75lespaul
New member
Sorry for the long post, but I'm all fired up.
Don't know if it's the guitars or the amps I'm using, but I went to Radio Shack and got me some 470K resistors and soldered them to the volume pots on my 75Les Paul and the new 81 Les Paul and DAAAAMMM do they sound better. First the 75; always been a bright guitar for the bridge pickup. I swapped out all the original electronics for brand new CTS 500k pots and .022 Orange Drops, A2P neck and Custom Custom bridge--both Custom Shop pickups with two rows of screws (Thanks JohnJohn)--but the guitar was still a bit bright. Enter Blueman335. I have been reading for YEARS about he always uses 250K pots in everything, but I feared change. I was a sheeple. The big machine said 500K in a Les Paul, and I shuddered to change. I even called three Guitar Centers to see if they had long shaft 250K push/pull pots and ALL THREE said "don't you mean 500K" when I said they were for a Les Paul.
Okay, here I come Radio Shack! I put the resistors in this morning and it just seems like there's more to it than a pot that has the tone turned down a bit. The guitar seems warmer and that bright top end is gone. It also has a fullness that I've never heard before. I was jamming on "Hot Blooded" from Foreigner, and my seven year old daughter who was home sick today even commented on how the guitar didn't "hurt her ears" anymore (let fly with the jokes, I can take it, lol).
Next came the 81. Jazz neck (Duncan Designed, best designed pickup in my opinion--can't hear the difference from the original like the other models), and Brobucker bridge. Again, just a little bit of a bright top end, so I swapped a UOA5 into the Brobucker and an A2 in the Jazz. Okay, so after breaking a few wires inside the Jazz somehow, ha ha, I fixed it, installed it, and soldered the resistors to the volume pots. Again---magic. The brightness at the top is now gone, and the neck pickup which was really bright, is now warm, full, and soooooo creamy with overdrive and distortion. The guitar doesn't sound quite as full as the 75, but the Brobucker sounds like it was made to be in this guitar. I may put the original magnet back in to see how it sounds with the 250K pot, but I think the UOA5 will stay. By the way, the guitar came with a mini toggle that was used to split the pickups, but I put in the push/pull tones for that and I wired the switch up for phase. Wow...what a guitar now, lol...WOW!
Good stuff. The other guitars with 500K pots that I'm keeping sound great as they are, so I won't be changing them, but if I can't sell the Purple Turser (which I'm hoping I can't, ha ha) I'll do the whole push pull tone and 250K volumes on that with a phase switch. I'm doing that now with the Chinese Gibson fake SG. I'd love to do it to the 75 with a push/pull volume for phase (don't wanna drill a hole for a mini switch in that guitar) but the pickups are single conductor.
T H A N K.....Y O U.....B L U E M A N 3 3 5 ! ! !
Don't know if it's the guitars or the amps I'm using, but I went to Radio Shack and got me some 470K resistors and soldered them to the volume pots on my 75Les Paul and the new 81 Les Paul and DAAAAMMM do they sound better. First the 75; always been a bright guitar for the bridge pickup. I swapped out all the original electronics for brand new CTS 500k pots and .022 Orange Drops, A2P neck and Custom Custom bridge--both Custom Shop pickups with two rows of screws (Thanks JohnJohn)--but the guitar was still a bit bright. Enter Blueman335. I have been reading for YEARS about he always uses 250K pots in everything, but I feared change. I was a sheeple. The big machine said 500K in a Les Paul, and I shuddered to change. I even called three Guitar Centers to see if they had long shaft 250K push/pull pots and ALL THREE said "don't you mean 500K" when I said they were for a Les Paul.
Okay, here I come Radio Shack! I put the resistors in this morning and it just seems like there's more to it than a pot that has the tone turned down a bit. The guitar seems warmer and that bright top end is gone. It also has a fullness that I've never heard before. I was jamming on "Hot Blooded" from Foreigner, and my seven year old daughter who was home sick today even commented on how the guitar didn't "hurt her ears" anymore (let fly with the jokes, I can take it, lol).
Next came the 81. Jazz neck (Duncan Designed, best designed pickup in my opinion--can't hear the difference from the original like the other models), and Brobucker bridge. Again, just a little bit of a bright top end, so I swapped a UOA5 into the Brobucker and an A2 in the Jazz. Okay, so after breaking a few wires inside the Jazz somehow, ha ha, I fixed it, installed it, and soldered the resistors to the volume pots. Again---magic. The brightness at the top is now gone, and the neck pickup which was really bright, is now warm, full, and soooooo creamy with overdrive and distortion. The guitar doesn't sound quite as full as the 75, but the Brobucker sounds like it was made to be in this guitar. I may put the original magnet back in to see how it sounds with the 250K pot, but I think the UOA5 will stay. By the way, the guitar came with a mini toggle that was used to split the pickups, but I put in the push/pull tones for that and I wired the switch up for phase. Wow...what a guitar now, lol...WOW!
Good stuff. The other guitars with 500K pots that I'm keeping sound great as they are, so I won't be changing them, but if I can't sell the Purple Turser (which I'm hoping I can't, ha ha) I'll do the whole push pull tone and 250K volumes on that with a phase switch. I'm doing that now with the Chinese Gibson fake SG. I'd love to do it to the 75 with a push/pull volume for phase (don't wanna drill a hole for a mini switch in that guitar) but the pickups are single conductor.
T H A N K.....Y O U.....B L U E M A N 3 3 5 ! ! !