One of his was modded by Todd Langner from ADA in the late 80's early 90's when Todd was still modding amps. Todds 5 stage circuit sounds pretty good, but quite honestly its a little dated nowadays and it has the potential to be a little unstable and noisy, plus most 4 stagers will produce the same amount if not more distorted goodness with out the noise potential that's inherent in the design. I reproduced it once a few years ago and had to build an internal noise gate to get it quiet enough for studio use.As far as just heard - I don't know what they did to Gary Holt's (Exodus) Marshall to make it sound as it does, but his rhythm tone was It always so gnarly.
They both used 34 in rehearsals, but slash used 36 on the AFD recording because 34 was on loan at the time by lynch I believe for the BFTA sessions. Certainly sounds like it on that album. Slash owns #36and the one Slash/Lynch used.. (SIR#34?)
Has anyone been able to document some of these epic Marshall mods?
You'll never know the truth with Van Halen, but were the first two albums cut with a relatively stock Plexi or were there some mods to get there?
At the moment its the Dookie SE mod used by Green Day's guitarists.
You'll never know the truth with Van Halen, but were the first two albums cut with a relatively stock Plexi or were there some mods to get there?
Ah but Mike Soldano and Reinhold Bogner both looked at it much later in the late 80's, early 90's respectively after it had been put back to stock. There have been other accounts of it not being stock by earlier techs that had looked at it. Truth is who knows.Mike Soldano has looked that amp over and has confirmed it is bone stock.
Is it me or do Marshall's always have to be modded to sound good?