Re: 70's Era Gibsons
Ok, let's...
Most of them are junk that are selling for 3 and 4 times what they could ever be worth somply because they are "old" guitars now
Thank goodness that didn't happen to Gibsons from the 50's! That 58/9 plank-o-whatever spotted frickin' maple they threw on top is worth every bit of that 200 grand they are paying for it! and the fidelity of 50 pots and caps after 60 years - it doesn't get any scratchier - I mean better - than that. Any guitar that is to be played is worth only a) How it sounds and b) how it feels. Both are a matter of preference by the individual player. To say that Norlin as a class is crap is no better than saying 50's as a class is great. Neither is true - as I will demonstrate. But - I would challenge you to explain how a 50's LP of any quality REALLY sounds/feels $198,000 dollars better than a 70's. caveat: I exclude collecting for the sake of collecting - at which point weirder and rarer will always win.
...they had multi piece bodies,
And the point is what? Lot's of guitars use multi-piece bodies. Everyone says "multi-piece sucks" But has anyone really ever said WHY? No - because there is no reason. Lot's of people dig multi-piece necks. At best the "pancake pushes the mid response a little towards the higher end, IMO. And to ME, that's a good thing. Less mud - more bite. Kinda like the tone of a PG, but built into the guitar. And let's be real. electric guitar tone-wood science art was only a few years old. By the 70's they had 20 more years of experience, and only sincemaybe the mid late 80's have people really been working the wood mojo in a serious way. The point of solid body electrics was production and style. Not "tone" as we over-think it today.
some of the worst QC ever,
Yeah- because back in the 50's no one ever accidentally let a pup under/over wrap. Hell - no two ever had the SAME wrap! And a number were CRAP (see the rhyme there - heh heh). And - $ per QC issue, I don't think anyone would say today is any better - if that! I seem to remember a Class-five review in GP that had some QC issues. Seems today even their BEST work is suspect. I don't seem to recall any immense quality complaints back then. Bad business practice - yes. Ludicris product creation - yes. In fact, back then, Gibson actually stamped and sold SECONDS. Not done in the 50's or 90's.
the pickups are pure garbage
In actuality - the number of righteous sounding pups has increased exponentially since the 50's. Again- that by hand crap was hit or miss at best, and we won't even get started with the mags....if you have an amazing 50's pup - great. But there are too few out there to bother hunting. But I can bet any random turd-bucker from the 50's brings a cool 50k! Pup design is another issue - and I'm not even going there. we all know a stock PG, Seth, or any other Duncan sound better and is wayyyyyy moe consistent than anything Gibson had, does or will make.
as was most of the hardware
ever seen an ABR sagging? I have. Nuff said....
...add to that some of the worst neck profiles in Gibson history
Again bich-fest on a whole class of guitars based on a personal preference. Some guys like baseball bats. Some guys like those skinny 60's things. Well good for you. Me - I like something in between. And those were made in the 70s! And, by the way - three piece maple! Stronger and brighter than that solid mahogany crap....I can bend the neck on mine so far it would make you wet your pants. And it snaps right back to where it started!