When you add turns, the resonant peak goes lower. So the “spike” frequency gets lower and all of the treble content above that point is more severely attenuated. When this happens, since the relationship *between* the treble, high mids, and mids is shifting, everything changes, and the distortion characteristics make it more pronounced.
Like when I’m voicing pickups for Fluence, I might have an artist say they need a little bit more attack in the upper mids, but ultimately what that might mean is that I am contouring a little bit way down in the high bass area so that those upper mids are free to be dominant. So it’s not always so cut and dry where the changes are coming from that impact what we hear and feel.
Like when I’m voicing pickups for Fluence, I might have an artist say they need a little bit more attack in the upper mids, but ultimately what that might mean is that I am contouring a little bit way down in the high bass area so that those upper mids are free to be dominant. So it’s not always so cut and dry where the changes are coming from that impact what we hear and feel.
Comment