I have two and am about to build another.
Already have: Ibanez RG570 with a 26.5" conversion neck. Tuned D-D on quite heavy strings. Just gives it a bit more clarity and oomph.
Already have: Ibanez MMM1 - 28" neckthru, massive bridge. Really nice, currently has Q-Tuners in it. Really punchy and clear, almost piano like.
About to build: JM-shaped 27" 7-string. With a Sustainiac.
The MMM1 is the only baritone i have ever played, then fitted w. DiMarzio Evo's. (beautifull guitar!)
Probably not the best baritone pu's.
James
Set ups like that are generally set up more for guitar players that just tune way low and less for traditional baritone style playing and tone...
Interesting that you bring this up Will .... since hearing Harry's (Petrovsk Mizinski) 7-string, QUOTE]
Yeh, the bastard! making us want to get ANOTHER guitar!:friday:
Thanks for all the replies and info, great stuff!
Got a query re scale length. The only aftermarket necks I can find are Warmoth and Allparts, both similarly, priced trying to decide.
Warmoth is 28.58" rosewood, 10-16 compound radius, 24 fret, 1 11/16 nut, choice of fret size, dual expanding truss rod, choice of tuner holes.
Allparts is 27.78' rosewood , unknown radius, 24 fret, 1 5/8 nut, medium jumbo frets, unknown truss rod, vintage tuner holes.
Warmoth neck is thinner overral, but not by much.
What would be the best tunings and strings for each given scale length?
Hardware options are no problem as I have pretty much every style of tele bridge and all sorts of tuners.
Pickups will be the Duncan STK-T2B bridge, alnico bar, 21.4 and 10.7 split and for the neck, Duncan SM-2 minibucker, ceramic bar, 8.52 full mode.
How's the recipe sound?
Cheers, Will.
The MMM1 is the only baritone i have ever played, then fitted w. DiMarzio Evo's. (beautifull guitar!)
Probably not the best baritone pu's.
Warmoth is 28.58" rosewood, 10-16 compound radius, 24 fret, 1 11/16 nut, choice of fret size, dual expanding truss rod, choice of tuner holes.
Allparts is 27.78' rosewood , unknown radius, 24 fret, 1 5/8 nut, medium jumbo frets, unknown truss rod, vintage tuner holes.
Warmoth neck is thinner overral, but not by much.
What would be the best tunings and strings for each given scale length?
Depends what you're going for - I like baritones for the rich, deep, clear sound they can produce. If you're after low-down filth then something without too much bass would make sense.
On the Allparts you could probably use a 10 top but then heavier bottom than you'd normally get in such a set and get fairly low. The Warmoth would let you use lighter strings or tune lower. I think I'd find the Warmoth too long - the 28" scale of the MMM1 is a stretch lower down, making it another half an inch longer doesn't sound like a good plan to me.
I also prefer the Baritone acoustics. I just got home from the Healdsburg guitar festival. There were about 150 custom builders. A few had baritones. I particularly liked David Berkowitz Baritone. Very articulate