Are high output pickups outdated?

I suppose that it's all a matter of taste. Low gain pickups can do metal. I think that back twenty years ago, Mark Morton was using a set of 59's in early Lamb of God stuff. And I would say that even now, Petrucci's pickups would be classified as medium gain.
But there is something about an Alternative 8, JB, Distortion, X2N etc that just hits different.
 
I feel them different, I'd say more compressed in lack of a better definition, but I end up thinking it must be something about the thinner wire, not the output
 
IMO, a Dimebucker with the volume rolled of does not make a PAF any more than a PAF with a bunch of pedals make a Dimebucker.

I don't think anyone playing a high-gain pickup expects it or even wants it to sound like a PAF. However, a high-gain pickup with the VOL rolled back can definitely cover that PAF sonic territory, especially the Black Winter, which responds to the VOL knob and splits incredibly well.
 
I don't think anyone playing a high-gain pickup expects it or even wants it to sound like a PAF. However, a high-gain pickup with the VOL rolled back can definitely cover that PAF sonic territory, especially the Black Winter, which responds to the VOL knob and splits incredibly well.
All this hype about the Black Winter set is wild. On paper, they look like super overwound pickups in the vein of Invaders and such, but many experienced members here speak to their versatility. I might end up getting a set if/when GAS strikes again some day.
 
I think the Black Winter is one of the best pickups in Seymour Duncan's history and the worst named and marketed. None of the guys I know who are playing them and have had success with the Black Winters are Black or Death Metal guys. Most of them are playing heavier styles of metal but in the Metallica, Pantera, Korn or Masterdon type of realm. I just used mine on a hairband track in the studio, and they sound great.

And the BWn seldom gets talked about, and it is a monster pickup.
 
I think overall, it can be hard to come up with a name for a pickup that describes it properly. If the name is too broad, people assume it can't do any one thing really well. Pigeon-hole it, and lots of people outside that genre ignore it. I think companies tend to go with what their best shot is...and dark metal is pretty damn popular right now. I think if it came out 25 years ago, when that music was still out of the mainstream, it might be named something different.
 
I think the Black Winter is one of the best pickups in Seymour Duncan's history and the worst named and marketed. None of the guys I know who are playing them and have had success with the Black Winters are Black or Death Metal guys. Most of them are playing heavier styles of metal but in the Metallica, Pantera, Korn or Masterdon type of realm. I just used mine on a hairband track in the studio, and they sound great.

And the BWn seldom gets talked about, and it is a monster pickup.
I used them to play Swedish-style Melodic Death and Death and Roll and that sorta stuff.

Granted, it's not really like super Trve Kvlt Death or Black Metal, but it is Scandinavian in style, LOL, so I suppose my playing-style is not far off from who the target demographic is.

So while I don't disagree that they can be versatile, I sometimes feel that can also someitmes undermine how heavy and br00tal they can get too. I think they're marketed well, personally. I don't think they could market a 16K triple ceramic magnet any other way.
 
I have found over the course of the past few years that high-output ceramic pickups are definitely not my thing anymore. The Duncan Distoriton to be specific, its all fizz with a high-gain head. With that said, high output pickups sound really good with something mid gain, such as a JCM 800 or Silver Jubelie. I DO still dig the Duncan Custom, as it is a small ceramic mag-still quite hot, but still has great dynamics/versatility. I had a set of black winters in an Ibanez about 5 years ago, but never got into the guitar. Maybe i will have to give them another try with a different guitar.

These days, i have mostly been using medium to vintage-hot pickups (everything in the "Custom" family, PATB1, 59, SNS, Slash 2.0, Screamin Demon) as i mostly play traditional and Thrash metal. A high gain head with a good overdrive does wonders for medium output pickups.
 
I think overall, it can be hard to come up with a name for a pickup that describes it properly. If the name is too broad, people assume it can't do any one thing really well. Pigeon-hole it, and lots of people outside that genre ignore it. I think companies tend to go with what their best shot is...and dark metal is pretty damn popular right now. I think if it came out 25 years ago, when that music was still out of the mainstream, it might be named something different.

For sure. The BW is a funny case because they went so hard on the ov fire and void vibe outside of the specs -- the name, the lettering on the pickup case, the description. But then the happy accident occurred: guitarists started to use it and quickly figured out that it had many more versatile applications than just black metal (though of course it does your Black Dahlia Murder and Behemoth and so on very well, as you'd expect). I don't remember the release history; did it come after or before the Nazgul? Because the Nazgul got the same metal promo but it is definitely more of a one-trick pony (but good at that trick!).
 
Between a Seth, PG, 59, JB or a Custom I can make any guitar work. As a practical matter it is just a choice between PAF and hot. The Seth/59/PG lets me pick how bright I want it. The Custom/JB let me pick hoe much midrange I want. That's really all there is to it for humbuckers
 
Back
Top