tones. I'd like to turn the Flying V into a metal monster for playing Metallica, Megadeth, Slayer, Iron Maiden type stuff.
IMO the 59 bridge pup just lacks the bite, chunk and articulation required for thrash/metal (I know Mark Morton may have used it etc but that's my experience so far, even with high gain Line 6 equipment).
What would you guys suggest for the bridge? I've considered the JB but reading on forums it may be a bit loose in the V.....
I'd keep the 59 neck as long as it balanced well enough with the new bridge pickup.
All suggestions welcome!
I've got a Gibson Flying V '68 and it's super resonant and light with a nice hybrid 50s/60s neck profile.
The stock 496r/500t combo was too harsh and noisy (bridge especially) so I swapped to a vintage blues matched set of '59s in the bridge and neck positions. This combination is undoubtedly very good, particularly in the neck position.
However, with a Les Paul studio on the way I'll be sorted for vintage PAF type tones. I'd like to turn the Flying V into a metal monster for playing Metallica, Megadeth, Slayer, Iron Maiden type stuff.
IMO the 59 bridge pup just lacks the bite, chunk and articulation required for thrash/metal (I know Mark Morton may have used it etc but that's my experience so far, even with high gain Line 6 equipment).
What would you guys suggest for the bridge? I've considered the JB but reading on forums it may be a bit loose in the V.....
I'd keep the 59 neck as long as it balanced well enough with the new bridge pickup.
All suggestions welcome!
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