Mikelamury
New member
I was just wondering if anyone has tried any Ruby tubes and what was your opinion. I'm looking at some Ruby 12ax7cs HG tubes and was just looking for opinions. They seem to be priced pretty well. Thanks for any feedback.
I was just wondering if anyone has tried any Ruby tubes and what was your opinion. I'm looking at some Ruby 12ax7cs HG tubes and was just looking for opinions. They seem to be priced pretty well. Thanks for any feedback.
The guy we took our amps for servicing really trashed Ruby’s as a “rip-off” and “overpriced junk”.
Knowing him, that adds up and makes a lot of sense. Thanks for the insight. It was a long, long time ago (2005 I think) but I think he mentioned something about ascertaining matched tubes being something one can easily do themselves and it’s mostly unnecessary.This comment is lacking some context of course, but I'm guessing he's questioning paying the extra costs for a service like Ruby to rate and match the tubes (as being a ripoff) and not the quality of the tube itself -as Ruby doens't make the tube -nor are their tubes different than any other brand sources from the same factory.
SO -I'd say this -he has a valid point on the "value" of rating/matching companies in general -as mathced tubes do not equate to "better sound" -just slightly less efficient amp operation -which honestly -unless that are horribly mismatched -doesn't often matter.
So a rip off? thats hyperbole -these companies aren't tricking people, it's more the consumer not being educated. but not a good value? yeah, maybe -I think that paying those extra costs as more of paying to know that a set is not way way different (which is not common) and to know the headroom on the tubes so I know if clean or dirty tones are more suitable -there's value in knowing that to many folks, but could be considered unnecessary for many too.
So nobody should feel the need to pay 5 to 15 dollars more for Ruby or Groove tube etc,...for a better tone. You likely cant hear the difference in your amp tubes matching making the amp slightly more efficient -only if they want to be reassured the tube values aren't criminally off or want to know about where in the equation the tube enters break up.. and want to better be able to repeat that breakup or clean tone in an amp at a certain volume from set to set.
Maybe save money on matched and rated tubes and buy an inline tube socket probe and a multimeter to measure tubes yourself and by tubes in bulk if you are curious also.
Knowing him, that adds up and makes a lot of sense. Thanks for the insight. It was a long, long time ago (2005 I think) but I think he mentioned something about ascertaining matched tubes being something one can easily do themselves and it’s mostly unnecessary.
Knowing him, that adds up and makes a lot of sense. Thanks for the insight. It was a long, long time ago (2005 I think) but I think he mentioned something about ascertaining matched tubes being something one can easily do themselves and it’s mostly unnecessary.
I definitely recommend buying matched power tubes, it is worth it for the reasons Rich listed above and since they are a bigger investment a litte extra for matching isn't a big deal. Preamp tubes, not a bit a deal. Some people believe the sides of the PI should always be matched, and it makes sense, I just don't think they are ever that far out.
So here's my caution.
As you know, all tubes of course are mismatched -as they can never be perfect -only within a tolerance selected by the rating company (which differs) -so my point is -at what point does this mismatch which always exist become a problem? -either in tone or amp stress? And does anyone here know when a mismatch becomes audible? I doubt it
I always recommend matched tubes for older vintage amps to be on the safe side and for touring amps -especially to match the headroom -but a newer casual amp for jamming, gigs, recording, etc etc -I just don't think matched is a big deal at all.
So here's my caution.
As you know, all tubes of course are mismatched -as they can never be perfect -only within a tolerance selected by the rating company (which differs) -so my point is -at what point does this mismatch which always exist become a problem? -either in tone or amp stress? And does anyone here know when a mismatch becomes audible? I doubt it
I always recommend matched tubes for older vintage amps to be on the safe side and for touring amps -especially to match the headroom -but a newer casual amp for jamming, gigs, recording, etc etc -I just don't think matched is a big deal at all.