A Pickup like the Tone Zone but Different

SweetClyde99

Active member
The Tone Zone was a great fit in a really bright guitar I have. I put another one into a bright Strat recently and like it there too, but the fuzzy harmonics are kind of out of control. They make amp distortion sound more like a fuzz box, which is cool, but it isn’t something I want all the time. The bent steel saddles may be contributing to the harmonics as well. But anyway, are there any pickups with a similar EQ curve but maybe without the dual resonance thing the Tone Zone has? Maybe the Gravity Storm?

The main goal is for my Strat to sound warm and thick—I love how thick lead tones are on even the higher frets with the Tone Zone—though I could probably get by with a bit more treble than the TZ has. Let me know if anything springs to mind for you.
 
try a JB or an AT-1 I would say, Gravity Storm is anything but thick.

I used to have a ToneZone and I think the JB is pretty close although I think I do prefer the ToneZone.

AT-1 is supposed to be close to a Tonezone but with a little less bass but more bite (according to dimarzio forum).

I don't know what "fuzzy harmonics" you are talking about though, are you sure it is wired correctly? Tonezone is a very focused and cutting pickup.

perhaps your strat has 250k pots (they usually do)which make the Tonezone sound dull and dark, your other guitar might have 500k pots which is what it is supposed to be
 
Last edited:
By fuzzy harmonics I mean the texture from the harmonic overtones inherent to the pickup, which I assume to be the result of the dual resonance coils the Tone Zone employs. I’ve read before that the bent steel saddles in a Strat also result in a lot of harmonic overtones, so it may just be that the combination of the two are a bit much for me. Maybe installing some block saddles would dial back the harmonics a bit.

I don’t dislike the pickup. In fact, it’s pretty close to being perfect in this guitar.
 
By fuzzy harmonics I mean the texture from the harmonic overtones inherent to the pickup, which I assume to be the result of the dual resonance coils the Tone Zone employs. I’ve read before that the bent steel saddles in a Strat also result in a lot of harmonic overtones, so it may just be that the combination of the two are a bit much for me. Maybe installing some block saddles would dial back the harmonics a bit.

I don’t dislike the pickup. In fact, it’s pretty close to being perfect in this guitar.

I don't really know what you mean, buy you could check if electronics-wise everything is identical to your other guitar (same volume/tone pot values, same pickup height, etc).
 
I don't really know what you mean, buy you could check if electronics-wise everything is identical to your other guitar (same volume/tone pot values, same pickup height, etc).

The other guitar (a freakishly bright sounding HH Gibson Les Paul Special), probably does have different pot values than my American Special HSS Strat. The harmonic overtones are definitely apparent in the Gibson as well, just not as overpowering as they are in the Start. Maybe a no-load pot and different saddles would solve my issues.

The dense harmonic content is definitely more noticeable with a lot of gain, which I routinely use, so it may not be something that everyone struggles with, but it’s there. From Dimarzio’s description of the Tone Zone: “Patented dual-resonance coils reproduce more overtones than you’d expect from such a fat-sounding pickup.”
 
Air Zone might be a place to start. Dimarzio says it has a similar vibe but with lower output, which may solve your problem. I've had an Air Zone in a couple guitars and it's fat for sure, but nothing has felt out of control.

Also might be worth cranking that pup down as far as it'll go and playing with the guitar volume. Maybe you can get the fatness you want with the guitar volume at 50%, then turn it up to 10 to access the gnarly harmonics which could be cool in some musical contexts.
 
+1 on The Breed bridge. Specifically designed for fattening trem-equipped 25½" scale guitars.
They've taken down the Breed pages, but here are the specs:
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .(T M B) [TABLE="align: center, border: 1, cellpadding: 2, cellspacing: 0"]
[TR]
[TD]Breed Bridge[/TD]
[TD]DP166F[/TD]
[TD]356mV[/TD]
[TD]5[/TD]
[TD]7[/TD]
[TD]8[/TD]
[TD]17.07K[/TD]
[TD]Alnico 5 [TABLE="align: center, border: 1, cellpadding: 2, cellspacing: 0"]
[TR]
[TD] [/TD]
[TD] [/TD]
[TD] [/TD]
[TD] [/TD]
[TD] [/TD]
[TD] [/TD]
[TD] [/TD]
[TD] [/TD]
[/TR]
[/TABLE]
[/TD]
[/TR]
[/TABLE]
 
Last edited:
+1 on The Breed bridge. Specifically designed for fattening trem-equipped 25½" scale guitars.
They've taken down the Breed pages, but here are the specs:
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .(T M B) [TABLE="align: center, border: 1, cellpadding: 2, cellspacing: 0"]
[TR]
[TD]Breed Bridge[/TD]
[TD]DP166F[/TD]
[TD]356mV[/TD]
[TD]5[/TD]
[TD]7[/TD]
[TD]8[/TD]
[TD]17.07K[/TD]
[TD]Alnico 5 [TABLE="align: center, border: 1, cellpadding: 2, cellspacing: 0"]
[TR]
[TD] [/TD]
[TD] [/TD]
[TD] [/TD]
[TD] [/TD]
[TD] [/TD]
[TD] [/TD]
[TD] [/TD]
[TD] [/TD]
[/TR]
[/TABLE]
[/TD]
[/TR]
[/TABLE]

I put a set in my short-scale Dean E'Lite/Cadillac last year and love them. It's also a set neck with TOM/stoptail, but doesn't get muddy at all.
 
I was going to say Super Distortion, but if bright is your concern, go with a Super 2
 
I was going to say Super Distortion, but if bright is your concern, go with a Super 2

Nah, the OP needs warm and thick. Super 2 is going the opposite way, and IME could be pretty harsh in a bright Strat.
Super D would be closer to what he wants, if he decides not to go with The Breed.

AT-1 was an excellent recommendation too: less corpulent than the TZ yet offers nice body on leads up high on the neck.
The AT-1 is a seriously really great pickup.
 
Question for the OP: have you checked the pot values in your Strat? Might have 500k pots making it sound brighter.
If so, and since you like the TZ except for that fizziness up top, a 250K volume pot could be a cheap and simple fix.
Worth checking/trying, at least.
 
The Tone Zone was a great fit in a really bright guitar I have. I put another one into a bright Strat recently and like it there too, but the fuzzy harmonics are kind of out of control. They make amp distortion sound more like a fuzz box, which is cool, but it isn’t something I want all the time. The bent steel saddles may be contributing to the harmonics as well. But anyway, are there any pickups with a similar EQ curve but maybe without the dual resonance thing the Tone Zone has? Maybe the Gravity Storm?

The main goal is for my Strat to sound warm and thick—I love how thick lead tones are on even the higher frets with the Tone Zone—though I could probably get by with a bit more treble than the TZ has. Let me know if anything springs to mind for you.

Gravity Storm is what I would highly recommend. Had one for a while and love them but t was so different from anything else I had eq wise I really had no were else to put it so sold it. Now wish I had not as it is a killer big open sounding pickup perfect for a guitar that is on the bright side and one of the most dynamic and touch sensitive pickups that I have ever used. Never really found a neck pickup that was a solid tonal match for it though in a humbucker. Had it in my Carvin ST 300 which was on the dark side but it still got a monster tone. Just was to different from the rest of my guitars and didn't work for what I needed that particular guitar for so went to a full SNS set.
 
Gravity Storm is anything but thick.

Don't know where you get that as had one for a while and i was absolutely HUGE sounding! Wish I had kept it but went to a SNS set in the particular guitar i had the GS in and sold it and the PAF Joe I had in that guitar to help fund the SNS set. Have though about picking up another because of the fat smooth tones.
 
Back
Top