I'll try this post again since my last one had enough typos that made it hard to understand.
I tried something new, I like it, so I thought I'd pass it on....
On a Mesa Boogie Rectoverb 50 watt combo, try using just the gain and the master out settings only (I like gain about 12 o'clock and master out to 11:00 o'clock) and set the treble to off, the bass to off and set the mid to just barely used (I like 8 o'clock). These setting can be used in the clean channel or the dirty channel.
This creates a Fender-like cleaness, with a nice hollowness, with the crunch of a Boogie (when in the dirty channel). It's pretty cool.
Anyone else try something like this?
I play a Heritage H-157 with a Seth-Lover neck and 59 bridge through the Rectoverb with these settings and I can go from clean and defined to crunch monster (when I begin to dial-in the other treble, mid, and base, and more gain). Wondering if anyone else has tired something similar?
Thanks.
I tried something new, I like it, so I thought I'd pass it on....
On a Mesa Boogie Rectoverb 50 watt combo, try using just the gain and the master out settings only (I like gain about 12 o'clock and master out to 11:00 o'clock) and set the treble to off, the bass to off and set the mid to just barely used (I like 8 o'clock). These setting can be used in the clean channel or the dirty channel.
This creates a Fender-like cleaness, with a nice hollowness, with the crunch of a Boogie (when in the dirty channel). It's pretty cool.
Anyone else try something like this?
I play a Heritage H-157 with a Seth-Lover neck and 59 bridge through the Rectoverb with these settings and I can go from clean and defined to crunch monster (when I begin to dial-in the other treble, mid, and base, and more gain). Wondering if anyone else has tired something similar?
Thanks.