Artec QTA 4-way tone control review

idsnowdog

Imperator of Indignation
I purchased a Artec QTA for a project guitar that I have installed Lace Sensors in. I wired it up yesterday and played with it for a while so I thought I would do a review. For those of you who are unaware Artec makes a number of both active and passive modular controls for guitar/bass. The QTA is a five position rotary switch with four different EQ settings and the fifth position is bypass. Clockwise the settings are Low Peak, Mid Peak, High Peak, Light Tone and Bypass. The passive counterpart of this circuit is called the QTP and both are supposedly modeled after the Gibson Varitone switch.

The Good:
Small footprint
Modular
Low noise
Simple wiring
Multiple settings

The Bad:
Low gain
No trim pot to adjust output gain
Minor switching noise
The EQ range is mostly in the treble frequencies.
Small control cavities can be a problem.
You need to find room for a 9 volt battery
You have to remember to unplug your guitar or it will drain the battery

Review:
I bought this unit with hopes that it would be a booster along the lines of the mid-boost circuit found on the Clapton Strats or a Brian May style treble booster. However the output gain closely matches the input gain. This would more precisely be classified as an EQ control rather than a booster and the frequency ranges it boosts are largely confined to the treble end of the spectrum. Using it instead of a tone control is a mistake and you really need the interaction of volume, tone control and QTA in order to be effective. However the changes in tone it has are pretty subtle and it makes you wonder why you bothered installing it? It is very quiet though and there are only slight switching noises between the positions. It would have been nice to know what frequencies were being effected and the amount of output gain boost ahead of time.

The positions:
Low Peak – This is the most drastic of the 4 positions. It’s not really a bass boost. Instead it’s a high midrange boost around 1k. Both bass and treble are attenuated and it sounds like a wah 2/3 in the toe down position. Limited use.

Mid Peak - This position is pretty subtle. I’m not really sure which frequencies it is boosting but they are what I normally consider to be treble and not midrange. Limited use.

High Peak – This position is pretty subtle. It almost sound like the midrange is slightly decreased while Bass and treble over 4K is boosted. Limited use.

Light Tone – This is the subtlest of the positions. You get a slight boost in bass response and treble. Not worth the trouble.

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Re: Artec QTA 4-way tone control review

Today I rehoused this circuit in a project box because it was lying unused. Placing it in a project box made the wiring of the unit a lot easier and improved the dynamic range of the effect slightly, but most of its range is still in the treble frequencies. It's still a pretty subtle effect and it would be better classified as a EQ shift than a booster. If this unit had a trim pot for volume like the QDD it would be a lot more useful.

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Addendum 8/1/2020:

I guess you can teach an old dog new tricks! Recently I have been messing around with active pickups and I have found that the QTA loves active pickups, it loves a powerful input signal and it likes running at 18v. The more powerful the input signal the more pronounced the tonal change is. The output from EMGs running at 18v is napalm, while Blackouts and Livewires at 18v are nuclear bombs. If you're looking to replace a wimpy tone control for an EMG this is a good choice.
 
Wow, this is a crazy project I missed first time around. I am happy you found a place for this interesting project!
 
Nice review. Cool project. Where do you buy one of these?

P.S. I just noticed how old the original thread is. :D
 
Nice review. Cool project. Where do you buy one of these?

P.S. I just noticed how old the original thread is. :D
You can find them from a number of suppliers on eBay https://www.ebay.com/itm/Artec-QTA-5...8AAOSw7yZbSQ9e . I had originally planned to use this with a guitar I just completed that had been shelved in frustration (wiring) since 2016. I intended to use it with either Lace Sensors or a Blackout Metal set but they really don't need any boosting and I wasn't able to find a used Blackout single for the middle position of that project and I knew mixing SD's and EMG's was a compromise from my experience with my Aria Fullerton.

When I got my Ibanez RG recently it came stocked with EMG-81s and after some experimentation I found the Blackouts sound best in that guitar. So I took one of the two EMG-S singles that I had after I replaced them with Livewire's from my Aria project and combined them with one of the EMG-81's in the bridge position and an EMG-H in the neck that I bought off eBay. The 81/S/H make an excellent set in this guitar but the middle and neck need a boost. They sound great clean but a bit cold distorted. Also EMG's tone capacitor specification is completely useless and I couldn't see spending $100 for any of EMG's accessory pots when none of the other parts are worth that much.

I have no idea why EMG would specify .1 capacitors for their tone controls because they barely do anything? Maybe the .47 that Blackouts call for makes a more useful tone control but I'm not looking to make anything darker with an improved tone control? Instead I wanted the middle/neck positions to be brighter and louder which this QTA does nicely. I don't intend to disassemble the QTA I have in the project box and will instead buy another to mount in the guitar in place of the tone control. The remaining EMG-S I had left over from the Aria project went to my Bronco bass which was a vast improvement. So it's funny how you can make a change in one project which spawns multiple other projects and resolves a number of outstanding problems.
 

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Nice axe. And thanks for that link. There's quite a few of those Artec modules, and most are fairly inexpensive. Might be fun to play with one or two.
 
I never liked the Varitone on Gibson ES-345 and ES-355 guitars. Sounded too thin and nasal. I loved the way BB King sounded using one, but it wasn't the right tone for me.

I thought for the Varitone to really work it required two humbuckers MAGNETICALLY out of phase with each other. So one would have a reversed magnet.

Then you'd adjust the volume of one pickup against the other until you find something that sounds cool to you.
 
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