Re: Analog Delay Pedals
Mincer said:
Hmm, never had a problem with tone loss or it being 'digital sounding'. Always loved mine- and it is in a lot of pro's pedalboards too. They did update the software as well. It does have a 'true bypass mode' although I don't use it. Maybe an early version?
It is worth it for the looping alone. With my rig, it sounds better than any analog pedal I have tried. Besides, no analog pedal has 28 seconds of delay!
I also use an Oberheim Digital Echoplex Pro...probably the king of long delays and loops. It is rack mounted though, but has a footpedal for the most used functions.
It is a well made pedal, no doubt. The tap tempo, pre-sets and true bypass are reason enough alone to get it if you like delay.
I just have quite a few really good (vintage & new) analog delays. And I usually only use a quick repeat (da da da da), so I never needed such long delay times.
Threre has always been a certain quality to a digital delay that was unpleasing to my ears. And it's not just the brightness of the repeats. It's the whole character of the delayed signal.
To my ears, there is a harshness in the decay and a thinness to the sound that I have always hated. Although many of these new units are really good at "turning the treble down" on the repeats and warming up the echoes a bit, the equation is not that simple. I still hear that digital character, but it is warmer.
When I had the DD-6 (Line 6), I A/B'd it with my Boss DM-2, Maxon AD-80 and Maxon AD-9.
The Line 6 wins hands down in terms of flexibility, but there really was no contest when it came down to tone.
I could definitely simulate the analog delays with some tweaking, and it got CLOSE, but........and I REALLY wanted to like it for the tap tempo and all...... it just wasn't as REAL sounding to me. Not as warm, big or smooth. Not as organic.
Whenever I clicked it on, my guitar sound got the tiniest bit
smaller. Very subtle, but there. Not something everyone would notice, but I did.
It is a great unit, no doubt, and has earned it's place in many pro rigs. Just not my thing tone wise.
And the OTHER thing is: it would have been the only digital thing in my signal chain. Everything else is analog. For my own taste, as soon as your signal is converted to digital it changes (gets a bit processed sounding). I like the all analog thing which to me sounds the most organic, big and real. And true bypass wherever possible so that when I am not using an effect the signal loss is diminished.
Just my 2 cents! Peace.
:burnout: