Two names you should know if you're into running multiple amps. Lehle if you can spend big. Radial if you're on a budget.
http://www.sweetwater.com/store/det...g&matchtype=&gclid=CPWuq7uBrrsCFcxAMgodPWkAJQ
And Voodoo ... And Rocktron ... And Carl Martin. You oversimplify it.Two names you should know if you're into running multiple amps. Lehle if you can spend big. Radial if you're on a budget.
http://www.sweetwater.com/store/det...g&matchtype=&gclid=CPWuq7uBrrsCFcxAMgodPWkAJQ

Whenever I played around with a stereo setup, I would always use a stereo effect at the end of my pedal chain, since I'm almost always using a bunch of stompboxes.
do they cleanboost up your signal to send full power in each direction, btw, or do you get 50% into each only? always wondered about that.
WRONG.An a/b/y box doesn't have to have any other parts than some lead and a 3 way stomp. I'd like to make one similar to the radial box and add switchable buffers to the outputs. That part count is still under 10 components, and nothing will be more expensive than the box.
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Hehe, yes! The irony was not lost on me.You're right, there's some good switching systems out there, and you pretty much need one if you don't want a loud hum by simply splitting with a stereo pedal.
It is funny that the two companies I mentioned are the ones on your board.
You know, I really don't know! I was under the impression that the Twin City replaced it, but I really don't know ... The phase switch is the most important part of that pedal, as I have quickly found out that not all of my amps are in the same phase.The Radial Big Shot ABY box looks like a good one for the money, since it's got the vital features like phase reversal, isolation, and ground lift. Is your Twin City a better version of that? They both appear to be similar.
The Radial Big Shot ABY box looks like a good one for the money, since it's got the vital features like phase reversal, isolation, and ground lift. Is your Twin City a better version of that? They both appear to be similar.
The Twin can take 9-12V, actually. I've not A/B'd different power supplies to see if there is a difference. The Twin has LEDs, which need power (the LEDs are very helpful). Twin also has drag control for matching impedance. It also has a buffer. I do not know if these features are dependent on the power supply.The Twin City is active, i.e. needs a 9v. The Big Shot does not. How exactly the Twin benefits from the battery I've no clue.
It seems like the idea of the non powered switch is the best, just because it eliminates yet one more chance of a ground gremlin, having the two amps and the switch all on the same electrical circuit.
tonebone.com said:To eliminate hum and buzz from ground loops, the Twin-City is equipped with an isolation transformer on output B. This is augmented with a ground lift switch and 180º polarity reverse switch that ensures both amplifiers play in phase while noise is reduced to an absolute minimum even when using older vintage amps that are generally more prone to noise. As a buffer, the Twin-City lowers the impedance and susceptibility to noise, making it the ideal signal driver for large stages when using long cable runs.