3 PUPs - middle's in the way

SoPro

New member
I have a very beautiful and nice playing Epiphone Riviera (ES335 style) w/ 3 dog-ear P90s. The middle PUP is a challenge for me. Not tonally, physically!

I'm not a "barely touch the strings" speed demon. I tend to dig in my single notes and slam chords with some oomph and the pickup is literally in the way. Not all the time but often enough that I need to solve or sell. Since the folks who live online all seem to agree that the stock PUPs should be replaced anyway, I'm thinking of replacing the middle P90 with a flat dogear ring/adapter & then screwing down a mini-humbucker or TVJones filtertron extra deep, to be farther from the strings.
3 questions:
  1. Is this feasible physically? Or will the semi-hollow's center block prevent me from recessing the new minHB to be extra low? (Can I lower it enough to make a useful difference?)
  2. Is this workable tonally? Or will the depth needed to liberate my power chords render the PUP useless? (Too far to be able to get anything close to the output of the other 2 PUPs)
  3. If answers to 1 & 2 are OK, recommendations? Keep P90s at bridge & neck, and only use mini in the middle? (Wasn't mini in the middle a sitcom?) Other combos?
Thanks
Randy
 
The middle pickups do not bother me either, but there are those they do.

My first 2 electrics had middle pickups, so I think my playing style developed accordingly. They never seem to be in the way for me.

*A lot* may be me overstating, but I am surprised how many players I run into who do not like guitars with middle pickups.
 
I don't like middle pickups because of this, and I might be the lightest player around. I also hybrid pick a lot, and the middle pickups catch my nails and rip them backwards. Honestly, I would eventually sell it. You might develop a technique to not hit that pickup, but that sort of thing really bothers me.
 
Either remove the pickup or sell the guitar.

If it were me personally, I would adapt to playing it; but since your a locked into a style and way of playing, you’d have to either just get rid of the pickup or the guitar entirely.
 
Many players with larger hands don't really pick directly over the middle pickup, so they usually are the ones that don't mind it, even when it's raised fairly high.
Also many players do not need their palm almost permanently attached to the bridge for constant muting, which also might help their pick-tip get past the middle pickup.

I hate middle pickups as they are exactly where the tip of my pick seems to fall. I don't chop the strings at all, I'm more of a touch-flipper for that oomphy Het/Ian thrash chug tone.

That being the case i always rewire 3-pickup guitars into standard bridge/neck and then lower the middle as far as possible.
Never had a problem getting one out of my way, but I also have never had anything other than full solid-body guitars. It's always been middle single coils irking me. Still have never owned a triple-bucker.
 
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Many players with larger hands don't really pick directly over the middle pickup, so they usually are the ones that don't mind it, even when it's raised fairly high.
Also many players do not need their palm almost permanently attached to the bridge for constant muting, which also might help their pick-tip get past the middle pickup.

This! I do not palm mute as much anymore but in the 80's when playing thrash my hand lived on the bridge. Because of this, my natural hand position must be back more even when I am not palm muting. The middle pickup never crosses my mind.

Why is it I always hear humbucker players having an issue with the middle pickup but never Strat players?
 
Thanks for the opinions, but before I give up (remove the middle pup or sell the guitar), I'd like to know whether my idea will work. There must be reasons Frampton & others like 3 pup Gibsons and that this guitar was made. (Not to mention strats!)

All advice & replies are appreciated, but I'd like to start with finding out if my idea is doable. I bulleted 3 specific questions that I hoped could be addressed by the knowledgeable folks on this pickup forum.

Anyone know if it can be done or why it can't?
 
I have experience with TV Jones pickups. I have a TV Jones Classic Plus bridge in the neck of my Tele. The pickup is so hot I needed to bring it down almost level with the pickguard. It sounds glorious and still aggressive backed off as much as it is. This might be your option.
 
I sometimes find myself tripping over the middle pickup. In my experience, you need to do one (or both) of two things:


1. Change technique. You really shouldn't need more than 1/8th of an inch of the pick to be below the string while picking or strumming . . . and typically pickups can be adjusted below this level with no problems to sound. You can also focus on hand positioning - if you start hitting the pickup move the pick further to the neck or further to the bridge to avoid it and fix the problem. Failing that . . .

2. Drop the middle pickup down until you stop hitting it. Sometimes this means lowering that pickup so much that you get a weird volume difference between the selections, so you might need to get a higher output pickup for the middle.
 
I sometimes find myself tripping over the middle pickup. In my experience, you need to do one (or both) of two things:


1. Change technique. You really shouldn't need more than 1/8th of an inch of the pick to be below the string while picking or strumming . . . and typically pickups can be adjusted below this level with no problems to sound. You can also focus on hand positioning - if you start hitting the pickup move the pick further to the neck or further to the bridge to avoid it and fix the problem. Failing that . . .

2. Drop the middle pickup down until you stop hitting it. Sometimes this means lowering that pickup so much that you get a weird volume difference between the selections, so you might need to get a higher output pickup for the middle.

FYI for #2 you can't lower the pickups on a Riviera or Casino. The best you could do is remove the shims, if they have them, otherwise you are stuck with the factory heights of the P-90 dog ear pickup cover.
 
FYI for #2 you can't lower the pickups on a Riviera or Casino. The best you could do is remove the shims, if they have them, otherwise you are stuck with the factory heights of the P-90 dog ear pickup cover.

Ah . . . I forgot about that. P90s suck.
 
I have a very beautiful and nice playing Epiphone Riviera (ES335 style) w/ 3 dog-ear P90s. The middle PUP is a challenge for me. Not tonally, physically!

I'm not a "barely touch the strings" speed demon. I tend to dig in my single notes and slam chords with some oomph and the pickup is literally in the way. Not all the time but often enough that I need to solve or sell. Since the folks who live online all seem to agree that the stock PUPs should be replaced anyway, I'm thinking of replacing the middle P90 with a flat dogear ring/adapter & then screwing down a mini-humbucker or TVJones filtertron extra deep, to be farther from the strings.
3 questions:
  1. Is this feasible physically? Or will the semi-hollow's center block prevent me from recessing the new minHB to be extra low? (Can I lower it enough to make a useful difference?)


  1. There shouldn't be a center block. I know Casinos are fully hollow and I'm assuming Rivieras are also. Look in the sound hole to know for sure, or get a small dentist mirror to look in the sound hole.

    [*]Is this workable tonally? Or will the depth needed to liberate my power chords render the PUP useless? (Too far to be able to get anything close to the output of the other 2 PUPs)

    Dropping a P-90 down inside the body will dramatically change the sound of that pickup. Even a mini-bucker or filtertron would be pretty far away from the strings to sound normal. It would likely be dark and weak and too far away to make much tone up by raising pole pieces. Maybe if you get a really hot, overwound pickup it might survive being lowered that much. Personally, if it were me, I'd question if it was worth it for a Riviera.

    [*]If answers to 1 & 2 are OK, recommendations? Keep P90s at bridge & neck, and only use mini in the middle? (Wasn't mini in the middle a sitcom?) Other combos?

What is the middle doing for you now that is a must-have to keep? Is the Riviera traditional Gibson 3PU wiring where position 1 is bridge, position 2 is bridge+middle and position 3 is neck only? Or is it something else? For example, if the bridge and neck were humbucking P-90s, could you have the middle position be one coil from each and get rid of the middle P-90?

Thanks
Randy
 
I see a few routes here with a minimal amount of headache.

Number one - unless this is your crucial #1 or #2 guitar, keep the middle pickup in this one and don't worry about the pickup getting in the way. You'll be forced to adapt your technique which will squeeze out some riffs you wouldn't otherwise come up with, and you'll grow as a guitarist.

Number two - rip out the middle pickup and rock-and-roll.

Number three - take it to a tech/luthier and get their opinion. They are worth the time and money, absolutely!
 
ISince the folks who live online all seem to agree that the stock PUPs should be replaced anyway

Not to be a downer but this statement is a red flag for me. I wouldn't make this the reason to replace pickups. Curiosity, functionality, drastic tonal changes, aesthetics - yes. 50 parroted opinions on various forums - no. Because for every person that swears that a certain model of guitar has terrible stock pickups, there are likely dozens more that have no problems with the stock pickups but don't get on gear forums or Youtube to talk about it. That's just me though.
 
Strat middle pickups are also a problem for me. I tend to screw the pickup down pretty low.
 
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