Dan-ola
New member
Have a couple questions about Custom 5s...
1 - I have a Yamaha AES620HB(semi-hollow, Les Paul shape), has a JB in bridge and Yamaha alnico in the neck. The JB rocks but I am having an urge to change to Custom5 bridge and Jazz neck - what would I gain if I am playing blues, classic rock, and some 80s rock mixed in with King's X?
2 - I have an ESP 400 Strat (62 reissue, maple neck, unknown body) that has a JB in bridge and Texas Specials in the mid/neck. I am almost set on Fat 50s to replace the TS and again the C5 sounds like it might be a better match for the Fat 50s - opinions? Other option is to match the Fat 50s with either a Twangbanger or Fralin SP43 and leave the full-on rock to the Yamaha, using the Strat for blues, cleans, and "crunchy" rock only.
Amp used with both is Crate V58 (just got it - wow, what a sweet little amp!!)
Maybe I should have gone with 2 seperate posts
Dano
1 - I have a Yamaha AES620HB(semi-hollow, Les Paul shape), has a JB in bridge and Yamaha alnico in the neck. The JB rocks but I am having an urge to change to Custom5 bridge and Jazz neck - what would I gain if I am playing blues, classic rock, and some 80s rock mixed in with King's X?
2 - I have an ESP 400 Strat (62 reissue, maple neck, unknown body) that has a JB in bridge and Texas Specials in the mid/neck. I am almost set on Fat 50s to replace the TS and again the C5 sounds like it might be a better match for the Fat 50s - opinions? Other option is to match the Fat 50s with either a Twangbanger or Fralin SP43 and leave the full-on rock to the Yamaha, using the Strat for blues, cleans, and "crunchy" rock only.
Amp used with both is Crate V58 (just got it - wow, what a sweet little amp!!)
Maybe I should have gone with 2 seperate posts
Dano