You know the story. Swapping pickups like Charlie Sheen swaps strippers.
Les Paul Classic came with 57s, the neck was mud, the bridge wasn't horrible, it just needed to be more articulate.
Send in the Seth Lovers. Beautiful and clear tone when playing clean to slightly overdriven, just missing that something extra to push things over the top. In non-descriptive terms, they need more balls. Not really 'remarkable' when playing with heavier OD and Fuzz.
Custom Shop Alnico II's. These are fantastic if not slightly 'sterile'. Maybe a little too crisp and tight. The bass definitely seems tighter. I'd like a little looser bass response.
My setup is the aforementioned Les Paul, a Laney AOR 30 (6-knob) head, Avatar Vintage 212 with V30's, various pedals. Music ranges from some lighter clean classic rock (Can't You See) to distorted country covers (Me First and the Gimme Gimmes - Goodbye Earl) to Fuzzed out alt-modern rock (Black Keys and White Stripes).
So, I'm thinking I should go with a set of Pearly Gates or a set of A4/UOA5 59s.
Thanks in advance.
Les Paul Classic came with 57s, the neck was mud, the bridge wasn't horrible, it just needed to be more articulate.
Send in the Seth Lovers. Beautiful and clear tone when playing clean to slightly overdriven, just missing that something extra to push things over the top. In non-descriptive terms, they need more balls. Not really 'remarkable' when playing with heavier OD and Fuzz.
Custom Shop Alnico II's. These are fantastic if not slightly 'sterile'. Maybe a little too crisp and tight. The bass definitely seems tighter. I'd like a little looser bass response.
My setup is the aforementioned Les Paul, a Laney AOR 30 (6-knob) head, Avatar Vintage 212 with V30's, various pedals. Music ranges from some lighter clean classic rock (Can't You See) to distorted country covers (Me First and the Gimme Gimmes - Goodbye Earl) to Fuzzed out alt-modern rock (Black Keys and White Stripes).
So, I'm thinking I should go with a set of Pearly Gates or a set of A4/UOA5 59s.
Thanks in advance.